Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 17

Welcome to week 17 of the Surface Treatment Workshop. This weeks workshop was focusing on using sponges and art foam. I used just sponges. They were just ordinary flat square washing up sponges you buy from the supermarket. I cut them into wavy shapes and stamped them onto painted backgrounds…

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I created several layers of colour with my sponge shapes. It’s a very basic technique but it can create some lovely textures and patterns….

Art · Erosion Bundles

Spring Erosion Bundle 2017 – Fabrics

Here are the fabric results from my spring erosion bundle. I posted the paper results about 2 weeks ago – you can see them HERE. I’m quite pleased with how the fabrics turned out….

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A piece of lacy fabric has been given a vintage make over in my erosion bundle with the aid of some rusty items and pale blue paint…

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Here’s a slightly closer view of the rusty section, looking beautifully vintage….

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Above is part of an armchair arm cover. I has some lovely rust stains on it, plus paint and paper for added texture. Here’s a closer view…

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You can see the paint and paper stuck to the fabric – they are completely fused together…

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Above we have some more very vintage looking lace pieces, stained by rust and teabags….

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Paint and tea stained cotton….

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Gentle rust and dark blue paint stains on some silk…

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More lovely rust stains from some washers and other items…..

Next we have a series of bleach washed denim. I soaked the denim in bleach, rinsed and dried it prior to putting it into my erosion bundle

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My fabrics will be carefully stored till I am ready to use them in  my art work. In the meantime I’m deciding what to put into my summer erosion bundle. I’m going for a different colour scheme and using other things I’ve never tried before. I’m hoping to get it into the garden before the end of the month….

Art · Watercolour

A Rainy Day In Scotland

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A RAINY DAY IN SCOTLAND

A wet in wet watercolour sketch on 140 lb hot pressed watercolour paper. The majority of this sketch is done with Paynes Grey, with just very tiny hints of Sepia and Prussian Blue. This took me about 15 minutes.

When it rains in Scotland the mountains very quickly blur into the clouds and mist and they still look beautiful. This sketch, my abstract rendition of rain on the mountains, will be stuck into my watercolour sketchbook…

Art · Watercolour

What Colours?

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Indian Red & Yellow Ochre

This blog post is directly related to my previous post. I need to give some thought as to what colours I’m going to paint my Crackle Paste samples with. I only get one shot at painting these samples – I don’t have time to redo them. They are getting posted this week regardless… ! So the big question is what colours? Yesterday evening, while spending time round at my mum’s, I spent an hour or so doing some watercolour samples to help me make a decision. One possibility is the sample above – some subtle reds and yellows…

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or I could paint the rainbow…

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Intense Blue, Sap Green & Dioxazine Violet

maybe some blues and greens with a hint of mauve

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Intense Blue, Lemon Yellow & Sap Green

or just blue, green and yellow.

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Intense Blue (Phthalo Blue) & Burnt Umber

I love the blue and brown combinations above and below… !

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Intense Blue, Prussian Blue, Indigo & Vandyke Brown
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Intense Blue & Vandyke Brown
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Phthalo Turquoise & Burnt Sienna
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Intense Blue & Burnt Sienna

The colour sample above is my favourite – a vintage pale blue on the outside gently tinted with the rusty orange Burnt Sienna and intense blue in the centre for a little extra impact.

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Intense Blue & Paynes Grey

The blues and greys are looking lovely too….

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Indigo & Paynes Grey

Above we have Indigo on the left and Paynes Grey on the right. The difference between them is very subtle. I love Indigo….

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Intense Blue & Chinese White

Or maybe just shades of blue…

These watercolour samples have given me some great ideas to help me decide what colours to paint my Crackle Paste samples. They’ve helped me narrow down what I really love and what I’m not so keen on…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 3

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The focus on this weeks edition of the Surface Treatment Workshop is Aluminium Foil.

It sounds very simple but in practice I found aluminium foil is not very easy stuff to work with. The good points are that it’s very easy to create texture and patterns with foil but the downside is that it’s not so easy to paint over. The paint doesn’t stick to the foil very well. Using a layer of clear gesso first helped but it still takes several layers of paint to cover the foil and when it dries the paint scratches off very easily. So I’ve got misgivings about it’s archival quality.

I have only one sample for this weeks workshop – pictured above. The foil I used were the foil wrappers from some stock cubes! Four wrappers were needed. And I simply coloured in the existing shapes and patterns in the foil. I used acrylic paint, oil pastels and stuck on some small rusty bits of paper left over from an erosion bundle.

I like my sample above, I like the textures shapes and colours. I’m not quite sure this sample is completely finished yet – I may work into it some more – but I like it so far!

The conclusion of this weeks workshop is that I don’t think I will be using aluminium foil in mixed media art to any great degree but it may possibly have small uses here and there… ! Next week the focus is on Masking Tape – looking forward to this!

