An experimental seascape in my Khadi paper sketchbook. The sky is indigo and the sea is a mixture of different blues plus Daniel Smith Rich Green Gold. It looks more effective when viewed from a distance and the real thing looks better than the photograph! I’ve been trying to build up a few light layers of colour without overdoing it. I was tempted to work on this a bit more but I think I’ll leave it as it is…
MIXING RICH GREEN GOLD
I’ve also had a little play with Daniel Smith’s Rich Green Gold (not to be confused with Daniel Smith’s Green Gold, a different colour)…
First I mixed Rich Green Gold with some popular blues. You can see from the chart above I made some lovely green shades. Then I mixed the Rich Green Gold with some reds and made some lovely browns and burnt orange colours. The photograph doesn’t really do them justice. What I’ve learnt from this is that if I want to create some lovely vibrant earth colours then Daniel Smith’s Rich Green Gold is a good colour to create them with…
My earliest childhood memories of playing with colours was with Carolyn sitting at our kitchen table, probably around 1970 give or take a bit (I’m showing my age!!). We would have our paints and colouring books out and we were very happy. Our paintboxes were very basic – we had a red, a blue, a yellow and a green! And when our paintboxes got a bit posher we also had a white and a black!! So if we wanted an orange, a purple or a brown we had to mix it! We didn’t worry about getting it wrong or making a mess – it was fun, we loved it. Little did we know that such innocent childhood fun would set us up for artistic adventures later in life…
Why am I mentioning this? Well, in this post I’m, in effect, going back to my childhood days and I’m starting off with just the basics – a red, a yellow and a blue. And with just those colours to hand I’m going start exploring… and I’m not going to worry about getting it wrong or making a mess… and it’s going to be fun…
These are my starting colours – the Daniel Smith Primary Colour Set. One red, one yellow and one blue. No more. The primary colours. So with paints, palette, paper, water and brush in front of me I’m ready to have some fun mixing colour…
This is the result of a fun evening playing with Daniel Smith primary colours. At the very top of the chart you will see the primary colours on their own ~ all individually gorgeous colours in their own right. At the bottom of the chart you will notice a black colour – this was created by mixing small amounts of each undiluted colour together in my palette. Not all combinations of red, yellow and blue will reach black. But these did, although it did take me 3 attempts to get the ratio of pigments right! Now all the squares in between – 48 of them in total – are all the different colours I created by just mixing together different amounts of the three primary colours. Please view the chart larger by clicking on it as you will get a more detailed view of the lovely colours. So in total on this sheet of paper (19.5 cm x 28 cm) there are 52 colours! I could have created more but I ran out of space…
Now, why don’t I try some different reds, yellows and blues?
In my triangular colour wheel above I’ve used Cadmium Red, Cadmium Yellow and Prussian Blue. Notice that the Cadmium Red when mixed with a little Prussian Blue makes a rich brown colour and adding more Prussian Blue to the mix makes black – no purple… !
In this triangular colour wheel I’ve used Permanent Rose, Naples Yellow and Cerulean Blue. Notice how adding just a little Permanent Rose to the Cerulean Blue makes a gorgeous dark lavender blue. And Cerulean Blue mixed with a little Naples Yellow makes a lovely pale turquoise and adding more Naples Yellow makes a lovely soft sage green.
These are just two examples but the different combinations of red, yellow and blue you could mix are almost endless. I will continue my colour exploration in another post. There’s a huge exciting world of colour out there to explore and this is only the beginning… !
