Watercolour

The Blue Mountains

The Blue Mountains - NB
The Blue Mountains

This watercolour sketch is an exercise in layering colour painted on khadi paper and inspired by Hazel Soan’s book The Essence Of Watercolour. When layering watercolours you have to let one layer dry completely before adding the next (unless you’re going for a wet in wet effect). This takes PATIENCE… ! I’ve found that patience is one of the hardest things to learn with watercolour painting – just letting certain areas of a painting dry completely without touching or fiddling. Hazel Soan is so right when she says in her book (link above) that much of a watercolourist’s life is spent watching paint dry… !

My landscape above is monochromatic but the colour was mixed in the palette first. The colours I mixed together for my landscape were: Prussian Blue, Indigo and Cadmium Yellow Medium Hue – all by Daniel Smith.  I’m going to practice layering much more and start experimenting with different colours to develop an idea of how they work together…

#WorldWatercolorMonth

Watercolour

New Colours & Rosebud Sketch

Introducing new colours in my watercolour collection:

New DS Colours 1 - nb

On the left of the chart the colours, from the top, are: Cadmium Yellow Medium, Rhodonite Genuine, Cobalt Violet Deep and Viridian. All from Daniel Smith.

I already have a Winsor & Newton Cadmium Yellow, so why do I need a Daniel Smith one too? I’ll tell you: it’s because the properties of the different brands are different; Daniel Smith Cadmium Yellow Medium is semi-transparent, whereas the Winsor & Newton Cadmium Yellow is opaque.  The DS semi-transparent Cadmium Yellow is going to allow more light to reflect off the surface of the paper resulting in a more luminous painting, whereas the W & N opaque will block more light resulting in a more solid colour. My personal preference is the DS semi-transparent Cadmium Yellow as I’m always irresistibly drawn to the light. But the bottom line I guess is that I need to know the properties of all of my watercolour paints ie. whether they are transparent, semi-transparent, semi-opaque or opaque, and understand how that is going to affect my painting. It may be on occasion that an opaque watercolour paint might be a more suitable option, depending on what I’m painting…

Anyway back to my new colours ~ I love the Rhodonite Genuine, it’s a gorgeous colour! It ranges from a rich dark pink to the most delicate palest of pinks and it also mixes on paper with the DS Cadmium Yellow beautifully to create a wonderful vibrant sunset orange…

The Cobalt Violet Deep and the Viridian have a beautiful granulation. The paler colour mixes on the right of my chart are as follows (from the top):  Viridian, Cobalt Violet Deep + lots of water; Viridian, Cadmium Yellow Medium + lots of water; Rhodonite Genuine, Viridian + lots of water; Rhodonite Genuine, Viridian, Cadmium Yellow + lots of water.  So whilst all my new colours are quite rich strong colours, they will make the most beautiful delicate pale washes with the addition of lots of water…

Pink Rose Bud - NB
Rosebud In A Vase

A small watercolour sketch of a little pink rose bud in a vase ~ just simple watercolour pactice. The pink for the rose bud is Daniel Smith Rhodonite Genuine…

Why not go and have some fun with some new colours… ?

#WorldWatercolorMonth