Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 20

Week 20 of the Surface Treatment Workshop is all about using glazes. I’ve tried to be a little bit inventive with my glazes. I used Windsor & Newton’s Artists’ Acrylic Glazing Medium. Rather than producing lots of separate pieces I decided to do just one and divide it up into sections….

Week 20 - Collage Base - NB

As you can see above I started with a simple collage base, about 6″ x 6″, and you can see that I divided it into 6 roughly equal sections lightly with pencil. My idea then was to try a different glazing technique in each section…..

Week 20 - Glazes - NB

This is what I ended up with! Now let me explain a little about each section…..

Top left: very simple, I just mixed the glaze medium with a tiny amount of sepia acrylic paint to create a vintage looking effect

Top Middle:  I mixed the glazing medium with dried paint scraping from off one of my paint pallets. It created some lovely coloured texture

Top Right:  I created a “dirty” glaze by mixing the glazing medium with rust particles scraped off some of my rust collection. Also on this section I went over the right half with a second coat of glazing medium mixed with a tiny amount of light gold pearl mica. It’s created some lovely grunge/bling texture…

Bottom Left:  I mixed the glazing medium with PVA and heated it with a heat gun to create some texture. I then went over it again with more glazing medium mixed with tiny amounts of acrylic paint

Bottom Middle:  It’s not so easy to see in the photo but for this section I simply mixed the glazing medium with a light gold pearl mica. All the collage is clearly visible but it has a lovely light gold sheen over it

Bottom Right:  For this section I simply layered different coloured glazes over the top of each other to create layers of colour

Please view the larger version of the image by clicking on it and you can hopefully see the details better. I did notice that some of my collage papers absorbed the glaze while with others the glaze just sat on top. This creates different finishes – where the glaze is absorbed the finish is more matte rather than shiny…

I quite enjoyed glazing this week. My glazed collage will go into my dedicated STW Sketchbook. Next week back to some basics again with embedding…..

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 14

Welcome to this weeks Surface Treatment Workshop. This week Carolyn and I are experimenting with skins. What are skins? Very simply, skins are created by putting a layer of acrylic medium on to a hard surface (eg. a plastic chopping board, plate etc.), letting it dry and then carefully peeling it off. For this to work the acrylic medium must be one that becomes rubbery and flexible when dry. I used Gloss Gel, Fiber Paste, acrylic paint and masking fluid.

Here are my samples:

Week 14 - Skins - 1 - NB

For the above sample I used Gloss Gel and simply embedded some small pieces of my own art work into it. I left all my skins for about 48 hours to make sure they were properly dry and set. I then glued them to a surface of vintage papers and collage…

Week 14 - Skins - 2 - NB

For this sample I used some watercolour masking fluid as it dries to a rubbery consistency. And notice the lovely yellowy brown colour of it – it adds an extra vintage touch…

Week 14 - Skins - 3 - NB

This skin was made from Golden Fiber Paste. I mixed some Prussian Blue acrylic paint into it before leaving it to dry. Fiber Paste is very flexible when dry and is therefore good for making skins. After glueing it to a collaged background I stuck two small pieces of my own art on top of it.

Week 14 - Skins - 4 - NB

The skin above is made of acrylic paint. I used a vintage pale blue (my own mix), Buff Titanium and white. I did reasonably thick swirls of the different colours and left them to dry. Acrylic paint has a lovely rubbery texture to it when dry…

Week 14 - Skins - 5 - NB

For this skin sample above I used Gloss Gel. I tinted it with some turquoise pearl mica and embedded a dried blue hydrangea flower into the gel….