These are some new hot summer colours I’ve just added to my palette…
Daniel Smith’s Quinacridone Coral, Hansa Yellow Medium and Quinacridone Rose. In their undiluted form they are very rich strong pigments but they ditlute to the most beautiful delicate colours…
At the top we have Quinacridone Coral mixing with the Hansa Yellow Medium; notice the lovely tangerine orange they create together. Next, bottom left, we have Quinacridone Rose mixed with Hansa Yellow Medium and notice the orange is much softer. Bottom right we have Quinacridone Rose mixed with Naples Yellow – the Naples Yellow has softened the pink to a more dusty shade of pink. I’m looking forward to working more with these colours…
I’ve also been playing with some Buff Titanium too and created some lovely colour mixes…
Here I’ve mixed Daniel Smith’s Buff Titanium with some colours from the warm side of the colour wheel. Top left corner we have Buff Titanium on it’s own. Next to it we have it mixed with Cadmium Red. Line 2: we have Alizarin Crimson with Buff Titanium; Line 3: we have Permanent Rose mixed with Buff Titanium; Line 4: we have Cadmium Orange mixed with Buff Titanium; Line 5: we have New Gamboge with Buff Titanium; Line 6: we have Indian Yellow mixed with Buff Titanium. I love the pale delicate pinks and yellows on the right half of the chart…
Here we have some blues and greens mixed with Buff Titanium – colours from the cool half of the colour wheel. Line 1: Prussian Blue mixed with Buff Titanium; Line 2: Sap Green (left) and Hookers Green (right) mixed with Buff Titanium; Line 3: Ultramarine mixed with Buff Titanium; Line 4: Indanthrene Blue mixed with Buff Titanium; Line 5: Phthalo Blue (left) and Cobalt Turquoise (right) mixed with Buff Titanium; Line 6: Phthalo Blue mixed with Buff Titanium.
I love how the Buff Titanium turns the blues into beautiful soft blues and greys. I also like how it has softened and lightened the greens. Something to bear in mind when mixing with Buff Titanium is that it is a granulating colour, only very mildly, but this may create a slight textural effect when mixed with some colours. That’s not a bad thing at all as I love texture.
I love playing with colour – it’s fun but it also teaches me a lot about how colours react together. And I nearly always get some nice surprises – sometimes the paints do wonderful things you don’t expect…
Just as a final note has anyone tried the Daniel Smith Watercolour Sticks? If so, what is your experience with them? Do you like them and would you recommend them? Please let me know what you think. I’m contemplating buying some to use in a sketchbook when I’m travelling but I would be most interested to know of your personal experience with them.
All the colours are Daniel Smith watercolours and from the top the colours are:
Quinacridone Gold – a beautiful rich orange colour
Ultramarine Turquoise ~ a beautiful granulating colour which creates lovely texture with flecks of blue in it….
A mix of Quinacridone Gold & Ultramarine Turquoise
Rich Green Gold ~ I love this colour! It mixes with blues to create lovely ocean greens and on it’s own I would describe it as a seaweed colour (being a person who loves the ocean and everything associated with it). I used this colour in my Stormy Seas painting – all the green shades you can see in this painting were created by the Rich Green Gold mixing with the blues
Prussian Blue ~ my old Winsor & Newton Prussian Blue finally ran out so I replaced it with a Daniel Smith one – a very good replacement!
The left hand colour runs are Prussian Blue + Rich Green Gold. The middle colour runs are Ultramarine Turquoise +Rich Green Gold. And the right hand colour runs are Ultramarine Turquoise + Quinacridone Gold – you can see the granulating effect of the Ultramarine Turquoise more clearly here….
More colour runs….
Above left we have Buff Titanium + Ultramarine Turquoise and on the right we have Naples Yellow + Ultramarine Turquoise. The Ultramarine Turquoise is a gorgeous colour – I love it and will feature in many future paintings…
Colour play like this is so much fun and is a good way for me to learn how colours mix and react with each other.
But most of all…. I love colour and seeing beautiful coloured watercolour paints mingle on lovely 100% cotton watercolour paper excites me and makes me want to paint….
A little while ago I added Daniel Smith’s Naples Yellow to my watercolour collection. I haven’t used it properly yet so I thought I would start by seeing how it mixes with other colours….
