This started out as a colour exercise from a Jean Haines book but it didn’t turn out right. So I just tossed it to one side and started something else. A while later I went back to it and decided maybe I could do something with it…
So I carefully lifted out an area of colour. I added clean water with a clean brush to the area and carefully dabbed of the paint off with a screwed up clean paper towel. No scrubbing! I did this about three times till most of the colour had gone. Then I used my new “white” area to turn a failed exercise into a seascape sketch. I like my crashing wave. When I look at this I can imagine myself stood on the beach, with the wind and sea spray blowing in my face, listening to the sound of the crashing waves…
Sometimes the light is so beautiful at the Cornish coast ~ on one side of the sky you can have briliant sunshine and on the other you can have dark stormy clouds, all at the same time! The sunlight makes the sea a beautiful light turquoise colour and the storm clouds cast dark shadows over the the distant coastline…
This is a watercolour on Fabriano Artistico 100% cotton paper. The colours used were: Paynes Grey, Ivory Black, Ultramarine Blue, Cobalt Teal Blue and Viridian. My seascape measures approx. 7.5″ x 5″.
No, I’m not talking about the laundry…. ! When watercolour painting, the expression “wash day” takes on a whole new meaning. Practicing initial washes is an exercise in Jean Haines’ Atmospheric Watercolours book. And I have to say it’s a lovely, relaxing and therapeutic exercise to do.
Here’s my first wash, loosely based on the exercise in Jean’s book in the link above:
A loose, light and colourful wash. This will be the base on which I will eventually build on and create a lovely painting.
My next wash is based specifically upon one of my own photos. A floral photo:
Again, in time, I will build upon this initial wash to create a watercolour painting based upon my photo.
When I have built upon these washes and turned them into finished paintings I will post the results. Not sure when that will be yet but, hey, there’s no rush…. ! They will sit patiently in my studio till I’m ready to work on them. I will know when the time is right….
My lovely brother-in-law Colin treated me to a lovely Jean Haines watercolour book: Jean Haines’ Atmospheric Watercolours. This is my version of the first exercise in the book. The purpose of the exercise was to practice holding the paint brush correctly (not to create a finished piece of work). I found this exercise very useful and now realize that I’ve been holding my brush all wrong!
This was my second attempt at this exercise – the first was a complete dogs dinner! I also used slightly different colours to the ones mentioned in the book. The paper I used was A5 Khadi paper.
This is a very beautiful book and once I open it I find I can’t put it down…. ! I love Jean Haines’ loose way of painting with watercolours. I will share more of my interpretations of the exercises in this book over the coming weeks as I progress through the book.
A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…
Colours used: Prussian Blue, Indigo, Phthalo Blue, Cobalt Teal Blue
Today I managed to find an hour to do a couple of quick watercolour seascape sketches….
Above is a watercolour sketch of St. Clements Isle, just off the coast of Mousehole, Cornwall, UK. This is one of those paintings that is best viewed from a slight distance. This watercolour is loosely based on the photo below:
This is the other watercolour sketch I did this afternoon:
This watercolour is of nowhere in particular and just came straight out of my imagination. I started this by wanting to just use up the left over paint in my palette and it kind of turned into a seascape…
I enjoyed doing these quick seascapes this afternoon. Both measure approximately 6″ x 4″ – just the right size to go into my watercolour sketchbook. Both were done on 140 lb watercolour paper.
Do you like eating your greens? Personally I love eating my greens BUT…. painting them is a whole lot more fun….. !!
I did these watercolour samples back in the spring (hence the title of this post). These lovely shades of green (and some neutrals) were created by mixing 2 blues and 2 yellows. The blues were indigo and Cobalt Teal Blue. The yellows were Lemon Yellow and Raw Sienna. There’s a lovely assortment of beautiful greens here but notice the lovely neutral tones in the two bottom left colour samples – they’re edging toward the grey side which I love….
Above we have mixes of Daniel Smith’s Buff Titanium and Cobalt Teal Blue…
On the top line from the left: Buff Titanium, Buff Titanium + White, Buff Titanium + Cobalt Teal Blue
On the bottom line from the left: Cobalt Teal Blue, Cobalt Teal Blue + White, Cobalt Teal Blue + more White
I love mixing colours, it’s such a fun thing to do and so relaxing. But it’s also a great way for me to learn how colours mix and react with each other. These colour samples will go into my watercolour workbook…