Art · Collage

Black & White

This is the third week of the collage project I’m doing with my sister Carolyn, following the prompts in The Collage Workbook by Randel Plowman. Also it’s lovely to now have a number of other people joining in with our project. This week’s prompt is black and white. I did two black and white collages….

Dimensions Of Space - NB

The first collage is more traditional black and white tones and the second is vintage style….

Vintage Black & White - NB

Both collages measure 8″ x 8″ and I have used some erosion bundle papers in both collages. Both are more complex in design than previous week’s collages.

I’m really enjoying this collage project and already my mind is working on next week’s theme….

Art · Collage

White

Hello everyone! This is the second edition of a collage project I am doing with my sister Carolyn – we’re following the weekly prompts in The Collage Workbook by Randel Plowman.

The prompt for this week is WHITE – creating a collage using only different shades of white paper. Here’s what I did….

White - 1220 - NB
1220

These collages all measure 6″ x 6″

White Sunrise - NB
White Sunrise

It’s amazing how many different shades of white there are….

White - Turning A Corner - NB
Turning A Corner

This was a good prompt for me as I love white and I’m irresistibly drawn to the light. I have an A4 sketchbook set aside to put my collages into but some I may consider framing. Looking forward to next week’s collages….

Art · Collage

Five Minutes

This the first installment of mine and Carolyn’s collage project. The first collage prompt is to create five collages only taking 5 minutes on each one. Five minutes is not a long time so a bit of organization is necessary. I gathered all my materials together first – collage images, papers, glue, scissors etc. I started the timer and away I went….

Lavender Landscape - RN
Lavender Landscape

These collages are all approximately 3.5″ x 5″ in size….

Life Is Good - RN
Life Is Good

Notice I’ve veered away from my usual favourite colours….

Mr Happy - RN
Mr Happy

I’ve decided I’m going to be much more diverse with my colours in this collage project

The Seaside - RN
The Seaside

Notice some of my favourite colours creeping in above, and my love of the sea….

Spring Promise - RN
Spring Promise

I love the soft greens in the collage above, with just small touches of orange and turquoise – lovely colour combinations….

I hope you’ve enjoyed these collages as much as I enjoyed creating them. Collage is a wonderful creative outlet. Collage is something creative that everybody can do – young or old, whether you’re a complete beginner at art or a seasoned artist with many years experience.

And it is so much FUN….

Art · Collage

New Project

My sister Carolyn and I will be starting a great new project in January. For our new project we are going to be following the 50 weekly prompts from the book The Collage Workbook by Randel Plowman. We’re both really looking forward to this and we both love collage.

We shall be posting our collage work every Wednesday starting with the 3rd January – all being well….

I’ve often been asked what I’m going to do with my Erosion Bundle papers and fabrics. Well, this is one way that they are going to be used – they are going into my collages over the next year.

Here’s are some collages I did some time ago:

A Vintage Collage - RN

Above is A Vintage Collage with a diet related theme….

winter-rose

The above collage I called A Winter Rose – created in beautiful warm red and gold colours….

Prints and products of the above two collages are available at Redbubble….

Sepia Collage 2a - RN

And lastly, this collage I simply called Sepia Collage – created for one of my sketchbooks….

I’ve spent ages sorting out all my collage stuff in readiness for our new project – otherwise I’ll never be able to find what I want – and now I can’t wait to get started…

 

Art · Erosion Bundles

Summer Erosion Bundle 2017

Back in the summer I did a post documenting how I made my latest erosion bundles, you can read about it here. They’ve been in the garden for almost 2 1/2 months. Well, a few days ago I opened them up, carefully separated everything and left my papers and fabrics to dry….

Summer 2017 EB 1 - NB

Lots of rust and berry stains….

Summer 2017 EB 2 - NB

Summer 2017 EB 3 - NB

Summer 2017 EB 4 - NB

The lovely blue/mauve stains above and below are from blackberries….

Summer 2017 EB 5 - NB

Summer 2017 EB 6 - NB

It will come as no surprise that fabrics made from natural fibres (ie. cotton, silk, linen etc.) absorb colour and stains much better than synthetic fabrics. Below are two pieces of blackberry and rust stained silk….

Summer 2017 EB 7 - NB

Summer 2017 EB 9 - NB

All paper fragments, like the ones above, are kept and will be used in a future art project…

Summer 2017 EB 11 - NB

Pearl mica adds some shimmer on the papers below….

Summer 2017 EB 12 - NBSummer 2017 EB 13 - NBSummer 2017 EB 14 - NB

Summer 2017 EB 15 - NB

Beautiful rust stains below….