I picked just a few random colours and made a chart:
Naples Yellow is a soft creamy mellow yellow and created some lovely soft pastel shades when I mixed it with a few different colours. I particularly liked how it mixed with Daniel Smith’s Quinacridone Magenta – it created what I would describe as “vintage rose” colours – very lovely and inspiring….
I only tried just a few colours but what I’ve learnt from this exercise is that when I want to use soft gentle pastel colours in my watercolour work Naples Yellow is a good colour to have in the mix….
This is The Venetian Door. There is every colour in the rainbow in this! Normally I wouldn’t use so may colours but just for the exercise in the book I have stuck to similar, not identical, colours to what Jean used. I’ve certainly put my own stamp on this – mine looks quite a bit different to the version in the book….
The purpose of this exercise is to simply practice a variety of techniques Jean teaches in her book. I enjoyed painting this. It’s good practice at painting loosely. This watercolour measures 8″ x 11″ and was painted on 140 lb Fabriano Artistico watercolour paper.
Slowly but surely I think my watercolour skills are improving….
I got up quite early this morning and did some sketching….
This is my much used and loved paintbox. When I’m at home in my workroom I like to paint with tube watercolour paints but when I’m on the move or away from home I use my paint box above. The paints originally in this box were cheap and nasty, so I binned them and replaced them with Winsor & Newton pans instead. I hand picked all the colours myself and the colours are:
Top row from the left: Lemon Yellow, Yellow Ochre, Rose Madder, Dioxazine Violet, Prussian Blue, Indigo
Bottom row from the left: Cerulean Blue, Phthalo Turquoise, Cobalt Turquoise, Sap Green, Burnt Umber, Lamp Black
I’ve deliberately let the colours of the pans run, to give a slightly messy look to them because that’s how a paintbox should be – messy, used and looking like someones had some fun with it. I’ve certainly had a lot of fun with mine…. !
I started off with Windsor Blue (red shade) and Indian Yellow. Then I added some Buff Titanium, Prussian Blue and Indigo into the mix. Puddles of colour layered together and left to dry. Drying took well over 12 hours. You don’t know what your going to end up with till the paint has completely dried. I love the colour mixes and textures – especially the top two ones in the right hand column! These were purely experimental. I actually used a thick smooth surfaced cartridge paper for these but I will try doing more of these colour mixing samples using hot pressed watercolour paper. A fun watercolour experiment which turned out really well. Please click on the image to view it larger or view it in my Art Gallery….
Just as a side note, I will not be doing any more Surface Treatment Workshop due to current family responsibilities. I’ve really enjoyed this project, learnt a lot from it and experimented with lots of different art mediums which I would not otherwise have done. It forced me out of my comfort zone! But it is a time consuming project and I don’t have the available time at the moment to commit to it. However, I’m still hoping to start an exciting new project in January with Carolyn, all being well. More info about that later in the year….
There is always a lovely selection of colours and textures at the beach and harbour….
Above are two sections lovely peeling paint from the same boat, beautifully weathered by the salty sea air. Also on the beach today was something slightly unusual for the UK coast…. Portuguese man o’ war…..
They are very beautiful but very toxic….
I was very careful not to touch them….
The colours are just lovely….
Portuguese man o’war are not commonly found in UK coastal waters, they prefer warmer waters….
I was interested to learn that Portuguese man o’ war are not a jellyfish they are a siphonophore, a colonial organism – a colony of organisms all working together….
I’m always amazed what you find washed up on the beach….
This image follows on from yesterday’s post of my Summer Erosion Bundle 2017. It’s a mosaic I created in Photoshop of some of the highlights of my erosion bundle. Notice the lovely autumnal colours ~ rusty browns and autumn berry colours….
When I made my erosion bundle back in the summer I realized it would be autumn when I opened it so I deliberately tried to incorporate things that would create autumnal colours – I didn’t just throw my bundles together, I did give them a little thought…. !
You can click on the image to view a much larger version and large pictures have gone into my Art Gallery.
There is indeed art and beauty in decay, when nature just left to do it’s thing….