Art · Watercolour

Sail Away….

Sail Away - NB

A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…

Colours used: Prussian Blue, Indigo,  Phthalo Blue, Cobalt Teal Blue

Paper: Fabriano Artistco Watercolour Paper, 100% cotton, 140 lb Cold Pressed

You don’t always have to labour for days and hours over a detailed masterpiece, sometimes something quick and simple is enough….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 21

Week 21 of the Surface treatment workshop is about embedding items into a work surface. Embedding helps to create interesting textures that seem to be custom made to a piece of art work.

I did just one sample for this week and kept it very simple…,

Week 21 - Embedding - NB

I attached a piece of lace fabric to some sketchbook paper with modelling paste and then blended the edges of the fabric into the surface with a bit more modelling paste. I left it to dry and painted stripes of colour over it. The fabric has blended into the paper quite well. Here’s a closer view…

Week 21 - Embedding - Macro - NB

The edge of the fabric blended quite seamlessly into the work surface….

The touch of sparkle is a touch of pearl mica in a shade called Diamond Dust – it’s one of my favourites….

This sample will be added to my growing pile of samples ready for gluing into my STW Sketchbook…..

 

Art · Watercolour

Quick Watercolour Seascapes

Today I managed to find an hour to do a couple of quick watercolour seascape sketches….

St. Clements Isle Watercolour - NB

Above is a watercolour sketch of St. Clements Isle, just off the coast of Mousehole, Cornwall, UK. This is one of those paintings that is best viewed from a slight distance. This watercolour is loosely based on the photo below:

a-black-diamond-edit-nb

This is the other watercolour sketch I did this afternoon:

Turquoise Seascape - NB

This watercolour is of nowhere in particular and just came straight out of my imagination. I started this by wanting to just use up the left over paint in my palette and it kind of turned into a seascape…

I enjoyed doing these quick seascapes this afternoon. Both measure approximately 6″ x 4″ – just the right size to go into my watercolour sketchbook. Both were done on 140 lb watercolour paper.

By The Sea · Photography · Surface Texture

Mousehole Colours & Textures

Mousehole Colours & Textures - NB

Inspirational colours and textures in Mousehole, Cornwall, UK. Soft blues, greens and greys…

Blue Boat Texture - NB

Weathered blues, soft greens, flaky peeling paint and rust….

Harbour Blues & Rust - NB

These colours inspire me….. they make me want to get mixing watercolours in my paint palette and splash colour on paper….

Art · Erosion Bundles

The Making Of An Erosion Bundle

This is the post a few people have been waiting for…. ! This post is all about how I go about making my Erosion Bundles. I would like to state at the outset that this is NOT A TUTORIAL. In this post I am simply documenting how I made my current set of erosion bundles. Each time I make erosion bundles they are different – different ingredients, different papers, different fabrics etc. – it’s never the same.

I begin by gathering all of the things I need for my bundles. The primary components are the papers and fabrics….

Fabrics - NB

Papers 1 - NB

These are just a sample of the papers and fabrics I used. Next I need interesting things to go between the papers and fabrics…

Blackberries - NBBlueberries - NBRusty Stuff - NB

Tea Bags - NBEyeshadow - NBPearl Mica - NB

My ingredients above are: blackberries, blueberries, rusty stuff, teabags, eyeshadow and some pearl mica. The blueberries and blackberries I bought fresh from a local supermarket and froze them till I was ready to use them. All the rusty stuff I have rusted myself in my back garden! The eyeshadow was only 59p from a local discount store!

Ingredients gathered it’s now time to start layering papers and fabrics….

Paper & Fabric Layers - NB

Generally, I put the stronger, thicker papers and fabrics towards the outside of the bundle and the more fragile papers and fabrics nearer the centre of the bundle. At the base I started with a fairly strong piece of paper. In this case I used a piece of textured wallpaper as my base – textured side inside. It was approximately A5 size. Then I started randomly adding some of the staining ingredients on top. Then I added some fabric and more staining ingredients on top of that.  I like to vary the staining ingredients on each layer a little so each layer is slightly different. I added some more paper, more staining ingredients. I keep going till I have quite a thick pile of papers and fabrics layered up as in the picture above. You can see some blueberries and a rusty washer at the edges of the bundle in the picture above.