Art

Home Made Rust

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These four pieces of rusty tin above I rusted myself. These are some of the rusty pieces I put into my Erosion Bundles.

These pieces of tin I cut out from the sides of a corned beef tin. They have flat sides and are easier to cut! As I cut the tin there was need for caution as the cut edges are razor sharp… ! Then I simply got a disposable aluminium foil tray (or an old plastic ice cream tub) and placed in it a solution of vinegar and bleach. The solution is mixed to a ratio of 2 parts bleach to one part vinegar. I needed enough to make sure the pieces of tin (or other items to be rusted) are completely covered. Then I put the pieces on tin into the solution and left them for about 4 -5 hours.

I wore disposable gloves and I put the tray out into the garden (I picked a dry day) as the solution of vinegar and bleach gives off very strong fumes – I really didn’t want it in the house! I have been known to leave these outside all night. If the items haven’t rusted enough when I check them I simply tip the solution away and cover them with a fresh solution and repeat the process.

Some things rust really well (like corned beef tins) others don’t – so it’s about experimenting. I’m really pleased how my rusty bits of tin above turned out and they have become even more rusty after being in my erosion bundles!

Art · Erosion Bundles

Winter Erosion Bundle – Part 2

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Welcome to part 2 of my winter erosion bundle! You can view Part 1 HERE if you missed it. Above is a piece of scrapbook paper which I scanned and printed out onto some copy paper. Into my erosion bundle it went. Stuck on the paper you can see blueberry remains, the white powdery remains of an effervescent Vitamin c tablet, some raspberry remains and some rust. All of them create wonderful vintage colours and textures. Next, the reverse side of the paper…

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Much more subtle colours and stains on this side…

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Above is some more subtly stained scanned scrapbook paper – the yellow stains are from some turmeric I sprinkled onto the paper. The reverse side looks like this:

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Above a piece of beautifully vintage sheet music, stained with rust and blueberries. It turned out that those blueberries would have a huge impact on this erosion bundle – although I had no idea when I put them in – it was purely experimental…winter-eb-15-nb

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The paper directly above is a piece of paper from an old book, beautifully stained…

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Above is an envelope – I like to use an assortment of paper in my erosion bundles! Again it’s beautifully aged and vintage looking. The reverse side:

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Also into my erosion bundle went some paper doilies:

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The doilies were very fragile when they came out of the bundle, hence why they’ve torn a little. For my final image of this post a picture of my erosion bundle in the garden:

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This my erosion bundle all tied up and hanging on my garden fence! As you can see it’s covered in frost, it was about -5 Celsius  when I photographed this. My bundle measured about 10″ x 8″ and on this morning it was frozen solid – it was like a giant house brick! You can’t miss the brown splodge on the front of it – that is…  erm…. bird pooh! I’m not entirely sure what that bird had been eating, however, when you put an art project out into the garden you have to expect these things… !

Click on any of the images to view them larger…

These papers will be carefully stored and will get used in my art work, in due course. They are all totally unique and individual and each of them have their own beauty. I love them! This concludes part 2 of my winter erosion bundle, part 3 (the final part) will follow sometime in the not too distant future…

Art · Sketchbooks · Surface Treatment Workshop

Indigo Circles

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A second selection of stamping samples for week 1 of the Surface Treatment Workshop…

This time I used a stencil as a stamp, which was suggested in the book. I used indigo paint with a touch of white mixed in with it…

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The prints are very simple, but I like the contrast between the indigo paint and the white paper underneath…

How the prints appear in my sketchbook:

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This will be all for week 1 now and for week 2 the focus is on stencils…

Art · Sketchbooks · Surface Treatment Workshop

Surface Treatment Workshop – Week 1

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This is week 1 of the Surface Treatment Workshop! Week 1 starts off very basically with stamping. For the sample above I covered a 6″ x 6″ piece of paper with collage and then simply stamped circles over the top in different sizes and colours. I rummaged round the house and found lots of things I could use for stamping circles – above I used a cardboard tube, a jam jar, a little bit of bubble wrap and… the best bit… an empty Belgian Bun packet! The larger dark blue circles were from the bottom of a plastic Belgian Bun packet – this has just got to be the best excuse ever for buying Belgian Buns!

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For the above sample I started with a 6″ x 6″ piece of paper and covered it with white gesso. Then I stamped a gold and turquoise pattern on the base of the sample using acrylic paints. To create the square pattern I used some of that rubbery stuff you put under mats and rugs to stop them slipping… ! For the small dark circles I used bubble wrap and then simply stamped the fish on. Very simple!

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Both samples have been stuck into a dedicated 8″ x 8″ sketchbook set aside especially for the project. I’m trying not to be overly fussy or fiddly with the samples for this project, after all, it is meant to be an experimental learning curve. I think I’m reasonably happy with how week 1 has turned out – now looking forward to week 2… !