Following on from yesterdays post, this is another violet study. This time I used slightly different colours and varied the composition a little. The colours used this time were Winsor Violet, Winsor Blue Red Shade, Sap Green and Cadmium Yellow. It measures 19 cm x 28 cm and was painted on Arches paper.
It was a simple study to do but lots of fun and all part part of the learning process…
This is my interpretation of the first step-by-step tutorial in Jean Haines new book: Atmospheric Flowers In Watercolour Painting With Energy And Life. I have gone a little “off piste” with this as regards the step-by-step instructions so mine doesn’t look quite like the example in the book but I think that’s okay. I quite like my finished results.
Colours I used were Daniel Smith’s Cobalt Violet Deep, Ultramarine Blue, Viridian and Cadmium Yellow Medium. Paper is Fabriano Artistico cold pressed 140 lb and it measures 19 cm x 28 cm.
My mum has been given lots of flowers from friends and family after her recent accident so I’m going to use some of them as inspiration for some more flower paintings. I like painting flowers in glasses, vases and jars etc. so I’m going to try and develop this. I need to work on my technique and practice lots and lots… and lots more… !
It’s a beautiful book with beautiful inspiring art work on almost every page. The first exercise in the book is about painting violets. These are my warm up exercises before moving on to the step-by-step tutorial…
All of these exercises were done as a double page spread in my khadi paper sketchbook. I like how they turned out. I can see the usefulness of doing warm up exercises before moving onto a more important piece of work. I can immediately see what works and what doesn’t, what colour combinations work best for me and what I need to improve on. I straight away noticed that I have a tendency to make my stems too fat… I’ll work on it – I clearly need to learn to have a much lighter touch with my brush… !
I enjoyed doing these very much and I’m looking forward to doing the step-by-step tutorial. I snatched time to paint these in between looking after my lovely mum who had an accident just over a week ago and has a nasty fracture at the top of her right arm. I’ve had to take some time off work to be her full time carer for a while till she can look after herself again. Get well soon mum xx !!
I’m off now to carry on reading through Jean’s new book, enjoy what’s left of your weekend…
My mission when I got up this morning was to paint roses… after doing a few household chores first of course! I started by following a YouTube video (I wont say which one) but after three failed attempts it clearly wasn’t working for me. So I stopped for a tea break and regrouped. I decided to go back to what I know works really well – Jean Haines tutorials… ! I found the rose tutorial in Jean Haines Colour & Light in Watercolour New Edition book and got started. I didn’t follow the tutorial to the letter but Jean’s instructions got me back on the right track.
So my Rambling Rose above is completely my own creation but created after following Jeans sound advice. It measures approx. 5″ x 5.5″ and was painted on Fabriano Artistico 100% cotton cold pressed paper. The colours I chose to use were Permanent Rose (W & N) and Naples Yellow (DS). The green for the stem and leaves was some left over mixed green left in my palette. The brush I used was a Silver Black Velvet size 10 Round – this is one of my most favourite brushes.
My Rambling Rose was painted loose, wet in wet, with just a few details and definition added after the first wash had dried. This is one of those paintings that looks better if you stand back a a few feet. I’m much happier with this attempt and am now inspired to try some more loose roses…
It’s collage time! Welcome to weeks 10 and 11 of the collage project I’m doing with my sister, Carolyn, following the prompts in The Collage Workbook by Randel Plowman.
The week 10 prompt is Decollage. We had to glue down lots of layers of paper and then when the glue is nearly dry rip the top layers of papers away to reveal what’s underneath. Here’s what I did:
I used soft pastel coloured papers and also added some dried pressed flowers – a little hint of spring….
The week 11 prompt is numbers – create a collage with numbers as the focus. Here’s my offering:
A vintage blue collage with a spring twist with the added dried pressed flowers. And of course the numbers were included and I used vintage ephemera for that. Some erosion bundle papers went into this collage as well….
I had fun creating these collages. Next weeks theme is typography – something a little different for me. Looking forward to it…. !
A small watercolour landscape. I painted this some weeks ago and I wasn’t sure if I liked it. So I just left it to one side for a few weeks and then went back to it. I do this with my photography sometimes if I have images I’m not sure about. When you look at images or art again after a few weeks you see things with a fresh perspective. When I revisited this watercolour I decided that perhaps it’s not so bad after all – I quite like it. I like the deckle edge of the paper (Fabriano Artistico NOT paper – 100% cotton)….
Today I decided I would also share just a few places that I get lots of wonderful watercolour inspiration from.
One page I love to visit is debi riley – The Creative Zone for Making Art. Debi is a very talented artist with many years experience. Her work is beautiful and she very generously shares her wealth of knowledge and experience on her blog. It’s a wonderful, inspirational place to visit for artists of all levels of experience. As a person still in the early stages of my watercolour journey, I’ve found it invaluable. My suggestion is: make yourself a coffee, make yourself comfy in front of the computer and lose a couple of hours exploring Debi’s blog – you wont regret it….
Next, I love colour. I love mixing colours and experimenting with colour. One stunning web page I love to visit can be found at Jackson’s, a UK art supply shop. Here you will find a beautiful Daniel Smith watercolour paint chart. Please do have a look.
What I love about this page is that you can view virtually the entire Daniel Smith range of watercolours all on one page and the colours are stunning. What I also love about this page is that you can click on each individual colour and it will tell you the pigment numbers that make up that colour and the properties of that colour, ie. it’s lightfastness, transparency, whether it’s a stainer or granulator etc. This information is invaluable to me. How can you not be inspired by all these beautiful colours…. ??
Another place I’ve found watercolour inspiration from lately is from a book called 10-Minute Watercolours by Hazel Soan. This is only a small book, inexpensive and it’s not a new book. But it’s a fantastic book – inspirational! This book simplifies watercolour painting and for me that’s a good thing. Hazel achieves many beautiful and inspirational watercolours in this book in just 10 minutes. Hazel makes two statements in this book that I will remember forever:
“Painting is an act of creation, not imitation.”
“….you are using the subject matter to create a watercolour, not using watercolour to re-create the subject.”
Those statements are quite profound and I will leave you to think about them….
I will share more of my sources of inspiration another time….
A collection of vintage blue and rusty coloured treasures from around my work room. Vintage dyed fabrics, a piece of dyed string, a vintage blue pressed hydrangea flower, a rusty coloured dried pressed rose, a rusty ring pull from a can – all on a vintage blue textured background. I painted the background paper with acrylic paints.
All these lovely things I collect inspire me and I will eventually use them in art work when the right project comes along. And I will then replace them with other lovely things… !