When my erosion bundle was about 4 – 5 inches high I decided that was enough and tied it all together with string….

Tied Bundle - NB

Tied Bundle - Side View - NB

You’ll notice in the first image above that I used quite a lot of string and I tie my bundles fairly tight as I don’t want anything falling out! You’ll also notice in the first image above that some of the string is stained…. that’s because I recycle my string! I always save the string from my previous erosion bundle and use it again for the next one if possible!

I had enough papers, fabrics and staining ingredients left over to make two more erosion bundles….

2 More Bundles - NB

Notice the recycled string again… ! All three bundles went out in the garden on Monday afternoon (24th July 2017). How long I leave them will depend on the weather. But I don’t want to open them till at least the end of September or possibly the end of October.

Hanging On The Fence - NB

The first bundle (above) is now hanging on my garden fence and the second two are sat on an old seat by my back door. It is hard leaving them for 2 -3 months – the curiosity is almost overwhelming – I’m dying to know what’s going on inside! But you just have to be self controlled, leave them alone and let nature and the elements work their magic on them….

For me, erosion bundles are all about experimenting! There are NO RULES – anything goes! In my view, there is no right or wrong way to do an erosion bundle! I’ve just gradually developed my own way of doing them. Some people like to use only natural ingredients in their bundles (fruit, veg, plants etc.) and that’s fine. But me, I’ll use anything! If I think it might make interesting marks, stains, textures, or cause interesting chemical reactions, I’ll try it! As with all experiments, some erosion bundles turn out better than others. Through my process I’m gradually learning what works and what doesn’t.

So for all you lovely people who have asked how I make my erosion bundles I hope this post has given you a little insight into how I go about making them. And maybe you might feel like giving it a go yourself…..

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 20

Week 20 of the Surface Treatment Workshop is all about using glazes. I’ve tried to be a little bit inventive with my glazes. I used Windsor & Newton’s Artists’ Acrylic Glazing Medium. Rather than producing lots of separate pieces I decided to do just one and divide it up into sections….

Week 20 - Collage Base - NB

As you can see above I started with a simple collage base, about 6″ x 6″, and you can see that I divided it into 6 roughly equal sections lightly with pencil. My idea then was to try a different glazing technique in each section…..

Week 20 - Glazes - NB

This is what I ended up with! Now let me explain a little about each section…..

Top left: very simple, I just mixed the glaze medium with a tiny amount of sepia acrylic paint to create a vintage looking effect

Top Middle:  I mixed the glazing medium with dried paint scraping from off one of my paint pallets. It created some lovely coloured texture

Top Right:  I created a “dirty” glaze by mixing the glazing medium with rust particles scraped off some of my rust collection. Also on this section I went over the right half with a second coat of glazing medium mixed with a tiny amount of light gold pearl mica. It’s created some lovely grunge/bling texture…

Bottom Left:  I mixed the glazing medium with PVA and heated it with a heat gun to create some texture. I then went over it again with more glazing medium mixed with tiny amounts of acrylic paint

Bottom Middle:  It’s not so easy to see in the photo but for this section I simply mixed the glazing medium with a light gold pearl mica. All the collage is clearly visible but it has a lovely light gold sheen over it

Bottom Right:  For this section I simply layered different coloured glazes over the top of each other to create layers of colour

Please view the larger version of the image by clicking on it and you can hopefully see the details better. I did notice that some of my collage papers absorbed the glaze while with others the glaze just sat on top. This creates different finishes – where the glaze is absorbed the finish is more matte rather than shiny…

I quite enjoyed glazing this week. My glazed collage will go into my dedicated STW Sketchbook. Next week back to some basics again with embedding…..

Art · Surface Treatment Workshop

Surface Treatment Workshop – Weeks 18 & 19

Well I’ve managed to get myself a bit behind with the Surface Treatment Workshop,  so I’m posting 2 weeks together today and still hope to get this weeks workshop done to post later in the week!

Week 18 was about using ventilation tape. Basically it’s a thick self adhesive tin foil and it has a backing you peel off. This is probably something I would never have thought of using for art work…..

