Today a lovely post appeared in my blog reader from watercolour artist Edo Hannema. He posted a beautiful watercolour landscape followed by a video of how he painted it. I was completely mesmerised. Here’s a link to the post: http://www.edohannema.nl/wordpress/painting-a-dutch-landscape/. If you love watercolour please check out his blog and YouTube channel. I love the gentle palette he uses and his technique – I can see myself learning a lot about watercolour from him…
Meanwhile, I found time this afternoon to paint a simple watercolour of lavender in a pot. I know it’s been done many times before by many people but I’ve never done it before. And I need to practice…
I’m always ever critical of my own work (but much less so of other people’s work… ) and the pot is slightly too big and the lavender not quite big enough. But I’ll put that down to experience. It was painted fast and loose and most importantly it was fun to do… !
Inspired by Edo’s lovely watercolour painting demonstration in the link above, I’m now off to plan some watercolour landscape painting for tomorrow. I need to think about what I’m going to paint, what colours to use, whether I need to sketch anything or a least have an idea of where everything is going to be placed. Enjoy what’s left of your weekend…
I had a little fun flexing my watercolour wings yesterday by doing some watercolour feather sketches. Both were painted on Arches 140 lb Cold Pressed paper. Colours used were Payne’s Grey and Sepia.
I love being by the sea and there’s always plenty of seagull feathers to gather from the beach and harbour. I have a little collection in a pot in my studio. Payne’s Grey is a perfect seagull colour, whereas Sepia is a perfect colour for the young seagulls which are soft light brown colours…
I bet you’ve never seen a fuchsia quite like this before. If you could buy a fuchsia this colour at the garden centre it would probably cost you a lot of money… !
This painting is based upon an exercise in Jean Haines Colour & Light In Watercolour New Edition but I used totally different colours – creative license… ! Rather than conventional fuchsia colours I used Winsor & Newton’s Cobalt Turquoise Light and Indanthrene Blue. They contrast beautifully. This was painted on Arches Cold Pressed paper and measures 6″ x 9″.
Indanthrene Blue is a new colour in my palette. I have to admit I would have bought the Daniel Smith equivalent but it was out of stock. That said, I’m not disappointed with the Winsor & Newton version – it’s a gorgeous, rich dark blue colour. But it also fades to a lovely pale blue with the addition of lots of water. It also mixes well with other colours and I did a few quick tests in my khadi paper sketchbook:
I love all these colour mixes but I especially love the purple shade in the top left corner and the colours in the Cadmium Orange line…
So that’s my watercolour fun for today. Wishing everyone a great creative week ahead…
My Portrait Of Ewe is based upon an exercise in Jean Haines’ Atmospheric Watercolours book. I have to admit that I’ve skipped a few exercises in the book just to get to the sheep a bit quicker… ! I will go back and do the ones I left out….
Jean’s rendition of a sheep is so colourful and vibrant. I loved painting this. This was my third attempt, each one getting slightly better. This was fun to paint and it’s very good practice for me. It was painted on Arches Cold Pressed paper and measures 9″ x 6″.
Since buying and reading this book (I’ve actually read the book 3 times!) my watercolour painting has improved in leaps and bounds. It’s been a real eye opener for me. It’s taught me that I have to let go of all the things that were restraining me, holding me back. Let go of the fears too…
I can honestly say that I’m in a much better place with my watercolour painting now than before I studied this book. It has changed the way I think about and paint with watercolour forever. I can never go back…
I still consider myself to be, not a beginner anymore, but still in the early stages of my watercolour journey. I’ve only been seriously painting with watercolour for about one year. I have a long way to go yet. And I need to practice, practice, practice and practice some more!
So if, like me, you’re learning to paint with watercolours too, keep going and never give up on your dream. I’m not saying it’s going to be easy – it’s going to take a lot of determination and hard work. But we CAN do it…. !
No, I’m not talking about the laundry…. ! When watercolour painting, the expression “wash day” takes on a whole new meaning. Practicing initial washes is an exercise in Jean Haines’ Atmospheric Watercolours book. And I have to say it’s a lovely, relaxing and therapeutic exercise to do.
Here’s my first wash, loosely based on the exercise in Jean’s book in the link above:
A loose, light and colourful wash. This will be the base on which I will eventually build on and create a lovely painting.
My next wash is based specifically upon one of my own photos. A floral photo:
Again, in time, I will build upon this initial wash to create a watercolour painting based upon my photo.
When I have built upon these washes and turned them into finished paintings I will post the results. Not sure when that will be yet but, hey, there’s no rush…. ! They will sit patiently in my studio till I’m ready to work on them. I will know when the time is right….
I had a little watercolour fun this afternoon painting some jellyfish. I was inspired by Maria Raczynska’s tutorial on her YouTube channel. Her watercolour work is stunning and inspiring.
This was a fairly simple exercise to do. I varied the composition of my painting a little and also used different paper and different paint. I used Fabriano Artistico watercolour paper ~ 140 lb NOT, 100% cotton. The paint I used was Daniel Smith’s Ultramarine Turquoise. That was the only colour I used. It’s a gorgeous colour and I love how it granulates and separates. A good choice for my jellyfish. I also didn’t do any pencil sketches first either.
The photograph doesn’t really do the painting justice – the reality is much better – however, I have tried to capture the colours as accurately as possible. You can click on the image to view it larger if you wish. I had so much fun doing this and it only took me about 15 minutes to paint. Happy days…. !
I don’t seem to have had much time for my art work lately so this week I made time for it. For just an hour or so I decided that everything else can wait….
I started with a fairly simple watercolour sketch of an apple:
I used Prussian Blue and Lemon Yellow plus a tiny bit of Burnt Umber for the stalk The paper is Saunders Waterford and this sketch measures approximately 8″ x 7″.
Next is my first ever attempt at painting a person, albeit a fairly abstract one….
I like my abstract lady in the rain. I have never been very keen to include people in my photography work, although there are a very few exceptions. However, I am very keen to have a go at painting people with watercolour. The colours used here were Paynes Grey, Yellow Ochre, Rose Madder and Burnt Umber. The paper was a left over scrap of Khadi paper and measures approximately 6″ x 6″.
Inspiration for these sketches came from a mixture of Hazel Soan and Jean Haines, both brilliant inspirational watercolour painters. I painted straight onto the paper, no pencil sketches or lines – more drawing with a paint brush.
I enjoyed painting these watercolour sketches. They’re fairly simple and didn’t take long. So it just goes to show even with a busy schedule I can find time to paint if I really want to – even if it’s just 20 minutes or half an hour. Plus watercolour painting is so relaxing, de-stressing and therapeutic….
A watercolour seascape I created using techniques I’ve learnt from Jean Haines’ Atmospheric Watercolours book. In a few short weeks this book has completely transformed the way I think about and paint with watercolours. And I can’t see myself EVER going back to a more traditional way of watercolour painting….
Please click on the image to view it larger – you’ll be able to see the colours and lovely textures better. For the base of this painting I used clingfilm to create texture in the very first wash. I’ve struggled a bit with the clingfilm thing but with a bit of perseverance I’ve improved.
It took me a couple of days to do this – with large amounts of time just leaving areas to dry before carrying on. But I’m quite pleased with the end result. Off now to learn more from Jean Haines…. !