This seascape reminded me of a family boat trip we had years ago – we took the boat from Penzance to the Scilly Isles. The day we went was the day after a huge storm. We had brilliant sunshine, blue sky and fluffy white clouds but the sea was very choppy with some huge waves. The captain called it “a little light swell”, hence the title of my seascape above…
Both Studies above were painted loosely, wet in wet mostly. Both measure 19 cm x 14 cm and were painted on Fabriano Artistico 100% cotton cold pressed paper. The colours used were Prussian Blue and Viridian.
Above is a mosaic created from seascape attempts I didn’t like. I cut small abstract squares out and glued them onto a piece of white paper.
I love the ocean and it will inspire many more seascape studies and paintings in the future…
No, I’m not talking about the laundry…. ! When watercolour painting, the expression “wash day” takes on a whole new meaning. Practicing initial washes is an exercise in Jean Haines’ Atmospheric Watercolours book. And I have to say it’s a lovely, relaxing and therapeutic exercise to do.
Here’s my first wash, loosely based on the exercise in Jean’s book in the link above:
A loose, light and colourful wash. This will be the base on which I will eventually build on and create a lovely painting.
My next wash is based specifically upon one of my own photos. A floral photo:
Again, in time, I will build upon this initial wash to create a watercolour painting based upon my photo.
When I have built upon these washes and turned them into finished paintings I will post the results. Not sure when that will be yet but, hey, there’s no rush…. ! They will sit patiently in my studio till I’m ready to work on them. I will know when the time is right….
This is week 5 of a collage project I’m doing with my sister Carolyn, we’re following the prompts in The Collage Workbook by Randel Plowman. This week’s prompt is colour plunge – create a collage using only different shades of one (or almost one) colour. I did three collages in total…
The first collage is made up from vintage pale blue papers and some fabric from an erosion bundle….
This collage is again blue but totally different blues – rich dark Prussian blue tones to this one. The fabrics in this came from my erosion bundles….
The last collage is made using vintage pale green papers, with tiny hints of turquoise here and there. I used some erosion bundle papers in this one. There’s a tiny piece of scrim on the left and some vintage cellotape on the right to add extra vintage touches.
All three collages measure 8″ x 8″. They all turned out completely different to how I originally intended them to be but I like them. Next week’s prompt is image pairings – I need to think about this one….
Well I’ve managed to get myself a bit behind with the Surface Treatment Workshop, so I’m posting 2 weeks together today and still hope to get this weeks workshop done to post later in the week!
Week 18 was about using ventilation tape. Basically it’s a thick self adhesive tin foil and it has a backing you peel off. This is probably something I would never have thought of using for art work…..
This is ventilation tape just screwed up and the backing peeled off and stuck down. I then applied several washes of thinned acrylic paint. The paint sits very nicely in the grooves.
For the above I made marks in the ventilation tape, then peeled the backing off and stuck them down. I made more marks and then applied acrylic paint over the top.
Week 19 of the Surface Treatment Workshop is about embossing. I’ve used molding paste for embossing before and it worked really well, so this time I decided to try something different. I decided to use acrylic Matte Gel Medium and also Fiber Paste.
For the above sample I started with a painted background and then applied a thin layer of Matte Gel over the top. I left it to start to dry for about an hour or so. Then I pressed a piece of patterned vintage fabric into it. I carefully peeled it off and left it to dry. The Matte Gel dried transparent so I applied some thin washes of pearl mica over the top to make the pattern stand out more.
Next is the Fiber paste sample…
Again I started with a painted background and then applied a layer of Golden Fiber Paste. I left it to start to dry, about an hour or so. Then I pressed a piece of wallpaper onto the left side of the sample, it had a lined pattern on it. It didn’t work quite a well as I hoped but did create some extra texture. On the right hand side I pressed some rubber grip (the stuff you place under mats to stop them slipping) into the Fiber Paste, used some paper to press it into the paste and then peeled it off. This worked a bit better, you can see the square patterns. I finished with washes of pearl mica to add some extra colour.
So it was an interesting couple of weeks in the workshop, trying different things and covering new ground (well, new ground for me!). The next surface Treatment Workshop is about using glazing mediums – looking forward to this….
Do you like eating your greens? Personally I love eating my greens BUT…. painting them is a whole lot more fun….. !!
I did these watercolour samples back in the spring (hence the title of this post). These lovely shades of green (and some neutrals) were created by mixing 2 blues and 2 yellows. The blues were indigo and Cobalt Teal Blue. The yellows were Lemon Yellow and Raw Sienna. There’s a lovely assortment of beautiful greens here but notice the lovely neutral tones in the two bottom left colour samples – they’re edging toward the grey side which I love….