Week 14 - Skins - 6 - NB

The above skin samples were done by putting a layer of Gloss Gel over a rusty piece of metal. The gel was slightly tricky to peel off – I had to very carefully loosen all the edges with my fingernails and pull it very slowly. I also added a touch of turquoise pearl mica to the gel for a little contrasting colour…

Week 14 - Skins - 7 - NB

Two more rusty skins…

Week 14 - Skins - 8 - NB

For my next skins I used more Fiber Paste:

Week 14 - Skins - 9 - NB

I smoothed a layer of Fiber Paste onto a plastic chopping board, which had a very fine texture to it, and left it to dry. When dry I cut two heart shapes out of the Fiber paste and painted them. When the paint had dried I glued them to vintage papers…

Week 14 - Skins - 10 - NB

So that is all my skin samples for this weeks Surface Treatment Workshop!

In conclusion I have to say that I quite like creating and using skins. They are a good way of adding a little bit of extra interest to a piece of mixed media art. You can create skins in advance and store them ready for future use. It’s also fun to experiment with embedding different things and tinting with with different mediums.

Next weeks Surface Treatment Workshop is about Pulled Papers. It’s a great technique and I’m looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 13

Today sees a return to the Surface Treatment Workshop after a few weeks break for my holiday and time for me to recover from a rather unpleasant injury. Week 13 is about using pastes. I used Galeria Modelling Paste.  Here’s what I did with it…

Week 13 - Pastes - Collage 1 - NB

Pastes are very good for embedding objects into your art work. Above, after applying my paste (not too thinly) I pressed some papers, cardboard and some rusty washers into the paste. The washers were quite chunky and heavy but the paste did a great job of sticking them down. I then simply applied a thin wash of pale blue acrylic paint over the paste.

Week 13 - Pastes - Collage 2 - NB

In the above sample, after applying the paste I embedded some papers and then I used a number of different things to make marks in the paste around the paper. I used a round cardboard tube and some bubble wrap. When the paste was dry I painted over the paste with pale blue and turquoise paint and highlighted some of the marks in the paste with gel pens.

Week 13 - Pastes - Emboss 1 - NB

Pastes are very good for embossing patterns into. Above I applied my paste to some thick paper and then pressed some swirly shapes into the paste. When it had dried I painted the shapes with blue, gold and turquoise acrylic paint.

Below is another similar sample:

Week 13 - Pastes - Emboss 2 - NB

I simply applied a pale turquoise acrylic paint to this one. These shapes turned out quite well.

So then to sum up my findings for this weeks workshop I would say pastes are a very useful commodity to have among my art supplies. I don’t think I will be using huge amounts of it but it will come in handy on occasions and it is very easy to use – does what it says on the tin… ! As always, these samples will be stuck into my dedicated STW sketchbook!

Next weeks Surface Treatment Workshop is about skins – this could turn out quite interesting. Looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 12

Week 12 of the Surface Treatment Workshop is all about Metal Leaf. This weeks’s major discovery for me is that I DON’T LIKE metal leaf… !! I’ve never used metal leaf before and probably never will again but it’s part of the workshop so I’ve done it and given it my best shot….

You can click the images to view them in more detail…

Week 12 - Metal Leaf - Gold Lace - NB
Gold Lace

Above is my first sample – metal leaf over some lace. This actually worked quite well. I stuck my lace to some thick paper with PVA glue, then applied more glue over the lace and applied my metal leaf over the lace. I carefully pushed the metal leaf into the lace thoroughly to make sure the pattern showed through.

For my next sample I applied glue through a home made stencil and then applied the metal leaf over the stenciled glue:

Week 12 - Metal Leaf - River of Gold - NB
Rivers of Gold

It kind of worked OK, you could see the pattern but the edges weren’t crisp – probably something to with my technique…. ! So I then collaged around the metal leaf with some of my left over art work from previous projects and blended in some oil pastels.

How both samples look in my sketchbook:

Week 11 Sketchbook - NB

Now, why didn’t I like metal leaf?? I’ll tell you:

Firstly, I discovered I had the same issues with metal leaf as I did with the aluminium foil (Week 3) – it’s difficult to apply colour to the shiny surface. Secondly it’s incredibly flimsy, delicate stuff to handle and use – it tears very easily. Thirdly,  it’s very “fly away” – when you rub your excess metal leaf off just breathing too closely makes the stuff fly every where. I’m going to be picking up metal leaf bits for weeks….

