Watercolour

Daffodils

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Bunch of Daffodils

Painting daffodils was on the agenda this morning, making the most of them while they’re still blooming…

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Single Daffodil Study

I practiced painting this single daffodil first before painting the bunch above…

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Daffodil Colours

My daffodil colours are Winsor Lemon, Indian Yellow and Permanent Sap Green, all by Winsor & Newton. Paper used is Arches rough 140lb. It wasn’t till I started painting daffodils that I noticed what a lovely sweet smell they have and I enjoyed painting them…

Watercolour

A Posh Frock

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A Posh Frock

“A Posh Frock” is my watercolour sketch for today. Frock is an old fashioned  word for a woman’s or girl’s dress and a word not really used much today. But being an old fashioned word it is perfect for my old fashioned, vintage watercolour dress.

The dress was painted with Daniel Smith’s Buff Titanium mixed with a little Naples Yellow. No other colours were used for the dress. The coat hanger was painted with a little Paynes Gray and the necklace was painted with Rose Madder. The paper used was Fabriano Artistico Extra White Rough, 140 lb and 100% cotton. I LOVE this paper! “A Posh Frock” measures 19 cm x 28 cm.

This was painted without a preliminary sketch – it was drawn with my paint brush…

Practicing my drawing in a separate sketchbook is really helping me with my watercolour painting. It’s helping me to be more confident when I put paint brush to paper. Straight away I can hear someone out there saying “but I’m no good at drawing…”. Well, the fact of the matter is this:

Anyone can learn to draw

True, some people are more naturally gifted than others but every single one of us can learn to draw. It just takes persistent practice and time. The main sketchbook I use for drawing at the moment is an A4 sketchbook I bought from Poundlands (a UK discount shop) for £1 – it’s brilliant. And I use a Derwent Mechanical Precision Pencil which costs £4.99 with a putty rubber costing £1.50. Drawing is cheap and cheerful and something I can do anywhere any time…

Painting without a preliminary sketch (drawing with a paint brush) is a whole lot harder, I have to admit, than just drawing with a pencil on paper. But, as with all things, it gets easier with practice…

“A Posh Frock” may just get put on the wall in my studio….

Watercolour

Garden Ewer

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Garden Ewer

A fairly simple watercolour offering for today – a garden ewer. Naturally, I painted this without a pencil sketch first. I picked this subject to paint to practice getting the shapes and lines of the ewer correct without pencil lines to guide me. The shape and form of the ewer is nice and simple. If some of the lines are a little wobbly on close inspection, for me, that is perfectly ok. Imperfection is perfection. Painting without a pencil sketch first, or “drawing with a paint brush” as I like to call it, is going to make my watercolour paintings unique. I’m personally not interested in painting realistic photographic quality copies of a subject, replicating every detail – I would much rather paint just the essence or a personal impression of a subject.

In her book Atmospheric Watercolours Jean Haines likens the preliminary pencil sketch to the bars of a cage that restrict you and fence you in when you are painting. That had a profound effect on me when I read it – I’d never thought of it like that before. And you know what? She’s right !! I think up till then I’d had a preconceived idea of how I thought watercolour painting was supposed to be and I was trying to fit in with that preconceived idea. When I read this section of Jean’s book those preconceived ideas vanished in a “puff of smoke”. They are gone forever. It hit home that I don’t need to conform to traditional watercolour painting philosophies ~ watercolour painting can be whatever I want it to be…

For this watercolour sketch I used a paper I’ve not tried before – Fabriano Artistico Extra White, 140 lb Rough and 100% cotton. This the first time I’ve actually used proper rough watercolour paper – up till now I’ve only bought NOT or cold pressed paper. So what do I think of this paper?? I love it… ! I love how the paint settles into the dips and troughs of the paper – it’s just beautiful. Why have I never tried rough paper before! I love rough paper so much I may never go back to using NOT/cold pressed paper ever again… (although, I will need to use up what NOT paper I already have left!)

Well I think I’ve waffled on enough for now! If you’ve read this far – thank you for sticking with me! I do realize that others may have a completely different view to watercolour painting to me and that’s completely okay too. At the end of the day, we’re all different and have to find our own path to follow that’s right for us personally…

Watercolour

Simple Seascape

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Well, it’s been a little while since my last post. I’m not going to bore you with a list of excuses but I decided it’s high time I got back in my little home studio and got painting again!

Here we have a simple seascape practice piece to get myself back into the swing of things. It’s just loose layers of colour and a little bit of splatter for some pebbles on the beach. I like how the sea gently blends into the sky, just how it does when it’s misty on the horizon.

It measures 28 cm x 19 cm and was painted on Saunders Waterford High White paper, 100% cotton and 140 lb NOT. I used an assortment of colours – Manganese Blue Hue, Cobalt Teal Blue, Ultramarine Turquoise, Prussian Green for the sea. French Ultramarine and Indigo for the sky. Naples yellow for the sand and  earth colours for the  splattered pebbles. Paynes Gray and Paynes Blue Gray for the land and rocks.

Whilst I haven’t painted much lately, I have have been gathering lots of lovely inspiration for future watercolours and I’ve also been practicing my drawing as well. It’s lovely to be painting again. I wont leave it so long till my next post…

Watercolour

The Blue Ballet Shoes

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The Blue Ballet Shoes ~ watercolour sketch

The Blue Ballet Shoes – a watercolour sketch. This is the same basic composition as my previous ballet shoe sketch but this one is a looser version, done without any pencil sketch. I did the “drawing” with my paint brush! I deliberately chose soft colours – almost ethereal colours.