Above we have mixes of Daniel Smith’s Buff Titanium and Cobalt Teal Blue…
On the top line from the left: Buff Titanium, Buff Titanium + White, Buff Titanium + Cobalt Teal Blue
On the bottom line from the left: Cobalt Teal Blue, Cobalt Teal Blue + White, Cobalt Teal Blue + more White
I love mixing colours, it’s such a fun thing to do and so relaxing. But it’s also a great way for me to learn how colours mix and react with each other. These colour samples will go into my watercolour workbook…
This week for the Surface Treatment Workshop we are combining week 7 with week 10 as they both focus on gels and speciality gels respectively, variations of the same thing.
Last week I gathered some textured things for making my own speciality gels with. I gathered some black peppercorns and some sharp sand from my garage . This is what I did with them:
In the sample above I used the black peppercorns in the top half, the “sea” part of the image and the sharp sand in the “sand” part of the image. I just laid a thickish layer of matt gel onto my surface and tipped the peppercorns and sand onto the gel. Then I just tipped off any excess. I let the gel dry and then coated the top of the textures surface with more matt gel. When the gel had dried I painted the suface – the sea is painted with indigo and touches of turquoise and the sand is painted with yellow ochre. The sand and peppercorns created some lovely surface texture and the matt gel over the top of them made the surface easy to paint.
Next a completely experimental piece! I had this idea in my head, I had no idea how it would turn out – it was either going to be very good or very bad. How did it turn out? Judge for yourself:
For this sample I used a polythene label off a 4 pint plastic milk bottle. I stuck it to my surface with matt gel in a scrunched kind of way. I let the gel dry a bit first and then I blasted it with a heat gun till the plastic label crinkled and melted. I let it cool down then I coated the top with more matt gel. When that had dried I coated it with 2 coats of white acrylic paint to blot out the remaining writing and colour from the label. The texture created from the melted plastic is awesome. I used loose washes of watercolour paint in shades of Intense Blue and Emerald, when they mixed they created a lovely shade of turquoise. I finished this sample with a coat of gloss gel, which then served to fix the watercolour in place.
Something else I gathered last week to use in these samples was some crushed seashells. Again I stuck them to my painted surface with matt gel. To be honest, they looked so lovely I didn’t have the heart to paint over them – I just couldn’t bring myself to do it! So all I did to them was coat them with gloss gel mixed with a little pearl mica (a shade called Diamond Dust) to give a little extra sparkle. You can see it catching the light in the images above and below…
In the above sample you will also notice I also used some netting from a bag of veges! I stuck it down with matt gel. The photos above of the crushed seashell samples don’t really do them justice. The reality of them is so much better…
For the above sample I used some black and some white organza, stuck it down with matt gel and melted it with a heat gun – it crinkled up lovely. I then covered it with more matt gel. When dry I finished with a coat of gloss gel mixed with pearl mica for the colour.
Click on any of the images to view them larger…
I really like using gels, they are so useful for so many things – too many to explore in this post. Gels will have a permanent home in my little work room. Next week the Surface Treatment Workshop focuses on Fiber Paste – it’s going to be interesting… !
Well week 5 of the Surface Treatment Workshop has finally arrived! The focus for this week is crackle paste. I used Golden Crackle Paste and I have to say it is brilliant stuff! Using crackle paste is time consuming but worth the effort and a little patience!
I did decide to go for some blues and brown colours – couldn’t resist! The above sample is on cardboard and will go in my sketchbook. Next are some closer views of the above sample:
The crackle paste has a lovely texture to it as well as the cracking ability. I also opted for some blue and turquoise colours…
… with a touch of ochre – I do love these colours. Next are some close up views:
Not only does it take time for the crackle paste to work, I also found it takes more time than I realized to paint the crackle paste too! You have to build up the colour in layers, lots of diluted washes of colour, letting each layer dry before adding another…
The above sample I decided to call “Crazy Paving”. It is also on cardboard and will go in my dedicated Surface Treatment Workshop sketchbook. Next some close up views:
Out of all the crackle paste samples I started with three are complete which I have posted here. Two are in progress but I haven’t decided what to do next with them so I’ll leave those for a while. And one other is not painted at all yet – I will finish it and add it to my sketchbook!
My sister Carolyn will be posting her samples for the Surface Treatment Workshop in a few days, please do pop over and have look! Next week the the Surface Treatment Workshop is focusing on a Faux Encaustic technique – this could be very interesting…