Watercolour

Violet Study

Violets In A B;ue Glsss - NB
Violets In A Blue Glass

Following on from yesterdays post, this is another violet study. This time I used slightly different colours and varied the composition a little. The colours used this time were Winsor Violet, Winsor Blue Red Shade, Sap Green and Cadmium Yellow. It measures 19 cm x 28 cm and was painted on Arches paper.

It was a simple study to do but lots of fun and all part part of the learning process…

Watercolour

Violets In A Glass

Violets - NB
Violets In A Glass

This is my interpretation of the first step-by-step tutorial in Jean Haines new book: Atmospheric Flowers In Watercolour Painting With Energy And Life.  I have gone a little “off piste” with this as regards the step-by-step instructions so mine doesn’t look quite like the example in the book  but I think that’s okay.  I quite like my finished results.

Colours I used were Daniel Smith’s Cobalt Violet Deep, Ultramarine Blue, Viridian and Cadmium Yellow Medium.  Paper is Fabriano Artistico cold pressed 140 lb and it measures 19 cm x 28 cm.

My mum has been given lots of flowers from friends and family after her recent accident so I’m going to use some of them as inspiration for some more flower paintings. I like painting flowers in glasses, vases and jars etc. so I’m going to try and develop this. I need to work on my technique and practice lots and lots… and lots more… !

Watercolour

Violets: Warm Up Exercises

Those of you who’ve been visiting here for a while wont be surprised to learn that I’ve acquired Jean Haines’ new book: Jean Haines Atmospheric Flowers in Watercolour: Painting With Energy And Life

It’s a beautiful book with beautiful inspiring art work on almost every page. The first exercise in the book is about painting violets. These are my warm up exercises before moving on to the step-by-step tutorial…

Warm Up Violets 1 - NB
Violets: warm up exercises – left page

All of these exercises were done as a double page spread in my khadi paper sketchbook. I like how they turned out. I can see the usefulness of doing warm up exercises before moving onto a more important piece of work. I can immediately see what works and what doesn’t, what colour combinations work best for me and what I need to improve on. I straight away noticed that I have a tendency to make my stems too fat… I’ll work on it – I clearly need to learn to have a much lighter touch with my brush… !

Warm Up Violets 2 - NB
Violets: warm up exercises – right page

I enjoyed doing these very much and I’m looking forward to doing the step-by-step tutorial. I snatched time to paint these in between looking after my lovely mum who had an accident just over a week ago and has a nasty fracture at the top of her right arm. I’ve had to take some time off work to be her full time carer for a while till she can look after herself again. Get well soon mum xx !!

I’m off now to carry on reading through Jean’s new book, enjoy what’s left of your weekend…

Watercolour

Beach Treasures

Beach Treasures - NB
Beach Treasures

I had a lovely long walk along the beach this morning. The tide had pushed the pebbles into piles and washed up some lovely interesting things. I gathered a few shells and decided that I would paint some of them when I got home. The limpets were lovely greys and redish browns and I even found one with a band of green around it…

Above you can see my painting endeavors. On the whole I’m very pleased with my sea shell sketches. I painted straight onto Arches watercolour paper, 140 lb NOT, (29 cm x 18 cm) no pencil sketches! And I do believe that my drawing skills are improving. I guess practice pays off…

Watercolour

Rambling Rose II

Rambling Rose 2 - NB
Rambling Rose II ~ WIP

This is the second painting in my rambling rose series (the first was in my previous post). I may work on this painting some more, so I guess it’s a “work in progress” but at the moment I’m enjoying it as it is…

I used the same colours as the first one – Permanent Rose and Naples Yellow. This painting measures approx. 8″ x 6.5″ and was painted on Khadi paper. And this one too looks better when viewed from  a distance – you get the “rose effect” better. It was painted loose, wet in wet and I’ve just let the watercolour paint do what it naturally likes to do – working with it, not against it…

In the summer of 2016 I planted a lovely pale pink climbing rose in my garden. This spring it has doubled in size and, although it is only early may, it has buds forming on it already! This summer I want to paint these gorgeous roses from my garden. So I’m going to take lots of photos of them and also I will cut some and bring them indoors to paint. On a nice summers day I may even do some plein air rose painting in the garden…

BACK TO BASICS

I also spent some time recently getting back to watercolour basics – basic colour mixing and practicing brush control…

Mixing Primary Colours - NB
Mixing Primary Colours

This is a very basic colour mixing exercise. I  picked one of each of the primary colours ~ I chose to use Cadmium Red, Quinacridone Gold and Indanthrene Blue (in the top line of the chart from the left). All of them are quite strong primary colours. I then randomly mixed them together using varying quantities of pigment and water. These are just a sampling of the colours I could produce. This chart measures 5.5″ x 7.5″, but if I’d used a much larger piece of paper I could have easily quadrupled the number of different colours created. This is a fun way of learning about colour – how they mix, what different colous and shades you can produce. And it illustrates that you don’t need to buy lots of different colours, when you are just starting out with watercolour – just a few will do…

