Watercolour

Koala

Koala 1 - NB
Koala in watercolour, 19 cm x 29 cm

This cute little koala is the subject matter of the latest tutorial in Jean Haines Online Art School. This was really fun to do. It’s not something I would have painted normally but it’s good to be challenged to paint something a little different. It is watercolour of course and the colours I used were: Lunar Blue, Indigo, Cobalt Violet Deep, Quinacridone Gold and Goethite (Brown Ochre), all by Daniel Smith. The paper I used was Winsor & Newton Professional paper, 140 lb Rough. This is really lovely paper to paint on.

August is texture month in Jean’s online art school. Whilst lots of members in Jean’s school will be having lots of fun with this, I have decided to pretty much opt out. Why? It’s because texture month involves using “texture products” like crackle mediums and the like. To me, once you start using these products in a watercolour painting it stops being a watercolour painting and becomes a MIXED MEDIA painting of which watercolour is a part. My passion in art is for watercolour – pure and simple. I love watercolour for it’s transparency, beautiful colour fusions and watermarks. Somehow all this is lost with the introduction of texture mediums. Look at my painting below:

Mini Textured Cockerel - NB
Cockerel on a mini canvas with DS Watercolor Ground & watercolours

Does it look like a watercolour? Answer is no… !! Here Daniel Smith Watercolor Ground has been used to prime a canvas and then a create texture, over which I have painted a cockerel with watercolours. But I might just as well have painted this with acrylic paints. With the application of the watercolour ground as a texture, all the lovely qualities of the watercolour medium have been lost. I like the Daniel Smith Watercolor Ground as a means of being able to paint with watercolours on alternative surfaces like canvas or wood. But as a texture medium? NO !! Also, as DS Watercolor Ground is acrylic emulsion, I would personally never use it to recover lost white areas in a watercolour either; to me, doing so also turns a watercolour painting into mixed media.

I have nothing at all against mixed media art but it’s not where I want to be in my art journey right now. I even have some ideas of my own for incorporating some mixed media into my watercolour work at some point in the future. But when I do that I will clearly label it as watercolour with mixed media. I joined Jean’s lovely art school to try and learn some her beautiful watercolour skills. Not to learn mixed media art techniques…

The bottom line here is that I seem to have strong tendencies towards being a watercolour purist. Who knew… ! I’ve learnt something new about myself…

Watercolour

Sunflowers, Sweet Peas & Elephants

Elephant - Mother & Baby - NB
Elephants – Mother & Baby, 28 cm x 19 cm on Arches 140 lb Rough paper

Painting elephants in watercolour was one of the recent tutorials in Jean Haines online watercolour school. Painting these elephants really pushed me out of my comfort zone. This is my first ever attempt at painting a whole elephant – I’d only previously done a head study. I used just three main colours – Raw Sienna Light, Ultramarine Blue and Green Apatite Genuine by Daniel Smith but I did also use just a touch of Winsor & Newton Titanium White for the tusks. I’m quite pleased with my elephants… !

Sunflower 2 - NB
Sunflower in watercolour, 28.5 cm x 19 cm on Arches Rough paper

Sunflowers and Sweet Peas were also on the agenda in “art school” too. I love sunflowers – they’re so bright, sunny and bold. For the yellow petals I used a mixture of Hansa Yellow Medium and Insoindoline Yellow and for the centre I used Rose of Ultramarine, Quinacridone Gold and Transparent Red Oxide – all by Daniel Smith.

