Art · Surface Treatment Workshop

Surface Treatment Workshop – Weeks 18 & 19

Well I’ve managed to get myself a bit behind with the Surface Treatment Workshop,  so I’m posting 2 weeks together today and still hope to get this weeks workshop done to post later in the week!

Week 18 was about using ventilation tape. Basically it’s a thick self adhesive tin foil and it has a backing you peel off. This is probably something I would never have thought of using for art work…..

Week 18 - Ventilation Tape 3 - NB

This is ventilation tape just screwed up and the backing peeled off and stuck down. I then applied several washes of thinned acrylic paint. The paint sits very nicely in the grooves.

Week 18 - Ventilation Tape 2 - NB

Week 18 - Ventilation Tape 1 - NB

For the above I made marks in the ventilation tape, then peeled the backing off and stuck them down. I made more marks and then applied acrylic paint over the top.

Week 19 of the Surface Treatment Workshop is about embossing. I’ve used molding paste for embossing before and it worked really well, so this time I decided to try something different. I decided to use acrylic Matte Gel Medium and also Fiber Paste.

Week 19 - Embossing 1 - NB

For the above sample I started with a painted background and then applied a thin layer of Matte Gel over the top. I left it to start to dry for about an hour or so. Then I pressed a piece of patterned vintage fabric into it. I carefully peeled it off and left it to dry. The Matte Gel dried transparent so I applied some thin washes of pearl mica over the top to make the pattern stand out more.

Next is the Fiber paste sample…

Week 19 - Embossing 2 - NB

Again I started with a painted background and then applied a layer of Golden Fiber Paste. I left it to start to dry, about an hour or so. Then I pressed a piece of wallpaper onto the left side of the sample, it had a lined pattern on it. It didn’t work quite a well as I hoped but did create some extra texture. On the right hand side I pressed some rubber grip (the stuff you place under mats to stop them slipping) into the Fiber Paste, used some paper to press it into the paste and then peeled it off. This worked  a bit better, you can see the square patterns. I finished with washes of pearl mica to add some extra colour.

So it was an interesting couple of weeks in the workshop, trying different things and covering new ground (well, new ground for me!). The next surface Treatment Workshop is about using glazing mediums – looking forward to this….

 

Art · Erosion Bundles

Spring Erosion Bundle 2017 – Fabrics

Here are the fabric results from my spring erosion bundle. I posted the paper results about 2 weeks ago – you can see them HERE. I’m quite pleased with how the fabrics turned out….

EB Fabric 9 - NB

A piece of lacy fabric has been given a vintage make over in my erosion bundle with the aid of some rusty items and pale blue paint…

EB Fabric 9 - close up - NB

Here’s a slightly closer view of the rusty section, looking beautifully vintage….

EB Fabric 8 - NB

Above is part of an armchair arm cover. I has some lovely rust stains on it, plus paint and paper for added texture. Here’s a closer view…

EB Fabric 8 - close up - NB

You can see the paint and paper stuck to the fabric – they are completely fused together…

EB Fabric 10 - NB

Above we have some more very vintage looking lace pieces, stained by rust and teabags….

EB Fabric 1 - NB

Paint and tea stained cotton….

EB Fabric 2 - NB

Gentle rust and dark blue paint stains on some silk…

EB Fabric 3 - NB

More lovely rust stains from some washers and other items…..

Next we have a series of bleach washed denim. I soaked the denim in bleach, rinsed and dried it prior to putting it into my erosion bundle

EB Fabric 7 - NB

EB Fabric 6 - reverse - NB

EB Fabric 6 - NB

EB Fabric 5 - reverse - NB

EB Fabric 4 - NB

My fabrics will be carefully stored till I am ready to use them in  my art work. In the meantime I’m deciding what to put into my summer erosion bundle. I’m going for a different colour scheme and using other things I’ve never tried before. I’m hoping to get it into the garden before the end of the month….

Art · Watercolour

Spring Greens

Do you like eating your greens? Personally I love eating my greens BUT…. painting them is a whole lot more fun….. !!

Spring Greens - NB

I did these watercolour samples back in the spring (hence the title of this post). These lovely shades of green (and some neutrals) were created by mixing 2 blues and 2 yellows. The blues were indigo and Cobalt Teal Blue. The yellows were Lemon Yellow and Raw Sienna. There’s a lovely assortment of beautiful greens here but notice the lovely neutral tones in the two bottom left colour samples – they’re edging toward the grey side which I love….

Seaside Colour Mixing - NB

Above we have mixes of Daniel Smith’s Buff Titanium and Cobalt Teal Blue…

On the top line from the left:  Buff Titanium, Buff Titanium + White, Buff Titanium + Cobalt Teal Blue

On the bottom line from the left: Cobalt Teal Blue, Cobalt Teal Blue + White, Cobalt Teal Blue + more White

I love mixing colours, it’s such a fun thing to do and so relaxing. But it’s also a great way for me to learn how colours mix and react with each other. These colour samples will go into my watercolour workbook…

Art · Watercolour

Creative Seascapes

Today I spent a couple of hours redesigning my blog. I’ve been fiddling with different blog designs on and off for months now but I finally found one I liked. A simple clean light design that I can easily customize if I feel the need for a change. I hope you like the changes here….