Paints used were by Daniel Smith and Winsor & Newton. Buff Titanium, Naples yellow, Quinacridone Coral, Burnt Sienna were used for the skin tones. Winsor Blue Red Shade mixed with white gouache was used for the ballet shoes. A little Yellow Ochre was mixed with the blue for the shadow. The paper used was Saunders Waterford High White, 140 lb cold pressed. I used Just two brushes – a #6 pointed round brush and a 1/2″ flat brush. My sketch measures 19 cm x 21 cm.

I much prefer working without a pencil sketch if possible but it is a challenge. And I did do a few practice sketches before this final version. Watercolour painting is a wonderful way to start the day…

Watercolour

Pear Shaped!

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Pear

I spent some time a couple days ago doing some simple still life watercolours of some pears. Not too much detail, just simple shapes and shading. The painting above and below were painted on Saunders Waterford High White paper, which was 100% cotton and 140 lb cold pressed…

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A Pair Of Pears

These watercolours were quite appropriate really as life has gone a little “pear shaped” for me at the moment. I have a painful and debilitating arm injury at the moment which has required numerous trips to the hospital and still more trips to come. It’s my right arm and of course I am right handed… ! So whilst I have managed to paint, it has been a challenge and I can’t spend as long painting as I would like to. My arm is improving but progress is a bit slower than I initially thought it would be…

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Practice sketch for “A Pair Of Pears”

Above is a practice sketch for “A Pair Of Pears” above. It was done on a small scrap of paper (acrylic paper actually…) just so I could practice getting the shapes, composition and colours right…

Very simple watercolour work – within my current limitations and very much fun to do!

Watercolour

An Atlantic View

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An Atlantic View

A watercolour seascape sketch ~ large waves rolling in on to the sea shore on Cornwall’s Atlantic coastline…

In this seascape I was practicing painting waves assisted by carefully created back-runs. It was partially successful – I need to practice it more. The tricky bit is to make sure I reserve white enough paper for the waves first and then create the back-runs by adding the just right amount of clean water with a clean brush in just the right places at the right time and tilt the paper if necessary to ensure the water runs in the right direction.

The sky was painted using Ultramarine Blue and Raw Sienna. The grey was created by mixing the two colours in the palette first. The ocean was painted mostly with Prussian Blue along with Manganese Blue Hue, Cobalt Teal Blue and Cascade Green. The little bit of sand at the bottom was painted with Buff Titanium. The horizon is a little wonky but then it is only a practice sketch so I’m not going to worry about that…

My seascape measures 19 cm x 29 cm and was painted on Arches 140 lb cold pressed paper (100% cotton). This was some very enjoyable watercolour practice…

Watercolour

A Door Leading To…

Adventure…

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A Door Leading To Adventure…

I spent an hour or so in my studio yesterday evening painting with my watercolours, even though I was exhausted after a very hard day at “The Office”. Once I get absorbed in watercolour painting I very quickly forget how tired I am – it relaxes me.

I didn’t have any idea what to paint, I just started to move some colours across the paper. I added water with a clean brush, let it run down the paper and watched the colours mix. An image started to form – a door was appearing… ! Then I decided it needed some flowers round the door… and a door step…

I pretty much made this up as I went along… and it was nice to paint with absolutely no agenda, no pressure or expectations – just enjoying the act of painting with watercolours. I like how it turned out – to me it almost looks like something out of a fairy tale. I love it’s looseness and how it has just enough detail to know what it is…

I decided it was a door leading to adventure – for me, a door leading to lots of exciting watercolour adventures! Where would this door leading to adventure take you… ?

Technical info: Saunders Waterford High White watercolour paper – 100% cotton, 140 lb NOT, Daniel Smith Watercolours, measures 14 cm x 17 cm

Watercolour

Beached

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Beached

A watercolour seascape sketch ~ an old weather beaten, sea worn boat beached on the shore…

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“Beached” seascape colours

 

 

Left are the colours I used. Prussian Blue, Cobalt Teal Blue, Yellow Ochre, Quinacridone Gold and Quinacridone Burnt Scarlet are by Daniel Smith; Ultramarine Blue, Van Dyck Brown and Lamp Black are by Winsor & Newton.

I did start this with a very simple pencil sketch, just very basic outlines and no detail.

I wanted my watercolour sketch to have a degree of looseness to it.

I love the colours I chose for my boat ~ all very lovely “seaside” colours…

It was painted on 140 lb cold pressed watercolour paper and measures 15 cm x 20 cm.

I’ve learnt lessons and grown from painting my boat. I’m slowly but surely improving and developing my watercolur skills. More simple watercolour sketches will follow…

Most of all I had FUN painting this ~ painting with watercolours is beautiful and exciting as well as relaxing and therapeutic all at the same time…

 

Watercolour

The Beginnings Of A Seascape

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Beginnings Of A Seascape

This is the beginnings of a seascape created using cling film (plastic wrap) inspired by Jean Haines’ World Of Watercolour book. The cling film creates lovely textures and patterns in wet pigment. In theory this is a fairly simple technique to use, so why have I struggled to get good results with it ?? However, I have persevered with it and above is probably my most successful attempt so far. The colours, textures and patterns in my seascape wash are beautiful. The cling film has helped to create a wild turbulent ocean. Please click the image to view it larger…

The colours I used were Winsor & Newton’s Winsor Blue Green Shade, Winsor Green Blue Shade and a tiny touch of Indian Yellow. All three are very strong pigments but they have worked together beautifully in my initial textured wash. I need to build on my initial seascape wash but I’m not going to rush it. I need to think carefully how I’m going to proceed with this painting and have some decisions to make before doing anything to it. So for now I’m just going to enjoy it as it is till I’ve decided…