Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 14

Welcome to this weeks Surface Treatment Workshop. This week Carolyn and I are experimenting with skins. What are skins? Very simply, skins are created by putting a layer of acrylic medium on to a hard surface (eg. a plastic chopping board, plate etc.), letting it dry and then carefully peeling it off. For this to work the acrylic medium must be one that becomes rubbery and flexible when dry. I used Gloss Gel, Fiber Paste, acrylic paint and masking fluid.

Here are my samples:

Week 14 - Skins - 1 - NB

For the above sample I used Gloss Gel and simply embedded some small pieces of my own art work into it. I left all my skins for about 48 hours to make sure they were properly dry and set. I then glued them to a surface of vintage papers and collage…

Week 14 - Skins - 2 - NB

For this sample I used some watercolour masking fluid as it dries to a rubbery consistency. And notice the lovely yellowy brown colour of it – it adds an extra vintage touch…

Week 14 - Skins - 3 - NB

This skin was made from Golden Fiber Paste. I mixed some Prussian Blue acrylic paint into it before leaving it to dry. Fiber Paste is very flexible when dry and is therefore good for making skins. After glueing it to a collaged background I stuck two small pieces of my own art on top of it.

Week 14 - Skins - 4 - NB

The skin above is made of acrylic paint. I used a vintage pale blue (my own mix), Buff Titanium and white. I did reasonably thick swirls of the different colours and left them to dry. Acrylic paint has a lovely rubbery texture to it when dry…

Week 14 - Skins - 5 - NB

For this skin sample above I used Gloss Gel. I tinted it with some turquoise pearl mica and embedded a dried blue hydrangea flower into the gel….

Week 14 - Skins - 6 - NB

The above skin samples were done by putting a layer of Gloss Gel over a rusty piece of metal. The gel was slightly tricky to peel off – I had to very carefully loosen all the edges with my fingernails and pull it very slowly. I also added a touch of turquoise pearl mica to the gel for a little contrasting colour…

Week 14 - Skins - 7 - NB

Two more rusty skins…

Week 14 - Skins - 8 - NB

For my next skins I used more Fiber Paste:

Week 14 - Skins - 9 - NB

I smoothed a layer of Fiber Paste onto a plastic chopping board, which had a very fine texture to it, and left it to dry. When dry I cut two heart shapes out of the Fiber paste and painted them. When the paint had dried I glued them to vintage papers…

Week 14 - Skins - 10 - NB

So that is all my skin samples for this weeks Surface Treatment Workshop!

In conclusion I have to say that I quite like creating and using skins. They are a good way of adding a little bit of extra interest to a piece of mixed media art. You can create skins in advance and store them ready for future use. It’s also fun to experiment with embedding different things and tinting with with different mediums.

Next weeks Surface Treatment Workshop is about Pulled Papers. It’s a great technique and I’m looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 9

Welcome to week 9 of the Surface Treatment Workshop. This week my sister Carolyn and I are experimenting with Fiber Paste. We used Golden Fiber Paste – I couldn’t find any alternatives that claimed to have the same properties. I read through the prompts in the book decided I was going to begin with printing on fiber paste.

I used a cheap sheet of A5 copy paper and skimmed a very thin layer of fiber paste over it with a wet palette knife. I let it dry for a couple of hours and prepared 2 photos in Photoshop ready to print onto the fiber paste. Now, my printer has been a bit temperamental of late so I wasn’t too sure how it was going to react to having Fiber Paste put through it – I was fully prepared for a paper jam, print errors and that nasty little flashing red light on the front of the printer. But to my surprise fiber paste went through the printer fairly easily…

Week 9 - Fiber Paste - Mussels - NB
Mussels Print on Fiber Paste

Fiber paste has the feel and texture of hand made paper when it’s dry – it’s lovely! The prints printed out slightly softer and lighter in colour than they would had they been printed on photo paper. If you click the images to view them larger you can see the texture of the fiber paste through the prints.

Week 9 - Fiber Paste - Barnacles - NB
Barnacles Print on Fiber Paste

The fiber paste ended up making the cheap copy paper very strong and flexible once the paste had dried. It is a lovely surface to paint on, draw on or stitch into. I LOVE fiber paste and I’m very pleased with how my fiber paste prints turned out! This is how they appear in my STW Sketchbook:

Week 9 - Fiber Paste - Sketchbook 1 - NB
Fiber Paste Prints in Sketchbook

 Next I simply painted a watercolour wash over some fiber paste:

Week 9 - Fiber Paste - Watercolour 1 - NB

The watercolour paint has highlighted the texture of the fiber paste quite well but here’s a macro view for more detail:

Week 9 - Fiber Paste - Watercolour Macro - NB

You can really see the texture of the fiber paste in this image! Next I did another watercolour wash over fiber paste but this time I overlaid it with some pearl mica once the watercolour had dried:

Week 9 - Fiber Paste - Watercolour 2 - NB

And I also did a macro view too so you can really see the texture of the fiber paste in detail:

Week 9 - Fiber Paste - Watercolour Macro 2 - NB

In conclusion the end result of this weeks Surface Treatment Workshop is that I LOVE Golden Fiber Paste! I especially like printing on fiber paste. Once you’ve printed on fiber paste you can easily incorporate the fiber paste print into mixed media art, paint on it, draw on it, stitch into it – anything really!  I will be doing more fiber paste prints…

Carolyn should be posting all her workshop samples this week so please do pop over and have a look! Next weeks workshop is focusing on drawing grounds, so I need to get my drawing head on….