This is another exercise from Jean Haines’ Atmospheric Watercolours book. This exercise is all about learning to control watercolour – getting it to move in the directions you wish it to…..
I started with a blank piece of paper and imagine a white circle in the middle. I next painted two lines around the edge of this imaginary circle, roughly top and bottom with gaps….
I then bleed the colour away from the circle with a wet brush. I dropped in more pigment and then bleed the colour away again in the direction you wish it to go. The colour only goes in the direction you invite it to with the brush and water….
The colour will not enter the white circle unless you “invite” it to with your brush and water….
Above you can see that the edges of the circle are blurred because I invited the pigment into the circle with a wet brush.
This was a very simple exercise but I found it very useful. Again, this was not about producing a “masterpiece” or finished piece of work, but simply to learn how we can control watercolour using brushstrokes, placement of water and pigment….
I like my circles and I used Khadi paper for these exercises. From the top, the colours I used were Yellow Ochre, Phthalo Turquoise, Phthalo Blue, Indigo and Prussian Blue.
Welcome to week 25 of the Surface Treatment Workshop. This week we are using a bleach pen to create interesting patterns and textures in art. Here’s what I ended up with….
This is a Fiber Paste surface covered with watercolour paint, then bleach dropped onto the top with the bleach pen. Colours used were Indigo and Phthalo Blue. The colours and textures are wonderful….
Next something a little different (at least different for me!)….
A while ago my sister Carolyn sent me a bundle of art stuff in the post. In the parcel she included a pile of the strips used in salons to remove wax, with a note offering me a challenge to use them in some art. Challenge accepted!
Here they are used above as part of this weeks workshop. I covered them with a wash of watercolour paint and then dropped the bleach onto the wet paint in small drops. These strips are somewhere between a paper and a fabric and they are very porous, so you need something underneath to absorb any paint that goes straight through. Some interesting textures have been created. On the left, the colours used were Burnt Sienna and Phthalo Blue and on the right I used Prussian Blue. For the samples on the right I have shown both sides, as they are both different but interesting. Here’s a closer view of the left sample:
These salon wax strips, once painted and dried, would be good to use for collage work – they would add some extra interest and colour….
This weeks workshop was fun and very quick and easy to do. The next STW is about using petroleum jelly – I think it might just get a little bit messy – but we’re going to have some fun with it anyway…. !
I’m going to begin this post with a little confession…… around 12 years ago I bought myself a pack of 12 Windsor & Newton professional watercolours and it’s only in the last 6 months that I have actually started making proper use of them… ! I’m also pretty sure that I’m not the only person who’s done that… !!
Out of that set of 12 colours there are 2 greens: Hookers Green and Sap Green. These are both colours that I have virtually never used. Like many artists, if I need green I prefer to mix my own from blues and yellows. Last week I decided to have a little play with those greens….
I started by mixing Hookers Green with Prussian Blue and some lovely ocean colours began to emerge. I continued by mixing the Hookers Green with Phthalo Blue…. more lovely ocean colours….
I went on to do exactly the same with the Sap Green….
…. even more lovely, lovely ocean colours emerged! I love these colours ~ they inspire me. I may not use those greens for foliage but they are certainly going to start featuring in some seascapes in the future.
So…. are you one of those people (like me!) who’ve had a set of paints in a drawer or cupboard for over 10 years and never used them? Why not get them out and have a play with them? Go on, you know you want to…. !! You don’t have to create a masterpiece ~ just play with them ~ mix some colours ~ let them run together, mingle ~ have some FUN with them….
This is my very first attempt at painting a rose. And you will notice that I have used a large dollop of artistic license with the colour. It measures 7″ x 10″, which also makes it the largest watercolour painting I’ve done to date – I’m getting adventurous…. haha!
I’ve wanted to paint some roses for a while now but haven’t felt confident enough to do it. But last week a friend bought me a bunch of roses, and it seemed like the perfect opportunity to have a go. I started off by doing a pencil sketch first. I’ve tried drawing roses before and made a complete pigs ear of it but this time I actually made quite a good job of of the drawing. I guess practice pays off….
I told myself “if I can draw it, I can paint it… “. I didn’t paint my drawing, I’ve left it in my sketchbook. I got my watercolour paper out and based on my sketch, I drew faint pencil outlines of the rose on my watercolour paper to use as a guide. Then it was just a case of letting the painting begin….
