Watercolour

The Beginnings Of A Seascape

Beginnings Of A Seascape - NB
Beginnings Of A Seascape

This is the beginnings of a seascape created using cling film (plastic wrap) inspired by Jean Haines’ World Of Watercolour book. The cling film creates lovely textures and patterns in wet pigment. In theory this is a fairly simple technique to use, so why have I struggled to get good results with it ?? However, I have persevered with it and above is probably my most successful attempt so far. The colours, textures and patterns in my seascape wash are beautiful. The cling film has helped to create a wild turbulent ocean. Please click the image to view it larger…

The colours I used were Winsor & Newton’s Winsor Blue Green Shade, Winsor Green Blue Shade and a tiny touch of Indian Yellow. All three are very strong pigments but they have worked together beautifully in my initial textured wash. I need to build on my initial seascape wash but I’m not going to rush it. I need to think carefully how I’m going to proceed with this painting and have some decisions to make before doing anything to it. So for now I’m just going to enjoy it as it is till I’ve decided…

Watercolour

The Kingfisher

Kingfisher - NB
The Kingfisher

A kingfisher in watercolour based on both my own image (found amongst some collage material) and the demonstration in Jean Haines’ World Of Watercolour book. This is my very first attempt at the kingfisher – a trial run – and I have to say it turned out better than I thought it would.

I will do another kingfisher and I will change a couple of things. My next one needs to be a bit shorter and fatter. And also I seem to have this bad habit of starting my painting in the wrong place and ending up too near the edge of the paper, as above… !! I must address this…

All in all a successful and fun hour spent painting this afternoon!

Watercolour

The Fun Way To Learn About Colour

The fun way to learn about colour (colour theory) is to just have fun with it; swoosh different colours across the paper, add lots of water and see what you end up with…

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Daniel Smith’s Cascade Green

Above is just Daniel Smith’s Cascade Green on it’s own in all it’s glory! Notice how the colours separate and granulate with the addition of lots of water. What a stunningly beautiful colour…

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Daniel Smith’s Ultramarine Turquoise

Ultramarine Turquoise does a similar thing – it separates and granulates beautifully with the addition of water. You can see some of the Ultramarine Blue has separated out in places…

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Daniel Smith’s Paynes Blue Gray & Raw Sienna Light

Above is Paynes Blue Gray and Raw Sienna Light. I like these two colours together…

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Daniel Smith’s Indigo & Permanent Orange

Indigo and Permanent Orange contrast beautifully together and mingle quite happily together on the paper…

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Daniel Smith’s Carbazole Violet and Monte Amiata Natural Sienna

I adore the Carbazole Violet and Monte Amiata Natural Sienna together – they contrast beautifully. I think of pansies when I see these colours together…

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Daniel Smith’s Naples Yellow & Rhodonite Genuine

Naples Yellow and Rhodonite Genuine are stunning together – I love them both. They are beautiful for floral compositions – I think of roses when I see these colours together…

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Daniel Smith’s Cadmium Yellow Medium, Cascade Green & Phthalo Green (BS)

I had no idea what would happen when I mixed the Cascade Green with the Cadmium Yellow on the paper but I like the result. I added a touch of Phthalo Green Blue Shade down the left side and it mixed with the other colours beauifully. These colours work well together…

I had so much fun creating these colour samples. I will keep them for future reference and have written on the back of each what colours I used. I’m going to build up a collection of them.

I would like to state here and now that in all of the colour samples here I LOVE the colour runs, cauliflowers and blooms !! For me they’re part what make watercolour such a stunningly beautiful and unique medium to work with. Also I’m a girl hopelessly in love with colour and texture, I always have been and always will be; and Daniel Smith watercolour paints do not disappoint on both counts… !

Why not have some fun with colour this week…

Watercolour

Sweet Peas

Sweet Peas - NB
Sweet Peas

A loose watercolour sketch of some Sweet Peas from a demonstration in Jean Haines’ World of Watercolour book. It was painted on Arches cold pressed paper. The colours I used were Rhodonite Genuine for the flowers and Prussian Green, Hansa Yellow Medium and a small touch of Yellow Ochre for the foliage – all Daniel Smith watercolours. I love Rhodonite Genuine – it’s a beautiful pink with just a small hint of granulation (although it’s not classed as a granulating paint). My sketch measures 11.5 cm x 28 cm (4.5 x 11 inches).

It’s lovely to be back painting again after not having much time for it lately. Although I dabble with a little mixed media art, collage and acrylics my passion is for watercolour. For me there’s nothing to rival it, there’s no other art medium that excites me like watercolour painting does. Magical things happen when you mix beautiful pigments with water on beautiful cotton paper. My watercolour journey continues…

Collage

Collages: Splashes Of Colour

I’m sharing three collages today as part of an ongoing collage project following the prompts in The Collage Workbook by Randel Plowman. Here is my collage for prompt no. 18 – tissue paper…

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Indian Summer

This is a brightly coloured collage aptly named “Indian Summer”. Numerous scraps of tissue paper have been worked into this collage, of different colours, along with some dried flowers and a scrap of crocheted cotton…

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Avocado Dreams

Above we have promt no 19 – cardboard. I used a strip of cardboard from a box that something was delivered in. I painted it with Titanium White acrylic paint, left it to dry and then went over it with some acrylic craft paint called “Avocado”. I stuck it down the left side of my collage and it complements the other collage elements nicely…

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Escape

Here we have prompt no. 20 – maps. I tore up sections of three different maps and used them for the base of my collage. Then I used tea bag papers and fabrics scraps to collage over the top of the maps.