Here are four post card size creative seascapes. Just loose washes of watercolour in some bright and some pastel seaside colours and they are best viewed large (click on the images)….

Seascape 4 - NBPhthalo Blue, Emerald, Raw Sienna….Seascape 1 - NBA touch of permanent Rose for a slightly evening, dusk touch…Seascape 3 - NBand a little Prussian Blue ~ one of my favourite blues….Seascape 2 - NBThese will all assume their rightful places in my watercolour sketchbook….

Art · Erosion Bundles

Spring Erosion Bundle 2017 – Papers

Way back in early March I put an erosion bundle into the garden. What is an erosion bundle? Very simply, it’s a pile of papers and fabrics assembled in layers with lots if interesting things in between the layers that will leave marks or stains. You can use natural or man made things to create the stains or marks – the key is to experiment! The bundle is then tied with string and placed outside and left at the mercy of the elements till it’s suitably decayed, about 2 -3 months, but times can vary considerably.

So without any more waffle, here’s my results:

EB Paper 1 - NBEB Paper 2 - NBEB Paper 3 - NB

I worked on a blue and rust theme with this bundle. Sometimes the papers break up when trying to separate them but I keep all the fragments – everything will get used…

EB Paper 5 - NB

EB Paper 4 - NB

Above we have several layers of paper, paint, fabric and foil all completely fused together – there’s no way of separating them! But we have some lovely colours and textures…

EB Paper 6 - NBEB Paper 7 - NBEB Paper 11 - NB

I like putting paper doilies in my bundles but they are very delicate and rarely stay in one piece. On the one above you can see marks left from rusty washers…

EB Paper 8 - NB

Above we have several layers of paper, fabric and paint fused together by the elements. I think there’s a teabag in the layers somewhere – I can feel it but there’s no way of getting it out, it will have to stay there! Notice the lovely pastel colours and gentle rust and tea stains….

EB Paper 9 - NBEB Paper 10 - NB

In the piece above there are rusty washers stuck to the paper – I can’t get them off! The background paper was a piece of “test paper” I used for testing colours on before they go on my art work…

EB Paper 12 - NB

Beautiful shades of blue and hints of rust…

EB Paper 13 - NB

EB Paper 14 - NB

A question I’m frequently asked about my erosion bundles is “what are you going to do with these papers and fabrics?”. The answer: they will get used in mixed media art work and collage. But more specifically, my sister Carolyn and I are going to begin a new art project early next year and my erosion bundle papers and fabrics are going to be enormously useful for that. I will give more information about this new project later in the year – it’s exciting… !

I hope you enjoyed looking at my distressed papers. There will be a second post about my spring erosion bundle which will focus on the fabrics that came out of my spring erosion bundle – they are just lovely and inspiring….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 14

Welcome to this weeks Surface Treatment Workshop. This week Carolyn and I are experimenting with skins. What are skins? Very simply, skins are created by putting a layer of acrylic medium on to a hard surface (eg. a plastic chopping board, plate etc.), letting it dry and then carefully peeling it off. For this to work the acrylic medium must be one that becomes rubbery and flexible when dry. I used Gloss Gel, Fiber Paste, acrylic paint and masking fluid.

Here are my samples:

Week 14 - Skins - 1 - NB

For the above sample I used Gloss Gel and simply embedded some small pieces of my own art work into it. I left all my skins for about 48 hours to make sure they were properly dry and set. I then glued them to a surface of vintage papers and collage…

Week 14 - Skins - 2 - NB

For this sample I used some watercolour masking fluid as it dries to a rubbery consistency. And notice the lovely yellowy brown colour of it – it adds an extra vintage touch…

Week 14 - Skins - 3 - NB

This skin was made from Golden Fiber Paste. I mixed some Prussian Blue acrylic paint into it before leaving it to dry. Fiber Paste is very flexible when dry and is therefore good for making skins. After glueing it to a collaged background I stuck two small pieces of my own art on top of it.

Week 14 - Skins - 4 - NB

The skin above is made of acrylic paint. I used a vintage pale blue (my own mix), Buff Titanium and white. I did reasonably thick swirls of the different colours and left them to dry. Acrylic paint has a lovely rubbery texture to it when dry…

Week 14 - Skins - 5 - NB

For this skin sample above I used Gloss Gel. I tinted it with some turquoise pearl mica and embedded a dried blue hydrangea flower into the gel….

Week 14 - Skins - 6 - NB

The above skin samples were done by putting a layer of Gloss Gel over a rusty piece of metal. The gel was slightly tricky to peel off – I had to very carefully loosen all the edges with my fingernails and pull it very slowly. I also added a touch of turquoise pearl mica to the gel for a little contrasting colour…

Week 14 - Skins - 7 - NB

Two more rusty skins…

Week 14 - Skins - 8 - NB

For my next skins I used more Fiber Paste:

Week 14 - Skins - 9 - NB

I smoothed a layer of Fiber Paste onto a plastic chopping board, which had a very fine texture to it, and left it to dry. When dry I cut two heart shapes out of the Fiber paste and painted them. When the paint had dried I glued them to vintage papers…

Week 14 - Skins - 10 - NB

So that is all my skin samples for this weeks Surface Treatment Workshop!