Next a fun brush control exercise:

Leaves - Brush Control - NB
Leaves in Earth Colours

I used a whole range of different earth colours for the exercise above. But it’s not about the colours, it’s about brush control. I used just one brush – a Jacksons Icon Quill size3/0. It’s a lovely brush, it holds lots of water and pigment and has a superb point.  The purpose of the exercise above was to practice working from the tip of the brush to the body and then back again to the tip again. I enjoyed painting my leaves. More brush control exercises will be on the agenda in the future…

Watercolour

Rambling Rose

Rambling Rose - NB

My mission when I got up this morning was to paint roses… after doing a few household chores first of course! I started by following a YouTube video (I wont say which one) but after three failed attempts it clearly wasn’t working for me. So I stopped for a tea break and regrouped. I decided to go back to what I know works really well – Jean Haines tutorials… ! I found the rose tutorial in Jean Haines Colour & Light in Watercolour New Edition book and got started. I didn’t follow the tutorial to the letter but Jean’s instructions got me back on the right track.

So my Rambling Rose above is completely my own creation but created after following Jeans sound advice. It measures approx. 5″ x 5.5″ and was painted on Fabriano Artistico 100% cotton cold pressed paper. The colours I chose to use were Permanent Rose (W & N) and Naples Yellow (DS). The green for the stem and leaves was some left over mixed green left in my palette. The brush I used was a Silver Black Velvet size 10 Round – this is one of my most favourite brushes.

My Rambling Rose was painted loose, wet in wet, with just a few details and definition added after the first wash had dried. This is one of those paintings that looks better if you stand back a a few feet. I’m much happier with this attempt and am now inspired to try some more loose roses…

I hope you all have a creative week ahead!

Watercolour

Today’s Watercolour Inspiration…

Today a lovely post appeared in my blog reader from watercolour artist Edo Hannema. He posted a beautiful watercolour landscape followed by a video of how he painted it. I was completely mesmerised. Here’s a link to the post: http://www.edohannema.nl/wordpress/painting-a-dutch-landscape/. If you love watercolour please check out his blog and YouTube channel. I love the gentle palette he uses and his technique – I can see myself learning a lot about watercolour from him…

Meanwhile, I found time this afternoon to paint a simple watercolour of lavender in a pot. I know it’s been done many times before by many people but I’ve never done it before. And I need to practice…

Lavender Pot - NB

I’m always ever critical of my own work (but much less so of other people’s work… ) and the pot is slightly too big and the lavender not quite big enough. But I’ll put that down to experience. It was painted fast and loose and most importantly it was fun to do… !

Inspired by Edo’s lovely watercolour painting demonstration in the link above, I’m now off to plan some watercolour landscape painting for tomorrow. I need to think about what I’m going to paint, what colours to use, whether I need to sketch anything or a least have an idea of where everything is going to be placed. Enjoy what’s left of your weekend…

Watercolour

Blossom Time

Blossom Time - NB

A watercolour sketch of spring blossom. This was based on a video from Maria Raczynska’s YouTube Channel. This was very simple to do and lots of fun… !

It was painted on Arches cold pressed paper and measures 10″ x 7″. The colour used for the blossom was Alizarin Crimson and a little white gouache.

Watercolour

Feathers

Feathers - With Border - NB

I had a little fun flexing my watercolour wings yesterday by doing some watercolour feather sketches. Both were painted on Arches 140 lb Cold Pressed paper. Colours used were Payne’s Grey and Sepia.

I love being by the sea and there’s always plenty of seagull feathers to gather from the beach and harbour. I have a little collection in a pot in my studio. Payne’s Grey is a perfect seagull colour, whereas Sepia is a perfect colour for the young seagulls which are soft light brown colours…

Watercolour

The Blue Fuchsia

The Blue Fuschia - NB

I bet you’ve never seen a fuchsia quite like this before. If you could buy a fuchsia this colour at the garden centre it would probably cost you a lot of money… !

This painting is based upon an exercise in Jean Haines Colour & Light In Watercolour New Edition but I used totally different colours – creative license… ! Rather than conventional fuchsia colours I used Winsor & Newton’s Cobalt Turquoise Light and Indanthrene Blue. They contrast beautifully. This was painted on Arches Cold Pressed paper and measures 6″ x 9″.

Indanthrene Blue is a new colour in my palette. I have to admit I would have bought the Daniel Smith equivalent but it was out of stock. That said, I’m not disappointed with the Winsor & Newton version – it’s a gorgeous, rich dark blue colour. But it also fades to a lovely pale blue with the addition of lots of water. It also mixes well with other colours and I did a few quick tests in my khadi paper sketchbook:

Indanthrene Blue Mixes - NB

I love all these colour mixes but I especially love the purple shade in the top left corner and the colours in the Cadmium Orange line…

So that’s my watercolour fun for today. Wishing everyone a great creative week ahead…