All three collages measure 20 cm x 20 cm. I have now also glued all my collages into a new A4 sketchbook and I have to say it’s nice to flip through the pages and see all the different collages I’ve created so far. Collages are a fun, no pressure way to create art…

Watercolour

Rocks

Here are some watercolour sketches I did over the past week. I was practicing painting rocks, as in the sort you find on the beach…

Rocks 1 - NB

The purpose of the exercise was to try and capture 3 dimensional shape and depth by changing the tone gradually from light to dark…

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I’ve chosen mostly rounded shapes for these rock sketches but I will try some more with more angular shapes. I’ve tried to capture a little texture in the rocks too by varying the tones of the paint. You can click on the images to view them larger if you wish.

These were fairly simple sketches to do; they didn’t take long; and they were fun… !

Collage

The Return Of The Collage Project

Today, after a 3 month break,  I am resuming the collage project I was doing with my sister Carolyn. The project had been temporarily shelved for an assortment of reasons but I can now see my way clear to resume where I left off. Carolyn probably wont be posting any for a while yet but do click the link and enjoy browsing through her art work anyway.

For our collage project we were following the prompts in The Collage Workbook by Randel Plowman. It’s a great book with wonderful creative collage ideas. Today I begin with prompt no. 16 which is “upside down”. Here’s what I did…

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Drifting Into Autumn

I have chosen soft autumn colours for this collage and I have deliberately placed several elements of the collage upside down. In my corner of the UK autumn is setting in early – trees are changing colour in the park and leaves are dropping like mad. It’s more than likely due to our unusually hot summer and lack of rain.

I have also done prompt no. 17 which is “finger paint”. I had to place some paint onto my collage using only my fingers – a little bit messy but quite fun to do…

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Summer Breeze

Soft blue shades dominate this collage. White and turquoise acrylic paint was fingered down the left hand side of the collage but I have covered over some of it with collage elements. There is also some white paint across the top too. Erosion Bundle paper was used for this collage along with some used teabags, some scrim and a couple of bits of flaky paint I found in the harbour which probably came off a boat or two…

I love collage – it’s so much fun. I love how it’s a form of art that anyone can do, whether you have no art experience at all or are a seasoned professional artist. Collage can be as simple or as complex as you wish. It’s a fun way to let your imagination run wild.

More collages are in progress as I speak and I will post them soon. Why not try a little collage work this week… ?

Drawing & Sketching

Doors and Windows

I’ve spent a little time sketching some doors and windows today. Any time spent drawing/sketching is time well spent, whatever the outcome. Architecture interests me – I like doors, windows, old buildings, Mediterranean style buildings and unusual shaped architectural features. Here’s today’s sketching efforts…

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A Mediterranean Door

My first sketching effort, above, is a Mediterranean door. I liked the little narrow window and the old  cracked stonework underneath. The heavy wooden door was set into the wall with a couple of very worn steps leading up to it. It’s a building that has character. I deliberately didn’t sketch every last detail – I just concentrated on drawing just enough to tell the story…

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A Mediterranean Window

The Mediterranean window above caught my eye. I liked how the shutters were just slightly open and I liked the nearby lamp on the wall. Drawing the angle of the shutters correctly was a bit tricky. I have to keep telling myself “just draw what you see” and not what you think you see…

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A Quirky Cornish Door

I liked the unusual shape of this Cornish door – the sloping angle of the lintel and door. It  was very quirky and had lots of character…

I like drawing. As I’ve already said, drawing every last detail isn’t important to me – I just want to concentrate on drawing just enough detail to tell the story. I’m trying to get the shapes, angles right and perspective right. These were all drawn with pencils from a WHSmith sketching pencils set – nothing fancy. They all measure about 15 cm x 20 cm.

What I also need to do now is translate these pencil sketches into watercolour sketches…

Watercolour

Sailing

Sailing - NB

At the weekend I spent some time watching all the different sailng boats coming and going in the bay. I took some photographs and then sat outside to do some watercolour sketches of a few of them.

The photos I took were backlit so the boats were silhouetted. Therefore I painted them with just black watercolour paint – Lamp Black to be exact. The purpose of this exercise was for me to practice getting the shapes of the boats right – not with too much detail, but just enough to identify each sailing boat. I did start off with some very light pencil sketches first.

I enjoyed painting these and it was some much needed sketching practice for me…

#WorldWatercolorMonth

Watercolour

The Blue Mountains

The Blue Mountains - NB
The Blue Mountains

This watercolour sketch is an exercise in layering colour painted on khadi paper and inspired by Hazel Soan’s book The Essence Of Watercolour. When layering watercolours you have to let one layer dry completely before adding the next (unless you’re going for a wet in wet effect). This takes PATIENCE… ! I’ve found that patience is one of the hardest things to learn with watercolour painting – just letting certain areas of a painting dry completely without touching or fiddling. Hazel Soan is so right when she says in her book (link above) that much of a watercolourist’s life is spent watching paint dry… !

My landscape above is monochromatic but the colour was mixed in the palette first. The colours I mixed together for my landscape were: Prussian Blue, Indigo and Cadmium Yellow Medium Hue – all by Daniel Smith.  I’m going to practice layering much more and start experimenting with different colours to develop an idea of how they work together…

#WorldWatercolorMonth