In conclusion I have to say that I quite like creating and using skins. They are a good way of adding a little bit of extra interest to a piece of mixed media art. You can create skins in advance and store them ready for future use. It’s also fun to experiment with embedding different things and tinting with with different mediums.

Next weeks Surface Treatment Workshop is about Pulled Papers. It’s a great technique and I’m looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 13

Today sees a return to the Surface Treatment Workshop after a few weeks break for my holiday and time for me to recover from a rather unpleasant injury. Week 13 is about using pastes. I used Galeria Modelling Paste.  Here’s what I did with it…

Week 13 - Pastes - Collage 1 - NB

Pastes are very good for embedding objects into your art work. Above, after applying my paste (not too thinly) I pressed some papers, cardboard and some rusty washers into the paste. The washers were quite chunky and heavy but the paste did a great job of sticking them down. I then simply applied a thin wash of pale blue acrylic paint over the paste.

Week 13 - Pastes - Collage 2 - NB

In the above sample, after applying the paste I embedded some papers and then I used a number of different things to make marks in the paste around the paper. I used a round cardboard tube and some bubble wrap. When the paste was dry I painted over the paste with pale blue and turquoise paint and highlighted some of the marks in the paste with gel pens.

Week 13 - Pastes - Emboss 1 - NB

Pastes are very good for embossing patterns into. Above I applied my paste to some thick paper and then pressed some swirly shapes into the paste. When it had dried I painted the shapes with blue, gold and turquoise acrylic paint.

Below is another similar sample:

Week 13 - Pastes - Emboss 2 - NB

I simply applied a pale turquoise acrylic paint to this one. These shapes turned out quite well.

So then to sum up my findings for this weeks workshop I would say pastes are a very useful commodity to have among my art supplies. I don’t think I will be using huge amounts of it but it will come in handy on occasions and it is very easy to use – does what it says on the tin… ! As always, these samples will be stuck into my dedicated STW sketchbook!

Next weeks Surface Treatment Workshop is about skins – this could turn out quite interesting. Looking forward to it…

Art · Watercolour

Flower Fun

I had a little fun painting some flowers for my watercolour sketchbook….

The Blue Flower - NB
THE BLUE FLOWER

The watercolour above is not any particular kind of flower – it just came straight out of my imagination…

I used Phthalo Blue for the majority of it and just added a few tiny dots of Permanent Rose. My mum fell in love with my bright blue flower so I’m going to find a nice frame for it and give it to her…

Lavender Watercolour Sketch - NB
LAVENDER WATERCOLOUR SKETCH

Fast and loose washes of colour. For the flowers I used Phthalo blue mixed with Permanent Rose for the mauve colour and I used Phthalo Blue mixed with Yellow Ochre for the stems and leaves.

After I painted this I asked my mum (who was with me at the time) if she could tell what they are… straight away she replied “lavender!”, so I’m taking that as a positive… !

I had great fun doing these and I am definitely going to do some more… !

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 12

Week 12 of the Surface Treatment Workshop is all about Metal Leaf. This weeks’s major discovery for me is that I DON’T LIKE metal leaf… !! I’ve never used metal leaf before and probably never will again but it’s part of the workshop so I’ve done it and given it my best shot….

You can click the images to view them in more detail…

Week 12 - Metal Leaf - Gold Lace - NB
Gold Lace

Above is my first sample – metal leaf over some lace. This actually worked quite well. I stuck my lace to some thick paper with PVA glue, then applied more glue over the lace and applied my metal leaf over the lace. I carefully pushed the metal leaf into the lace thoroughly to make sure the pattern showed through.

For my next sample I applied glue through a home made stencil and then applied the metal leaf over the stenciled glue:

Week 12 - Metal Leaf - River of Gold - NB
Rivers of Gold

It kind of worked OK, you could see the pattern but the edges weren’t crisp – probably something to with my technique…. ! So I then collaged around the metal leaf with some of my left over art work from previous projects and blended in some oil pastels.

How both samples look in my sketchbook:

Week 11 Sketchbook - NB

Now, why didn’t I like metal leaf?? I’ll tell you:

Firstly, I discovered I had the same issues with metal leaf as I did with the aluminium foil (Week 3) – it’s difficult to apply colour to the shiny surface. Secondly it’s incredibly flimsy, delicate stuff to handle and use – it tears very easily. Thirdly,  it’s very “fly away” – when you rub your excess metal leaf off just breathing too closely makes the stuff fly every where. I’m going to be picking up metal leaf bits for weeks….

In conclusion then my final question is: why should I faff around with gold metal leaf when I can use gold acrylic paint instead? Gold acrylic paint is quicker, easier, and cheaper to use and the end result is the same….. ! Of course, this is just my personal observation and experience of metal leaf. It will not be featuring in my future art works…