In conclusion then my final question is: why should I faff around with gold metal leaf when I can use gold acrylic paint instead? Gold acrylic paint is quicker, easier, and cheaper to use and the end result is the same….. ! Of course, this is just my personal observation and experience of metal leaf. It will not be featuring in my future art works…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 8

Welcome to week 8 of the Surface Treatment Workshop. This week’s focus is on using gesso. Mostly gesso is just used to prime a surface before adding paint or other media but I decided to make more of a feature of it with my samples for this week…B & W Gesso - NB

In the above collage I painted four squares of gesso onto the paper – clockwise: dark grey, black, light grey and white. Then I simply added strips of vintage paper over the joins. I finished by putting four small squares of my own art work in each box. Very simple to do and a very simple design. I really like the neutral colours.

Neutral Striped Gesso - NB

Next I decided to have a play with some tinted gesso. Using one of my larger paint mixing trays I set about mixing white gesso with acrylic paint. I found you only needed very tiny amounts of paint to turn the white gesso into some lovely  pastel colours. In the sample above I used gesso tinted with sepia, indigo and just plain white gesso. Down the left side is a strip of fabric roses which I painted with indigo gesso.

Gesso Sketchbook 1 - NB

How both samples look in my sketchbook.

One of the prompts in the book was to stick objects items onto the surface and gesso over them. I decided to stick some vintage lace to my acrylic paper and gesso over them:

Vintage Lace & Gesso - NB

On the left side the lace is painted with Sepia gesso and the for the blue side I used Prussian Blue gesso overlaid with some white gesso to tone down the blue a little. For the next samples I decided to add some more colours to my paint tray – to the Sepia, Indigo and Prussian Blue I added Paynes Grey, Yellow Ochre and Turquoise….

Tinted Gesso Mosaic - NB

I used a large brush and a palette knife for the above samples. All the colours work really well together and the palette knife helped to create some lovely textures. This is how these samples look in my sketchbook:

Gesso Sketchbook 2 - NB

More tinted gesso samples:

Tinted Gesso 1 - NBTinted Gesso 2 - NB

The samples with stripes on I used some corrugated cardboard to stamp gesso onto my paper – stamping with gesso was one of the prompts in the book we’re working from. I also stuck some of the corrugated card I used into my sketchbook. This is how both these pages look in my sketchbook:

Gesso Sketchbook 3 - NB

I really enjoyed playing with gesso this week. I found my imagination ran overtime – I have so many other ideas for using gesso than what you see here but I just didn’t have time to explore them all this week. So I will have another play with gesso another time.

Just click on any of the images to view them larger…

Next week we are going to do Week 7 (which we missed out) and Week 10 together as they both focus on using acrylic gels – it’s going to be fun !

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 6

Week 6 of the Surface Treatment Workshop focuses on using a faux encaustic technique using acrylic  gels. Generally the idea is that you mix different acrylic gels mediums with water to thin them just a little and them mix them with wet paint on your art work surface. When it’s dry you do another layer, making sure each layer is different and adds something. Well, that’s the theory anyway!

Week 6 - Faux Encaustic - Seascape - NB

I tried the technique on the above painting, which is acrylic on paper and measures about 6″ x 6″. I followed the instructions to the letter, or so I thought, but it doesn’t really look how I know encaustic art should look. I guess if you look close enough it vaguely resembles encaustic in places. But anyway, encaustic looking or not, I like my little acrylic seascape. The gel medium has helped to create some lovely surface texture with the aid of a palette knife and brush. Well undeterred, I had another go with the faux encaustic stuff…

Week 6 - Faux Encaustic - Vintage Collage - NB

A vintage collage using papers from my erosion bundles. Now this is more encaustic looking than the last piece. I used a lot more gel and less paint, and I built the collage up in layers…

Week 6 - Faux Encaustic - Collage Seascape - NB

This is my final attempt with the faux encaustic mixture – a mixed media collage. Different items of the collage were embedded in different layers. Again, this sample is slightly more encaustic looking.