I know in reality blue roses don’t exist but I think it’s high time someone produced a hybrid…. ! The colours for my rose were Cerulean Blue, Phthalo Blue and Chinese White and the stem and leaves were Prussian Blue, Raw Sienna and a touch of Sap Green.
My rose watercolour isn’t perfect by any means but I’m quite pleased with how it turned out. I’m going to paint more roses but probably in slightly more traditional colours….
A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…
Colours used: Prussian Blue, Indigo, Phthalo Blue, Cobalt Teal Blue
A little watercolour practice in painting skies and clouds:
“Rain Clouds” above was painted with Paynes Gray
“Storm Clouds” was painted with Indigo for a slightly more moody looking sky
“Bright & Breezy” was painted with Cerulean Blue and tiny touches of Phthalo Blue
“Sundown” was painted with some soft sunset shades, namely: Sepia, Cadmium Red Pale Hue and Lemon Yellow. These colours were inspired by an image in my photo archives.
I enjoyed doing these very much and I plan to do more using different colours and trying different cloud patterns. Being a seasoned photographer I have a whole heap of “sky” photos in my archives to refer to for a little help and inspiration.
I remember years ago my brother saying to me ” What ARE you photographing??” as I had my camera pointed at the sky. I happily replied ” Clouds…”, his reply was “You’re weird.. !! ” shaking his head, with that cheeky grin on his face… ! LOL !!
I’ve learnt over the years to be completely indifferent to the strange looks I get when I photograph unusual things, at strange angles. If I like the colours, textures, shapes etc. I photograph it – I’ve learnt to trust my artistic judgement and not be self conscious about what other people think…
Monochrome landscapes in indigo watercolour. Mountains interest me at the moment. Maybe it’s because I’m off to Scotland in a few weeks and we’re going to be surrounded by lovely hills, mountains and lochs…
You can click on the images to view them larger
I decided to keep my mountain watercolour landscapes very simple – simple shapes, shadows and colour. My blue mountains have been glued into my watercolour sketchbook. The smaller landscapes above are a mixture of Prussian Blue and Intense Blue (Phthalo Blue).
I first started to experiment with mixed media art in the spring of 2014. I bought a few books and started to try out some of the techniques. It was during this process that I very quickly discovered I love watercolour paint. However, I carried on with my mixed media experiments and it’s only now (3 years later) that I’ve made a conscious decision to develop my love of watercolour paint.
As far as art goes, watercolour painting is my first love. Whether I ever become any good at it is another matter entirely… but perhaps that’s not really what’s important. What’s important is that painting with watercolours is something I love doing and find enormously relaxing and therapeutic…
This blog post is directly related to my previous post. I need to give some thought as to what colours I’m going to paint my Crackle Paste samples with. I only get one shot at painting these samples – I don’t have time to redo them. They are getting posted this week regardless… ! So the big question is what colours? Yesterday evening, while spending time round at my mum’s, I spent an hour or so doing some watercolour samples to help me make a decision. One possibility is the sample above – some subtle reds and yellows…
or I could paint the rainbow…
maybe some blues and greens with a hint of mauve
or just blue, green and yellow.
I love the blue and brown combinations above and below… !
The colour sample above is my favourite – a vintage pale blue on the outside gently tinted with the rusty orange Burnt Sienna and intense blue in the centre for a little extra impact.
The blues and greys are looking lovely too….
Above we have Indigo on the left and Paynes Grey on the right. The difference between them is very subtle. I love Indigo….
Or maybe just shades of blue…
These watercolour samples have given me some great ideas to help me decide what colours to paint my Crackle Paste samples. They’ve helped me narrow down what I really love and what I’m not so keen on…
A 9 cm x 10 cm abstract mixed media sample for my collaged sketchbook, inspired by the Aurora Borealis. The colours at the base are Intense Blue (Phthalo Blue) and Lemon Yellow watercolours. The blue bled into the yellow to create a gorgeous shade of turquoise and to that I added a touch of Emerald and the tiniest bit of Yellow Ochre. When dry I added complimentary shades of Pearl Mica to add a starry sparkle to my Aurora