Summer 2017 EB 16 - NB

Summer 2017 EB 17 - NB

Above and below are both sides of the same piece. They’re actually two pieces of paper fused together, there’s just no hope of separating them. The rust stains are gorgeous. Some rusty washers are still attached. Below you can see some eye shadow and berry marks too. But what really intrigues me though is that round turquoise circle you can see on both sides of the paper. As yet, I have no idea what made that turquoise circle – it’s distinctly washer shaped, so I’m thinking that maybe one of my washers has reacted with something in my bundle. That’s one of the joys of erosion bundles ~ lovely things happen inside them ~ you never know what you’re going to find when you open them….

Summer 2017 EB 18 - NB

Below is some greaseproof paper from the kitchen – it’s quite good stuff to put into an erosion bundle, not too thick and fairly strong. There’s a dried blueberry stuck on it and you can also see some blackberry stains. In the middle on the right you can also see a pattern left by some fabric….

Summer 2017 EB 19 - NB

Below is a piece of bleached denim, it always stains well in an erosion bundle…

Summer 2017 EB 20 - NB

Summer 2017 EB 21 - NB

Below is some rusty jute….

Summer 2017 EB 22 - NB

So these are the results of my summer erosion bundles. I didn’t photograph everything, just the most interesting bits. I’ll have to start thinking about what to do for my next bundle. All these lovely papers and fabrics are going to be carefully stored till I need them. I’m hoping to use them in a new project next year – but more information about that later this year.

Art · Surface Treatment Workshop · Watercolour

Surface Treatment Workshop – Week 25

Welcome to week 25 of the Surface Treatment Workshop. This week we are using a bleach pen to create interesting patterns and textures in art. Here’s what I ended up with….

Week 25 - Bleach Pen 3 - NB

This is a Fiber Paste surface covered with watercolour paint, then bleach dropped onto the top with the bleach pen. Colours used were Indigo and Phthalo Blue. The colours and textures are wonderful….

Next something a little different (at least different for me!)….

Week 25 - Bleach Pen 1 - NB

A while ago my sister Carolyn sent me a bundle of art stuff in the post. In the parcel she included a pile of the strips used in salons to remove wax, with a note offering me a challenge to use them in some art. Challenge accepted!

Here they are used above as part of this weeks workshop. I covered them with a wash of watercolour paint and then dropped the bleach onto the wet paint in small drops. These strips are somewhere between a paper and a fabric and they are very porous, so you need something underneath to absorb any paint that goes straight through. Some interesting textures have been created. On the left, the colours used were Burnt Sienna and Phthalo Blue and on the right I used Prussian Blue. For the samples on the right I have shown both sides, as they are both different but interesting. Here’s a closer view of the left sample:

Week 25 - Bleach Pen 2 - NB

These salon wax strips, once painted and dried, would be good to use for collage work – they would add some extra interest and colour….

This weeks workshop was fun and very quick and easy to do. The next STW is about using petroleum jelly – I think it might just get a little bit messy – but we’re going to have some fun with it anyway…. !

Large images of my art can be viewed in my Art Gallery

Art · Surface Treatment Workshop · Watercolour

Surface Treatment Workshop – Week 24

Welcome to week 24 of the Surface Treatment Workshop (STW). The workshop this week is about creating textures using rubbing alcohol. This is a really fun thing to do and so easy. All you need to remember is not to have your paint too thick – it needs to be a fairly runny wash – otherwise the alcohol wont break the surface of the paint. Here’s what I created….

Week 24 - Rubbing Alcohol 1 - NB

I used watercolour paints for my samples this week. I started with a wash of a light colour and then went straight over the top with a darker colour. Then while the paint is still wet I dropped in the alcohol. The alcohol breaks the surface of the paint and creates lovely patterns and textures….

Week 24 - Rubbing Alcohol 2 - NB

You can click on the images to view them larger if you wish. I used an assortment of different colours – Lemon Yellow, Yellow Ochre, Prussian Blue, Raw Sienna, Burnt Sienna, Cerulean Blue, Ultramarine Blue, Cadmium Red and Alizarin Crimson….

Week 24 - Rubbing Alcohol 3 - NB

The rubbing alcohol created some lovely textures and patterns in my watercolour paint. This is a great way to add some extra interest to an abstract watercolour painting. In conclusion I think rubbing alcohol is an interesting and useful item to have among my art supplies. It’s not something I would use every day but to occasionally to add some extra drama to some art – it’s great!

Larger images of my work can be viewed in my Art Gallery. The next STW is about using a bleach pen in art work…. fun times ahead!