Sweet Pea Study 1 - NB
Sweet Peas in watercolour

In direct contrast to the sunflower, Sweet Peas are so much more delicate and need much softer, pastel colours and a light hand. I love these delicate washes of colour. I painted these on Fabriano Artistico Extra White paper, 140 lb Rough. I used an assortment of colours for these but the colour that really made a difference to them was Phthalo Turquoise by Daniel Smith – it’s a stunning colour…

Sweet Peas 2 - NB
Sweet Peas in Watercolour

Lots more happening in my watercolour world. I have lots of roses in my garden, so I would like to be painting some roses over the coming week. And I feel the need to be painting some seascapes. Bye for now…

Follow me on Instagram @evelynflintwatercolours

Watercolour

Simple Landscapes

Here are some simple watercolour landscapes. The emphasis here is on SIMPLICITY…

The first is inspired by a photo I took in St. Ives of Porthminster Beach from quite a high vantage point. There was a huge expanse of beach and only two people on it – how peaceful and serene it must have been for them…

All ToYourselves - NB
Having The Whole Beach All To Yourselves

My Second landscape is just a simple wave crashing on the shore. The wave was created by making deliberate watermarks in the Phthalo Blue Turquoise watercolour paint…

Crashing Wave - NB
Crashing Wave

Creating waves like this is a very simple technique I’ve taught myself – it’s all about timing. I have my paper on a flat surface (not on an easel); I then carefully drop clean water into a wet wash where I want my wave to be. The wash needs to be not really wet but not too dry either – somewhere in between. Then I carefully tilt the paper so the watermarks develop in the direction I want them to go. When I can see a definite wave shape starting to form I place my paper back on a flat surface to dry – no fiddling with it !! With this technique no two waves are ever going to be the same – you will create something different and unique every single time. I like that! Something to bear in mind, if you feel like trying this, is that the smoother the paper you use the faster your watermarks will form and will the bigger they will tend to be. So controlling how much water you use and where you place it is essential. Try it – it’s so much fun…

The third landscape is inspired by by my trip to Scotland last September. This is a misty early morning view of the Moray Firth. The beach, sea and sky all gently merge into each other in the mist and everything is perfectly still and quiet…

Misty Dawn - NB
Misty Dawn

My fourth landscape is straight out of my imagination – poppies in golden fields on a beautiful summers day…

Poppies in Fields of Gold - NB
Poppies In Fields Of Gold

My fifth landscape is an abstract Cornish seascape. Stormy skies over a turquoise sea, loosely based on the unusual light and weather patterns that often occur in Cornwall…

Storm at Sea - NB
Storm At Sea

All of these landscapes I have entered into the Landscape Escape Challenge in Jean Haines online art school . They are all very different but all very easy and fun to do.

Watercolour

Spring

Well, spring is springing very beautifully in my little corner of the world. We may be in lockdown but you can’t lockdown spring….

Spring Flowers - NB
Buttercup & Forget-Me-Not studies in watercolour

Yesterday I did some Forget-Me-Not and Buttercup studies in watercolour. These pretty little flowers I’ve observed on my daily walk. All were painted on Arches paper, torn in to 10 cm x 19 cm strips. I used a Rosemary and Co kolinsky sable brush and a Silver Black Velvet script brush.

Forget-Me-Nots - NB
Forget-Me-Not studies in watercolour

I used Daniel Smith’s Cobalt Blue for the Forget-Me-Not flowers. Just quick loose watercolour studies, trying to capture the essence of the flowers rather than doing botanical studies….

Buttercups - NB
Buttercup studies in watercolour

Buttercups – weeds or wild flowers? Whatever your view – they add a vibrant splash of colour to the environment. For the Buttercup flowers I used Hansa Yellow Medium (DS) and Cadmium Yellow Medium (DS).

I kept all these watercolour studies simple, trying to adopt a “less is more” approach. I loved painting these. And I’m making the most of the extra time I have right now to paint and have fun with my watercolours.

#rosemaryandcoareopen

Watercolour

Razor Shell Study

Razor Shell Study - NB

A watercolour sketch of a razor shell I found on the beach. Daniel Smith watercolours used were Undersea Green, Yellow Ochre and Sepia. You can see my little colour mixing experiments down the right side of the paper. The paper used was Saunders Waterford high white 200 lb Rough and measures 19 cm x 29 cm.

