Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 22

Welcome to week 22 of the Surface Treatment Workshop. This week in  the workshop we were using pours. Pours are created by mixing acrylic paint with different mediums to create a pouring mixture which you then pour onto your art and let it run. Here’s my sample:

Week 22 - Pours - NB

To create pours you can mix the paint with an assortment of different acrylic mediums. I used just a little gloss gel and water with my acrylic paint. The colours I used were: Paynes Grey, Burnt Sienna, Yellow Ochre, Cerulean Blue and White. I started with a collage base and then let my diluted paint run over it. I like how the colours have run and mingled together. I particularly like how they’ve run over the textured paper in the top left corner. Here’s a closer view:

Week 22 - Pours - Macro 1 - NB

I enjoyed using pours this week and this is something I will do again in the future. Next week in the workshop we’re using shaving foam – it’s going to get messy! But I’m still looking forward to it….

Photography · Still Life · Textured

Paynes Grey Brushes

I made time for a little creative photography today….

Paynes Grey Brushes
Paynes Grey Brushes

I photographed some of my paint brushes on my desk in my little studio.

I used my 18 – 55 mm kit lens with my Canon EOS 7D. I processed the image in Photoshop. Very simply explained, I desaturated the image so that it was almost black and white but not quite. Then I added two layers of one of my own textures. Finally I sharpened the image and saved it. Done.

I love how the texture layers have given the brush handles a lovely marbled look….

Art · Watercolour

A Rainy Day In Scotland

Rainy Day In Scotland - NB
A RAINY DAY IN SCOTLAND

A wet in wet watercolour sketch on 140 lb hot pressed watercolour paper. The majority of this sketch is done with Paynes Grey, with just very tiny hints of Sepia and Prussian Blue. This took me about 15 minutes.

When it rains in Scotland the mountains very quickly blur into the clouds and mist and they still look beautiful. This sketch, my abstract rendition of rain on the mountains, will be stuck into my watercolour sketchbook…

Art · Nature · Photography · Watercolour

Scottish Views

Ben Lomond - NB
Loch Lomond and Ben Lomond

Above is the very lovely Loch Lomond, Scotland, with the Ben Lomond mountain in the distance

Vintage Loch Lomond 1 - NB

Vintage post cards of Loch Lomond I found in a nice little shop…

Vintage Loch Lomond 2 - NB

A simple mountain watercolour sketch…

Mountain View - NB

I used just 2 colours for my sketch, Paynes Grey and Sepia, and used 140 lb hot pressed watercolour paper. This will go into one of my watercolour sketchbooks…

The Scottish mountain ranges and lochs are stunningly beautiful – I will post more pictures soon…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 8

Welcome to week 8 of the Surface Treatment Workshop. This week’s focus is on using gesso. Mostly gesso is just used to prime a surface before adding paint or other media but I decided to make more of a feature of it with my samples for this week…B & W Gesso - NB

In the above collage I painted four squares of gesso onto the paper – clockwise: dark grey, black, light grey and white. Then I simply added strips of vintage paper over the joins. I finished by putting four small squares of my own art work in each box. Very simple to do and a very simple design. I really like the neutral colours.

Neutral Striped Gesso - NB

Next I decided to have a play with some tinted gesso. Using one of my larger paint mixing trays I set about mixing white gesso with acrylic paint. I found you only needed very tiny amounts of paint to turn the white gesso into some lovely  pastel colours. In the sample above I used gesso tinted with sepia, indigo and just plain white gesso. Down the left side is a strip of fabric roses which I painted with indigo gesso.

Gesso Sketchbook 1 - NB

How both samples look in my sketchbook.

One of the prompts in the book was to stick objects items onto the surface and gesso over them. I decided to stick some vintage lace to my acrylic paper and gesso over them:

Vintage Lace & Gesso - NB

On the left side the lace is painted with Sepia gesso and the for the blue side I used Prussian Blue gesso overlaid with some white gesso to tone down the blue a little. For the next samples I decided to add some more colours to my paint tray – to the Sepia, Indigo and Prussian Blue I added Paynes Grey, Yellow Ochre and Turquoise….

Tinted Gesso Mosaic - NB

I used a large brush and a palette knife for the above samples. All the colours work really well together and the palette knife helped to create some lovely textures. This is how these samples look in my sketchbook:

Gesso Sketchbook 2 - NB

More tinted gesso samples:

Tinted Gesso 1 - NBTinted Gesso 2 - NB

The samples with stripes on I used some corrugated cardboard to stamp gesso onto my paper – stamping with gesso was one of the prompts in the book we’re working from. I also stuck some of the corrugated card I used into my sketchbook. This is how both these pages look in my sketchbook:

Gesso Sketchbook 3 - NB

I really enjoyed playing with gesso this week. I found my imagination ran overtime – I have so many other ideas for using gesso than what you see here but I just didn’t have time to explore them all this week. So I will have another play with gesso another time.

Just click on any of the images to view them larger…

Next week we are going to do Week 7 (which we missed out) and Week 10 together as they both focus on using acrylic gels – it’s going to be fun !

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 2

Welcome to Week 2 of the Surface Treatment Workshop. The focus for week 2 is stencils. In preparing my samples for this week I made a discovery… a personal discovery… ! I’ve discovered that I don’t actually like frilly, flowery, fussy, swirly stencil patterns. I can appreciate them in other peoples work, other people can make them look lovely, but I don’t like them in my own work…

Having discovered this I now had to completely rethink what I’m going to produce for this weeks workshop. What I’ve also discovered is that I do like  simple shapes, lines and patterns and that unique, individual home made stencils are the way forward…

week-2-simple-squares-nb

For the above sample I used cut out paper shapes as stencils to create simple lines and squares…

week-2-polka-dot-divide-nb

For this image I used a Large Polka Dot stencil. Here we have several different versions of the same stencil layered over each other. Next, how both these images appear in my sketchbook:

week-2-sketchbook-nb

Next another polka dot design – just simple circles. In the centre is a small photo of a piece of my own art work – it has a circle theme which complemented the polka dots…

week-2-decreasing-circles-nb

For the next sample I made a homemade paper stencil. I used thick glossy paper, cut my stencil out and used it several times to create the design below. When I finished with the stencil I cut it up and stuck it over my design to add more wavy lines and colour. I finished by outlining some of the pattern with gold acrylic paint. The photograph below doesn’t really do the art work justice, the reality is much better – however, this was one of the best photos I got!

week-2-stencil-wavy-lines-nb

What I’ve taken away from this exercise is that I’m now determined to be a lot more picky about what commercially available stencils I buy. And I’m going to do a lot more home made stencils. OK, paper stencils are “use once-throw away” stencils but you do get a unique, original design that nobody else in the world has – that’s something that appeals to me. I have already made some home made stencils from acetate sheet – they are reusable and totally original!

For week 3 of the Surface Treatment Workshop the focus is on aluminium foil. I’ve personally never used aluminium foil in art before, so this will be a little voyage of discovery for me… !