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 23

This week’s workshop is all about using shaving foam in mixed media art. This is something I would have never considered using in art before reading the Surface Treatment Workshop book. The basic technique is to apply shaving foam to the back of a disposable plate (or other flat surface), then drop paint into it, swirl it round a bit and then transfer it you your art surface. Here’s my first sample….

Week 23 - Shaving Foam 1 - NB

I applied my shaving foam really thickly to the back of a disposable plate I added yellow ochre, turquoise, indigo and gold acrylic paint, mixed it in the foam a bit and transferred it to my paper. I swirled the foam round the paper with the plate and then lifted it off. At this stage I had a choice – I could either scrape the foam off straight away or leave in on to disintegrate. I decided to leave it on to disintegrate by itself. I left it for 24 hours and returned to find the foam had disappeared leaving some amazing painted textures on my paper.

Now shaving foam is obviously not archival, so to preserve my lovely textured surface I carefully applied a layer of acrylic glazing medium. When dry I applied a second coat of glazing medium mixed with some pearl mica in complementary colours.

While the above shaving foam sample was disintegrating I started some more samples….

Week 23 - Shaving Foam 2 - NB

For the above samples I followed exactly the same process but using slightly different colours – Indigo, Prussian blue, Yellow Ochre and Gold. I left the foam on to disintegrate.

Week 23 - Shaving Foam 3 - NB

For the above I used Indigo, Prussian Blue, Pale Power Blue and Silver. When the foam had disintegrated to virtually nothing I was left with lovely lace kind of pattern. All my samples were finished with acrylic glazing medium to preserve the textures and patterns.

Shaving foam is interesting stuff to use in art but it is MESSY !! If you don’t make a mess applying it, you will make a mess scraping off any unwanted residue! It’s sticky and gets everywhere. I highly recommend giving yourself plenty of space for this technique and move/cover anything you don’t want to get shaving foam on! All that said, I’m quite pleased with how my samples turned out and it was fun to do….

Next week’s workshop is about using Rubbing Alcohol. It’s going to be interesting…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 21

Week 21 of the Surface treatment workshop is about embedding items into a work surface. Embedding helps to create interesting textures that seem to be custom made to a piece of art work.

I did just one sample for this week and kept it very simple…,

Week 21 - Embedding - NB

I attached a piece of lace fabric to some sketchbook paper with modelling paste and then blended the edges of the fabric into the surface with a bit more modelling paste. I left it to dry and painted stripes of colour over it. The fabric has blended into the paper quite well. Here’s a closer view…

Week 21 - Embedding - Macro - NB

The edge of the fabric blended quite seamlessly into the work surface….

The touch of sparkle is a touch of pearl mica in a shade called Diamond Dust – it’s one of my favourites….

This sample will be added to my growing pile of samples ready for gluing into my STW Sketchbook…..

 

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 20

Week 20 of the Surface Treatment Workshop is all about using glazes. I’ve tried to be a little bit inventive with my glazes. I used Windsor & Newton’s Artists’ Acrylic Glazing Medium. Rather than producing lots of separate pieces I decided to do just one and divide it up into sections….

Week 20 - Collage Base - NB

As you can see above I started with a simple collage base, about 6″ x 6″, and you can see that I divided it into 6 roughly equal sections lightly with pencil. My idea then was to try a different glazing technique in each section…..

Week 20 - Glazes - NB

This is what I ended up with! Now let me explain a little about each section…..

Top left: very simple, I just mixed the glaze medium with a tiny amount of sepia acrylic paint to create a vintage looking effect

Top Middle:  I mixed the glazing medium with dried paint scraping from off one of my paint pallets. It created some lovely coloured texture

Top Right:  I created a “dirty” glaze by mixing the glazing medium with rust particles scraped off some of my rust collection. Also on this section I went over the right half with a second coat of glazing medium mixed with a tiny amount of light gold pearl mica. It’s created some lovely grunge/bling texture…

Bottom Left:  I mixed the glazing medium with PVA and heated it with a heat gun to create some texture. I then went over it again with more glazing medium mixed with tiny amounts of acrylic paint

Bottom Middle:  It’s not so easy to see in the photo but for this section I simply mixed the glazing medium with a light gold pearl mica. All the collage is clearly visible but it has a lovely light gold sheen over it

Bottom Right:  For this section I simply layered different coloured glazes over the top of each other to create layers of colour

Please view the larger version of the image by clicking on it and you can hopefully see the details better. I did notice that some of my collage papers absorbed the glaze while with others the glaze just sat on top. This creates different finishes – where the glaze is absorbed the finish is more matte rather than shiny…

I quite enjoyed glazing this week. My glazed collage will go into my dedicated STW Sketchbook. Next week back to some basics again with embedding…..