Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 23

This week’s workshop is all about using shaving foam in mixed media art. This is something I would have never considered using in art before reading the Surface Treatment Workshop book. The basic technique is to apply shaving foam to the back of a disposable plate (or other flat surface), then drop paint into it, swirl it round a bit and then transfer it you your art surface. Here’s my first sample….

Week 23 - Shaving Foam 1 - NB

I applied my shaving foam really thickly to the back of a disposable plate I added yellow ochre, turquoise, indigo and gold acrylic paint, mixed it in the foam a bit and transferred it to my paper. I swirled the foam round the paper with the plate and then lifted it off. At this stage I had a choice – I could either scrape the foam off straight away or leave in on to disintegrate. I decided to leave it on to disintegrate by itself. I left it for 24 hours and returned to find the foam had disappeared leaving some amazing painted textures on my paper.

Now shaving foam is obviously not archival, so to preserve my lovely textured surface I carefully applied a layer of acrylic glazing medium. When dry I applied a second coat of glazing medium mixed with some pearl mica in complementary colours.

While the above shaving foam sample was disintegrating I started some more samples….

Week 23 - Shaving Foam 2 - NB

For the above samples I followed exactly the same process but using slightly different colours – Indigo, Prussian blue, Yellow Ochre and Gold. I left the foam on to disintegrate.

Week 23 - Shaving Foam 3 - NB

For the above I used Indigo, Prussian Blue, Pale Power Blue and Silver. When the foam had disintegrated to virtually nothing I was left with lovely lace kind of pattern. All my samples were finished with acrylic glazing medium to preserve the textures and patterns.

Shaving foam is interesting stuff to use in art but it is MESSY !! If you don’t make a mess applying it, you will make a mess scraping off any unwanted residue! It’s sticky and gets everywhere. I highly recommend giving yourself plenty of space for this technique and move/cover anything you don’t want to get shaving foam on! All that said, I’m quite pleased with how my samples turned out and it was fun to do….

Next week’s workshop is about using Rubbing Alcohol. It’s going to be interesting…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 22

Welcome to week 22 of the Surface Treatment Workshop. This week in  the workshop we were using pours. Pours are created by mixing acrylic paint with different mediums to create a pouring mixture which you then pour onto your art and let it run. Here’s my sample:

Week 22 - Pours - NB

To create pours you can mix the paint with an assortment of different acrylic mediums. I used just a little gloss gel and water with my acrylic paint. The colours I used were: Paynes Grey, Burnt Sienna, Yellow Ochre, Cerulean Blue and White. I started with a collage base and then let my diluted paint run over it. I like how the colours have run and mingled together. I particularly like how they’ve run over the textured paper in the top left corner. Here’s a closer view:

Week 22 - Pours - Macro 1 - NB

I enjoyed using pours this week and this is something I will do again in the future. Next week in the workshop we’re using shaving foam – it’s going to get messy! But I’m still looking forward to it….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 21

Week 21 of the Surface treatment workshop is about embedding items into a work surface. Embedding helps to create interesting textures that seem to be custom made to a piece of art work.

I did just one sample for this week and kept it very simple…,

Week 21 - Embedding - NB

I attached a piece of lace fabric to some sketchbook paper with modelling paste and then blended the edges of the fabric into the surface with a bit more modelling paste. I left it to dry and painted stripes of colour over it. The fabric has blended into the paper quite well. Here’s a closer view…

Week 21 - Embedding - Macro - NB

The edge of the fabric blended quite seamlessly into the work surface….

The touch of sparkle is a touch of pearl mica in a shade called Diamond Dust – it’s one of my favourites….

This sample will be added to my growing pile of samples ready for gluing into my STW Sketchbook…..

 

Art · Surface Treatment Workshop

Surface Treatment Workshop – Weeks 18 & 19

Well I’ve managed to get myself a bit behind with the Surface Treatment Workshop,  so I’m posting 2 weeks together today and still hope to get this weeks workshop done to post later in the week!

Week 18 was about using ventilation tape. Basically it’s a thick self adhesive tin foil and it has a backing you peel off. This is probably something I would never have thought of using for art work…..

Week 18 - Ventilation Tape 3 - NB

This is ventilation tape just screwed up and the backing peeled off and stuck down. I then applied several washes of thinned acrylic paint. The paint sits very nicely in the grooves.

Week 18 - Ventilation Tape 2 - NB

Week 18 - Ventilation Tape 1 - NB

For the above I made marks in the ventilation tape, then peeled the backing off and stuck them down. I made more marks and then applied acrylic paint over the top.