Week 18 - Ventilation Tape 3 - NB

This is ventilation tape just screwed up and the backing peeled off and stuck down. I then applied several washes of thinned acrylic paint. The paint sits very nicely in the grooves.

Week 18 - Ventilation Tape 2 - NB

Week 18 - Ventilation Tape 1 - NB

For the above I made marks in the ventilation tape, then peeled the backing off and stuck them down. I made more marks and then applied acrylic paint over the top.

Week 19 of the Surface Treatment Workshop is about embossing. I’ve used molding paste for embossing before and it worked really well, so this time I decided to try something different. I decided to use acrylic Matte Gel Medium and also Fiber Paste.

Week 19 - Embossing 1 - NB

For the above sample I started with a painted background and then applied a thin layer of Matte Gel over the top. I left it to start to dry for about an hour or so. Then I pressed a piece of patterned vintage fabric into it. I carefully peeled it off and left it to dry. The Matte Gel dried transparent so I applied some thin washes of pearl mica over the top to make the pattern stand out more.

Next is the Fiber paste sample…

Week 19 - Embossing 2 - NB

Again I started with a painted background and then applied a layer of Golden Fiber Paste. I left it to start to dry, about an hour or so. Then I pressed a piece of wallpaper onto the left side of the sample, it had a lined pattern on it. It didn’t work quite a well as I hoped but did create some extra texture. On the right hand side I pressed some rubber grip (the stuff you place under mats to stop them slipping) into the Fiber Paste, used some paper to press it into the paste and then peeled it off. This worked  a bit better, you can see the square patterns. I finished with washes of pearl mica to add some extra colour.

So it was an interesting couple of weeks in the workshop, trying different things and covering new ground (well, new ground for me!). The next surface Treatment Workshop is about using glazing mediums – looking forward to this….

 

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 17

Welcome to week 17 of the Surface Treatment Workshop. This weeks workshop was focusing on using sponges and art foam. I used just sponges. They were just ordinary flat square washing up sponges you buy from the supermarket. I cut them into wavy shapes and stamped them onto painted backgrounds…

Week 17 - Sponges & Art Foam - 1 - NB

Week 17 - Sponges & Art Foam - 2 - NB

Week 17 - Sponges & Art Foam - 3 - NB

Week 17 - Sponges & Art Foam - 4 - NB

I created several layers of colour with my sponge shapes. It’s a very basic technique but it can create some lovely textures and patterns….

Art · Erosion Bundles

Spring Erosion Bundle 2017 – Fabrics

Here are the fabric results from my spring erosion bundle. I posted the paper results about 2 weeks ago – you can see them HERE. I’m quite pleased with how the fabrics turned out….

EB Fabric 9 - NB

A piece of lacy fabric has been given a vintage make over in my erosion bundle with the aid of some rusty items and pale blue paint…

EB Fabric 9 - close up - NB

Here’s a slightly closer view of the rusty section, looking beautifully vintage….

EB Fabric 8 - NB

Above is part of an armchair arm cover. I has some lovely rust stains on it, plus paint and paper for added texture. Here’s a closer view…

EB Fabric 8 - close up - NB

You can see the paint and paper stuck to the fabric – they are completely fused together…

EB Fabric 10 - NB

Above we have some more very vintage looking lace pieces, stained by rust and teabags….

EB Fabric 1 - NB

Paint and tea stained cotton….

EB Fabric 2 - NB

Gentle rust and dark blue paint stains on some silk…

EB Fabric 3 - NB

More lovely rust stains from some washers and other items…..

Next we have a series of bleach washed denim. I soaked the denim in bleach, rinsed and dried it prior to putting it into my erosion bundle

EB Fabric 7 - NB

EB Fabric 6 - reverse - NB

EB Fabric 6 - NB

EB Fabric 5 - reverse - NB

EB Fabric 4 - NB

My fabrics will be carefully stored till I am ready to use them in  my art work. In the meantime I’m deciding what to put into my summer erosion bundle. I’m going for a different colour scheme and using other things I’ve never tried before. I’m hoping to get it into the garden before the end of the month….