Anything connected to the sea, beach or coast will always be a primary source of inspiration for my watercolours. No pencil sketch used – drawing done with my paint brush. Much enjoyment gained as I saw the razor shell “appear” on the paper…

Watercolour

Rosehips

Rosehips - NB
Rosehips

A little splash of colour from my bleak winter garden –  some rosehips, painted in watercolour of course. I used Daniel Smith watercolours, Saunders Waterford high white watercolour paper (100% cotton, 200 lb, NOT) and it measures 19 cm x 29 cm.

I haven’t blogged much lately but things are happening in my watercolour world and I will post more in the new year.

Here’s another fun watercolour I did a couple of weeks ago:

Beach Time - NB
Beach Time

Looking forward to some beach time next year! My watercolour measures 15 cm x 19cm and was painted on Saunders Waterford high white paper – 100% cotton, 200 lb NOT. Daniel Smith and Winsor & Newton watercolours were used. It was fun and puts a smile on my face when I look at it. More watercolour updates in the new year…

Watercolour

Daffodils

Daffodils - NB
Bunch of Daffodils

Painting daffodils was on the agenda this morning, making the most of them while they’re still blooming…

Daffodil Study - NB
Single Daffodil Study

I practiced painting this single daffodil first before painting the bunch above…

Daffodil Colours - NB
Daffodil Colours

My daffodil colours are Winsor Lemon, Indian Yellow and Permanent Sap Green, all by Winsor & Newton. Paper used is Arches rough 140lb. It wasn’t till I started painting daffodils that I noticed what a lovely sweet smell they have and I enjoyed painting them…

Watercolour

Tulips

 

Tulips - NBTulip Test Colours - NB

 

Above are two tulips, painted loosely in watercolour, inspired by Jean Haines Atmospheric Flowers in Watercolour book. Paper used was Fabriano Artistico Extra White Rough paper, 100% cotton & 140 lb.  No preliminary pencil sketch was made on the watercolour paper.

On the left is a scrap of watercolour paper I used to test out some colours on before painting my tulips.  The yellow is Winsor Lemon – a good choice for the slightly delicate yellow of my tulips. The greens are Green Gold (DS),  Olive Green (W & N), Prussian Green (DS) and Prussian Green mixed with Green Gold. The grey shades at the bottom were mixed from Indigo and Buff Titanium.

This was my first ever attempt at painting tulips. Painting the glass jar the tulips are in was tricky – I need to work on that…

I enjoyed painting these tulips – they’re bright and cheerful and much fun to paint…

 

Watercolour

Just Opening

Just Opening - NB
Just Opening – a daffodil study in watercolour

I don’t have any daffodils in my garden so I had to buy some from my local supermarket. They were all tightly in bud when I bought them but very soon started to open. I decided to paint some watercolour studies of them in bud first and then I will do some more of them open. I did some quick pencil sketches first in my sketchbook before committing brush to watercolour paper.

Inspiration came from Jean Haines Atmospheric Flowers book. Of course, no pencil sketch was made on the watercolour paper before painting. This is my first ever attempt at painting daffodils and I’m quite pleased with them. But of course there’s always plenty of room for improvement…

Paper used is Fabriano Artistico extra white rough, 140 lb cotton and watercolour paints are by Daniel Smith.

Watercolour

Harvest Mouse

Harvest Mouse - NB1
Harvest Mouse

A little harvest mouse painted loosely in watercolour. This is my interpretation from the demonstration in Jean Haines’ World of Watercolour book. It was painted without a preliminary sketch first. It measures 28 cm x 19 cm. It was painted on Fabriano Artistico Extra White Rough paper, 140 lb and 100% cotton.

My little harvest mouse may just be ever so slightly on the plump side… ! But I’m generally quite pleased with how he turned out. I was almost on the brink of overworking this – I had to stop myself from fiddling with it. I really enjoyed painting this little mouse – it was fun!