On the whole, my humble opinion is that if you want an encaustic look to your art then I think it’s best to make the necessary effort and do the real thing! You can create some lovely effects with acrylic gels but they are no subsitute for a genuine encaustic technique.

Next week we are skipping week 7 temporarily and moving straight on to week 8. We will be returning to week 7 at a later date. Week 8 is focusing on using gesso. I’m looking forward to doing creative things with gesso…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 4

Welcome to week 4 of the Surface Treatment Workshop. The focus this week is on using masking tape in mixed media art.

week-4-masking-tape-amaze-nb
Amaze

For the above sample I put masking tape over a collage base and then painted over it. When almost dry I carefully pulled the masking tape off exposing collage patterns underneath the paint…

week-4-squares-nb
Squares

This sample was a print left from week 1 that I wasn’t totally happy with so I decided it would be great to use with some masking tape instead! I put squares of masking tape over the painted base and then painted the squares white. When dry I glued small squares of my own art work over the white squares. I finished with a layer of clear acrylic glaze to ensure the squares of masking tape don’t peel off. The gum on the masking tape will degrade over time, so if you intend to leave making tape on some art work then it needs to be properly fixed down with some gel or glaze medium.

week-4-ocean-mist-nb
Ocean Mist

For this print I started with a stenciled background and then put masking tape over the top. I then sponged  paint over the tape and then carefully peeled the tape off. I let the paint dry and then repeated this process with different colours.

I’m quite pleased with how this weeks samples turned out. Masking tape is a useful item to keep stashed away with your art supplies, just in case… ! Next week the focus is on using crackle paste. I’m really, really looking forward to this one – as a girl in love with texture this is right up my street!

Art · Sketchbooks · Surface Treatment Workshop

Surface Treatment Workshop – Week 1

week-1-stamping-circles-nb

This is week 1 of the Surface Treatment Workshop! Week 1 starts off very basically with stamping. For the sample above I covered a 6″ x 6″ piece of paper with collage and then simply stamped circles over the top in different sizes and colours. I rummaged round the house and found lots of things I could use for stamping circles – above I used a cardboard tube, a jam jar, a little bit of bubble wrap and… the best bit… an empty Belgian Bun packet! The larger dark blue circles were from the bottom of a plastic Belgian Bun packet – this has just got to be the best excuse ever for buying Belgian Buns!

week-1-stamping-blue-fish-nb

For the above sample I started with a 6″ x 6″ piece of paper and covered it with white gesso. Then I stamped a gold and turquoise pattern on the base of the sample using acrylic paints. To create the square pattern I used some of that rubbery stuff you put under mats and rugs to stop them slipping… ! For the small dark circles I used bubble wrap and then simply stamped the fish on. Very simple!

week-1-sketchbook-nb

Both samples have been stuck into a dedicated 8″ x 8″ sketchbook set aside especially for the project. I’m trying not to be overly fussy or fiddly with the samples for this project, after all, it is meant to be an experimental learning curve. I think I’m reasonably happy with how week 1 has turned out – now looking forward to week 2… !

Art · Collage · Sketchbooks

Warming Up Winter With Red & Gold

winter-rose-rn

I’ve called this “A Winter Rose” – it’s mixed media on paper, 10 cm x 7.5 cm. I actually used real rose petals in this that I had dried quite a long time ago and saved. I stuck them on with acrylic gel and when dry I went over them with and acrylic glaze tinted with garnet coloured pearl mica. They are now perfectly preserved on my art work!

How my winter rose looks in my collaged sketchbook:

winter-rose-in-sketchbook-rn

The following two pieces of art I have collectively called “Harbour Lights” as the sequins remind me of the lights round Mousehole harbour (Cornwall, UK):

harbour-lights-1-rn

harbour-lights-2-rn

The red and gold work well together on the vintage collage paper background. Both are mixed media on paper and they measure 10 cm x 15 cm and 11 cm x 15 cm respectively. They have both been stuck in my collaged sketchbook.