Watercolour

Pear Shaped!

Pear Shaped 1 - NB
Pear

I spent some time a couple days ago doing some simple still life watercolours of some pears. Not too much detail, just simple shapes and shading. The painting above and below were painted on Saunders Waterford High White paper, which was 100% cotton and 140 lb cold pressed…

Pear Shaped 2 - NB
A Pair Of Pears

These watercolours were quite appropriate really as life has gone a little “pear shaped” for me at the moment. I have a painful and debilitating arm injury at the moment which has required numerous trips to the hospital and still more trips to come. It’s my right arm and of course I am right handed… ! So whilst I have managed to paint, it has been a challenge and I can’t spend as long painting as I would like to. My arm is improving but progress is a bit slower than I initially thought it would be…

Pear Shaped 3 - NB
Practice sketch for “A Pair Of Pears”

Above is a practice sketch for “A Pair Of Pears” above. It was done on a small scrap of paper (acrylic paper actually…) just so I could practice getting the shapes, composition and colours right…

Very simple watercolour work – within my current limitations and very much fun to do!

Watercolour

An Atlantic View

An Atlantic View - NB
An Atlantic View

A watercolour seascape sketch ~ large waves rolling in on to the sea shore on Cornwall’s Atlantic coastline…

In this seascape I was practicing painting waves assisted by carefully created back-runs. It was partially successful – I need to practice it more. The tricky bit is to make sure I reserve white enough paper for the waves first and then create the back-runs by adding the just right amount of clean water with a clean brush in just the right places at the right time and tilt the paper if necessary to ensure the water runs in the right direction.

The sky was painted using Ultramarine Blue and Raw Sienna. The grey was created by mixing the two colours in the palette first. The ocean was painted mostly with Prussian Blue along with Manganese Blue Hue, Cobalt Teal Blue and Cascade Green. The little bit of sand at the bottom was painted with Buff Titanium. The horizon is a little wonky but then it is only a practice sketch so I’m not going to worry about that…

My seascape measures 19 cm x 29 cm and was painted on Arches 140 lb cold pressed paper (100% cotton). This was some very enjoyable watercolour practice…

Watercolour

A Door Leading To…

Adventure…

A Door Leading To Adventure - NB
A Door Leading To Adventure…

I spent an hour or so in my studio yesterday evening painting with my watercolours, even though I was exhausted after a very hard day at “The Office”. Once I get absorbed in watercolour painting I very quickly forget how tired I am – it relaxes me.

I didn’t have any idea what to paint, I just started to move some colours across the paper. I added water with a clean brush, let it run down the paper and watched the colours mix. An image started to form – a door was appearing… ! Then I decided it needed some flowers round the door… and a door step…

I pretty much made this up as I went along… and it was nice to paint with absolutely no agenda, no pressure or expectations – just enjoying the act of painting with watercolours. I like how it turned out – to me it almost looks like something out of a fairy tale. I love it’s looseness and how it has just enough detail to know what it is…

I decided it was a door leading to adventure – for me, a door leading to lots of exciting watercolour adventures! Where would this door leading to adventure take you… ?

Technical info: Saunders Waterford High White watercolour paper – 100% cotton, 140 lb NOT, Daniel Smith Watercolours, measures 14 cm x 17 cm

Watercolour

Beached

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Beached

A watercolour seascape sketch ~ an old weather beaten, sea worn boat beached on the shore…

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“Beached” seascape colours

 

 

Left are the colours I used. Prussian Blue, Cobalt Teal Blue, Yellow Ochre, Quinacridone Gold and Quinacridone Burnt Scarlet are by Daniel Smith; Ultramarine Blue, Van Dyck Brown and Lamp Black are by Winsor & Newton.

I did start this with a very simple pencil sketch, just very basic outlines and no detail.

I wanted my watercolour sketch to have a degree of looseness to it.

I love the colours I chose for my boat ~ all very lovely “seaside” colours…

It was painted on 140 lb cold pressed watercolour paper and measures 15 cm x 20 cm.

