Art · Watercolour

Stormy Seas

Stormy Seas - NB

A watercolour seascape I created using techniques I’ve learnt from Jean Haines’ Atmospheric Watercolours book. In a few short weeks this book has completely transformed the way I think about and paint with watercolours. And I can’t see myself EVER going back to a more traditional way of watercolour painting….

Please click on the image to view it larger – you’ll be able to see the colours and lovely textures better. For the base of this painting I used clingfilm to create texture in the very first wash. I’ve struggled a bit with the clingfilm thing but with a bit of perseverance I’ve improved.

It took me a couple of days to do this – with large amounts of time just leaving areas to dry before carrying on.  But I’m quite pleased with the end result. Off now to learn more from Jean Haines…. !

Art · Watercolour

Minimal Seascapes

A few simple minimal seascapes…..

Cornish Seascape Abstract 1 - NB

Swift abstract splashes of watercolour….

Cornish Seascape 2 - NB

Minimal, no fuss, no detail….

Cornish Seascape Abstract 3 - NB

Simple swipes of complementary colours across the paper in Windsor Blue Red Shade, Indigo and Buff Titanium….

Cornish Seascape - Mousehole Harbour 4 - NBAbove is a minimal abstract watercolour of Mousehole harbour (Cornwall, UK)….

And below is a soft grey sky, misty blue ocean and a sandy shore….

Cornish Seascape Abstract 8 - NB

I love the soft translucent washes of colour….

These simple minimal seascapes were a mixture of wet in wet and dry brush technique. I used Arches cold pressed paper, 140 lb.

There’s something wonderfully therapeutic about brushing beautiful watercolours over lovely watercolour paper, with no agenda or pressure to create a “masterpiece”…. it gives me a wonderful sense of peace and calm….

You can click on the images to view them larger or view them in my Art Gallery

Art · Surface Treatment Workshop · Watercolour

Surface Treatment Workshop – Week 24

Welcome to week 24 of the Surface Treatment Workshop (STW). The workshop this week is about creating textures using rubbing alcohol. This is a really fun thing to do and so easy. All you need to remember is not to have your paint too thick – it needs to be a fairly runny wash – otherwise the alcohol wont break the surface of the paint. Here’s what I created….

Week 24 - Rubbing Alcohol 1 - NB

I used watercolour paints for my samples this week. I started with a wash of a light colour and then went straight over the top with a darker colour. Then while the paint is still wet I dropped in the alcohol. The alcohol breaks the surface of the paint and creates lovely patterns and textures….

Week 24 - Rubbing Alcohol 2 - NB

You can click on the images to view them larger if you wish. I used an assortment of different colours – Lemon Yellow, Yellow Ochre, Prussian Blue, Raw Sienna, Burnt Sienna, Cerulean Blue, Ultramarine Blue, Cadmium Red and Alizarin Crimson….

Week 24 - Rubbing Alcohol 3 - NB

The rubbing alcohol created some lovely textures and patterns in my watercolour paint. This is a great way to add some extra interest to an abstract watercolour painting. In conclusion I think rubbing alcohol is an interesting and useful item to have among my art supplies. It’s not something I would use every day but to occasionally to add some extra drama to some art – it’s great!

Larger images of my work can be viewed in my Art Gallery. The next STW is about using a bleach pen in art work…. fun times ahead!

Acrylic Paintings · Art

Ocean Wave

Ocean Wave - NB
OCEAN WAVE ~ mini acrylic on canvas

I have just finished my samples for the Surface Treatment Workshop for this week (which I’m hoping to post tomorrow) and had some acrylic paint left in my palette. So, not wanting to waste the paint, I decided to do a quick mini acrylic seascape on canvas. It’s veering slightly towards the abstract side….

My painting measures 7 cm x 7 cm. So the photo is actually quite a bit bigger than the original painting but that does mean that you can see the detail, especially if you click on the image twice. Acrylic colours used were: Prussian Blue, Indigo, Pale Power Blue, Turquoise, Cerulean Blue, Pale Olive and White. So for a small painting that is actually quite a lot of colours but I do like to do lots of layers of colour with acrylic paints….

Art · Watercolour

A Rainy Day In Scotland

Rainy Day In Scotland - NB
A RAINY DAY IN SCOTLAND

A wet in wet watercolour sketch on 140 lb hot pressed watercolour paper. The majority of this sketch is done with Paynes Grey, with just very tiny hints of Sepia and Prussian Blue. This took me about 15 minutes.

When it rains in Scotland the mountains very quickly blur into the clouds and mist and they still look beautiful. This sketch, my abstract rendition of rain on the mountains, will be stuck into my watercolour sketchbook…

Art · Watercolour

Seascapes & Landscapes

A collection of abstract watercolour seascapes and landscapes…

Landscape & Seascape Mosaic - nb

…. a little fun play with my watercolour paints…. playing with washes, water and colour….

The colours I used for the above were: Cerulean Blue, Raw Sienna, Burnt Sienna, Indigo, and Prussian Blue. These are going into my watercolour sketchbook to hopefully inspire future work…

Art · Macro Magic · Photography · Surface Treatment Workshop

Macro Magic

When I photographed my samples for this weeks Surface Treatment Workshop I also did a few macro shots too which I decided to share…

Indigo & Turquoise Bokeh - NB

the peppercorns and sand…

Indigo Bokeh - NB

Sea Shell Bokeh 1 - NB

the crushed seashells and vegetable netting…

Art Bokeh - NB

I love macro photography ! All of these were taken with a Canon 60 mm macro lens at f/2.8 to achieve the maximum creative blur and bokeh…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 6

Week 6 of the Surface Treatment Workshop focuses on using a faux encaustic technique using acrylic  gels. Generally the idea is that you mix different acrylic gels mediums with water to thin them just a little and them mix them with wet paint on your art work surface. When it’s dry you do another layer, making sure each layer is different and adds something. Well, that’s the theory anyway!

Week 6 - Faux Encaustic - Seascape - NB

I tried the technique on the above painting, which is acrylic on paper and measures about 6″ x 6″. I followed the instructions to the letter, or so I thought, but it doesn’t really look how I know encaustic art should look. I guess if you look close enough it vaguely resembles encaustic in places. But anyway, encaustic looking or not, I like my little acrylic seascape. The gel medium has helped to create some lovely surface texture with the aid of a palette knife and brush. Well undeterred, I had another go with the faux encaustic stuff…

Week 6 - Faux Encaustic - Vintage Collage - NB

A vintage collage using papers from my erosion bundles. Now this is more encaustic looking than the last piece. I used a lot more gel and less paint, and I built the collage up in layers…

Week 6 - Faux Encaustic - Collage Seascape - NB

This is my final attempt with the faux encaustic mixture – a mixed media collage. Different items of the collage were embedded in different layers. Again, this sample is slightly more encaustic looking.

On the whole, my humble opinion is that if you want an encaustic look to your art then I think it’s best to make the necessary effort and do the real thing! You can create some lovely effects with acrylic gels but they are no subsitute for a genuine encaustic technique.

Next week we are skipping week 7 temporarily and moving straight on to week 8. We will be returning to week 7 at a later date. Week 8 is focusing on using gesso. I’m looking forward to doing creative things with gesso…