Week 19 of the Surface Treatment Workshop is about embossing. I’ve used molding paste for embossing before and it worked really well, so this time I decided to try something different. I decided to use acrylic Matte Gel Medium and also Fiber Paste.

Week 19 - Embossing 1 - NB

For the above sample I started with a painted background and then applied a thin layer of Matte Gel over the top. I left it to start to dry for about an hour or so. Then I pressed a piece of patterned vintage fabric into it. I carefully peeled it off and left it to dry. The Matte Gel dried transparent so I applied some thin washes of pearl mica over the top to make the pattern stand out more.

Next is the Fiber paste sample…

Week 19 - Embossing 2 - NB

Again I started with a painted background and then applied a layer of Golden Fiber Paste. I left it to start to dry, about an hour or so. Then I pressed a piece of wallpaper onto the left side of the sample, it had a lined pattern on it. It didn’t work quite a well as I hoped but did create some extra texture. On the right hand side I pressed some rubber grip (the stuff you place under mats to stop them slipping) into the Fiber Paste, used some paper to press it into the paste and then peeled it off. This worked  a bit better, you can see the square patterns. I finished with washes of pearl mica to add some extra colour.

So it was an interesting couple of weeks in the workshop, trying different things and covering new ground (well, new ground for me!). The next surface Treatment Workshop is about using glazing mediums – looking forward to this….

 

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 17

Welcome to week 17 of the Surface Treatment Workshop. This weeks workshop was focusing on using sponges and art foam. I used just sponges. They were just ordinary flat square washing up sponges you buy from the supermarket. I cut them into wavy shapes and stamped them onto painted backgrounds…

Week 17 - Sponges & Art Foam - 1 - NB

Week 17 - Sponges & Art Foam - 2 - NB

Week 17 - Sponges & Art Foam - 3 - NB

Week 17 - Sponges & Art Foam - 4 - NB

I created several layers of colour with my sponge shapes. It’s a very basic technique but it can create some lovely textures and patterns….

Acrylic Paintings · Art

Ocean Wave

Ocean Wave - NB
OCEAN WAVE ~ mini acrylic on canvas

I have just finished my samples for the Surface Treatment Workshop for this week (which I’m hoping to post tomorrow) and had some acrylic paint left in my palette. So, not wanting to waste the paint, I decided to do a quick mini acrylic seascape on canvas. It’s veering slightly towards the abstract side….

My painting measures 7 cm x 7 cm. So the photo is actually quite a bit bigger than the original painting but that does mean that you can see the detail, especially if you click on the image twice. Acrylic colours used were: Prussian Blue, Indigo, Pale Power Blue, Turquoise, Cerulean Blue, Pale Olive and White. So for a small painting that is actually quite a lot of colours but I do like to do lots of layers of colour with acrylic paints….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 6

Week 6 of the Surface Treatment Workshop focuses on using a faux encaustic technique using acrylic  gels. Generally the idea is that you mix different acrylic gels mediums with water to thin them just a little and them mix them with wet paint on your art work surface. When it’s dry you do another layer, making sure each layer is different and adds something. Well, that’s the theory anyway!

Week 6 - Faux Encaustic - Seascape - NB

I tried the technique on the above painting, which is acrylic on paper and measures about 6″ x 6″. I followed the instructions to the letter, or so I thought, but it doesn’t really look how I know encaustic art should look. I guess if you look close enough it vaguely resembles encaustic in places. But anyway, encaustic looking or not, I like my little acrylic seascape. The gel medium has helped to create some lovely surface texture with the aid of a palette knife and brush. Well undeterred, I had another go with the faux encaustic stuff…

Week 6 - Faux Encaustic - Vintage Collage - NB

A vintage collage using papers from my erosion bundles. Now this is more encaustic looking than the last piece. I used a lot more gel and less paint, and I built the collage up in layers…

Week 6 - Faux Encaustic - Collage Seascape - NB

This is my final attempt with the faux encaustic mixture – a mixed media collage. Different items of the collage were embedded in different layers. Again, this sample is slightly more encaustic looking.

On the whole, my humble opinion is that if you want an encaustic look to your art then I think it’s best to make the necessary effort and do the real thing! You can create some lovely effects with acrylic gels but they are no subsitute for a genuine encaustic technique.

Next week we are skipping week 7 temporarily and moving straight on to week 8. We will be returning to week 7 at a later date. Week 8 is focusing on using gesso. I’m looking forward to doing creative things with gesso…