I’ve learnt lessons and grown from painting my boat. I’m slowly but surely improving and developing my watercolur skills. More simple watercolour sketches will follow…

Most of all I had FUN painting this ~ painting with watercolours is beautiful and exciting as well as relaxing and therapeutic all at the same time…

 

Watercolour

The Beginnings Of A Seascape

Beginnings Of A Seascape - NB
Beginnings Of A Seascape

This is the beginnings of a seascape created using cling film (plastic wrap) inspired by Jean Haines’ World Of Watercolour book. The cling film creates lovely textures and patterns in wet pigment. In theory this is a fairly simple technique to use, so why have I struggled to get good results with it ?? However, I have persevered with it and above is probably my most successful attempt so far. The colours, textures and patterns in my seascape wash are beautiful. The cling film has helped to create a wild turbulent ocean. Please click the image to view it larger…

The colours I used were Winsor & Newton’s Winsor Blue Green Shade, Winsor Green Blue Shade and a tiny touch of Indian Yellow. All three are very strong pigments but they have worked together beautifully in my initial textured wash. I need to build on my initial seascape wash but I’m not going to rush it. I need to think carefully how I’m going to proceed with this painting and have some decisions to make before doing anything to it. So for now I’m just going to enjoy it as it is till I’ve decided…

Watercolour

The Kingfisher

Kingfisher - NB
The Kingfisher

A kingfisher in watercolour based on both my own image (found amongst some collage material) and the demonstration in Jean Haines’ World Of Watercolour book. This is my very first attempt at the kingfisher – a trial run – and I have to say it turned out better than I thought it would.

I will do another kingfisher and I will change a couple of things. My next one needs to be a bit shorter and fatter. And also I seem to have this bad habit of starting my painting in the wrong place and ending up too near the edge of the paper, as above… !! I must address this…

All in all a successful and fun hour spent painting this afternoon!

Watercolour

Sweet Peas

Sweet Peas - NB
Sweet Peas

A loose watercolour sketch of some Sweet Peas from a demonstration in Jean Haines’ World of Watercolour book. It was painted on Arches cold pressed paper. The colours I used were Rhodonite Genuine for the flowers and Prussian Green, Hansa Yellow Medium and a small touch of Yellow Ochre for the foliage – all Daniel Smith watercolours. I love Rhodonite Genuine – it’s a beautiful pink with just a small hint of granulation (although it’s not classed as a granulating paint). My sketch measures 11.5 cm x 28 cm (4.5 x 11 inches).

It’s lovely to be back painting again after not having much time for it lately. Although I dabble with a little mixed media art, collage and acrylics my passion is for watercolour. For me there’s nothing to rival it, there’s no other art medium that excites me like watercolour painting does. Magical things happen when you mix beautiful pigments with water on beautiful cotton paper. My watercolour journey continues…

Watercolour

Sailing

Sailing - NB

At the weekend I spent some time watching all the different sailng boats coming and going in the bay. I took some photographs and then sat outside to do some watercolour sketches of a few of them.

The photos I took were backlit so the boats were silhouetted. Therefore I painted them with just black watercolour paint – Lamp Black to be exact. The purpose of this exercise was for me to practice getting the shapes of the boats right – not with too much detail, but just enough to identify each sailing boat. I did start off with some very light pencil sketches first.

I enjoyed painting these and it was some much needed sketching practice for me…

#WorldWatercolorMonth

Watercolour

Watercolour Rose Macro

Watercolour Macro Rose - NB
Watercolour Rose Macro

A rose macro painted loosely in watercolour. It was painted on Arches paper. The colours I chose to use were Naples Yellow, Quinacridone Rose and Rhodonite Genuine ~ all by Daniel Smith. This painting is my interpretation of one of my own photos shown below…

Macro Rose

Painting an exact copy of the photo is not what I wanted to do – Hazel Soan’s words ring in my ears “you are using the subject matter to create a watercolour, not using watercolour to recreate the subject”. Just capturing the essence of what’s in the photo or my own interpretation is enough. At the end of the day, for me it’s all about getting lots of practice at painting with watercolours and this was very good practice for me…

#WorldWatercolorMonth

Watercolour

Little Blue Hyrdrangea Flower

Little Blue Hydrangea Flower
Little Blue Hyrdrangea Flower ~ watercolour

A watercolour sketch of a little blue hydrangea flower. This sketch is my interpretation of one of my own photos which you can see below. This turned out not quite as loose as I originally intended it to be but I like it all the same. No pencil sketch for this – I just used my paintbrush to paint the general shape of the little flower and then gradually worked on some details. It’s worth clicking on the sketch to view it larger…

This is my original photo:

Ocean Blue - DIB

I think I will regard this as a practice sketch and have another go at this – try for a looser version and alter the colours a little, it’s all good practice…

WorldWatercolorMonth