This watercolour sketch is an exercise in layering colour painted on khadi paper and inspired by Hazel Soan’s book The Essence Of Watercolour. When layering watercolours you have to let one layer dry completely before adding the next (unless you’re going for a wet in wet effect). This takes PATIENCE… ! I’ve found that patience is one of the hardest things to learn with watercolour painting – just letting certain areas of a painting dry completely without touching or fiddling. Hazel Soan is so right when she says in her book (link above) that much of a watercolourist’s life is spent watching paint dry… !
My landscape above is monochromatic but the colour was mixed in the palette first. The colours I mixed together for my landscape were: Prussian Blue, Indigo and Cadmium Yellow Medium Hue – all by Daniel Smith. I’m going to practice layering much more and start experimenting with different colours to develop an idea of how they work together…
A watercolour sketch in my khadi paper sketchbook. No prizes for guessing which brand of paint these are… ! These tubes of paint were on my desk in my little home studio, they made a great subject to paint. The colours of these paint tubes are Prussian Blue and Buff Titanium.
I enjoyed painting these tubes of paint and I like how my sketch turned out, in spite of it’s imperfections. But I also got some much needed practice at drawing with my paint brush… I’ve learnt and grown from just doing a simple painting like this. Now, what else can I paint… ?
This seascape reminded me of a family boat trip we had years ago – we took the boat from Penzance to the Scilly Isles. The day we went was the day after a huge storm. We had brilliant sunshine, blue sky and fluffy white clouds but the sea was very choppy with some huge waves. The captain called it “a little light swell”, hence the title of my seascape above…
Both Studies above were painted loosely, wet in wet mostly. Both measure 19 cm x 14 cm and were painted on Fabriano Artistico 100% cotton cold pressed paper. The colours used were Prussian Blue and Viridian.
Above is a mosaic created from seascape attempts I didn’t like. I cut small abstract squares out and glued them onto a piece of white paper.
I love the ocean and it will inspire many more seascape studies and paintings in the future…
As you can see, this is not a watercolour masterpiece! But what it is, is an exercise in creating 3 dimensional shapes in watercolour by Hazel Soan on YouTube.
As instructed, I started with very simple pencil outlines of the 3 items and then tried to follow Hazel’s on screen instructions on getting the shading in the right places to give the impression of three dimensional objects. I know this is something I need to improve upon… alot! So for me this was a good place to start and I found the exercise very useful.
I used just one colour for simplicity – Prussian Blue (in the video Hazel used Indigo) and I painted this straight into my Khadi paper sketchbook. I’m reasonably happy with how this turned out – it’s not a bad start. And I’m reasonably happy with the shapes of my objects. Drawing things in perspective was the only useful thing I remember learning in art class at school.
I hope you all enjoy the rest of the bank holiday weekend – I’m off now to fill my head with more watercolour fluff… !!
All the colours are Daniel Smith watercolours and from the top the colours are:
Quinacridone Gold – a beautiful rich orange colour
Ultramarine Turquoise ~ a beautiful granulating colour which creates lovely texture with flecks of blue in it….
A mix of Quinacridone Gold & Ultramarine Turquoise
Rich Green Gold ~ I love this colour! It mixes with blues to create lovely ocean greens and on it’s own I would describe it as a seaweed colour (being a person who loves the ocean and everything associated with it). I used this colour in my Stormy Seas painting – all the green shades you can see in this painting were created by the Rich Green Gold mixing with the blues
Prussian Blue ~ my old Winsor & Newton Prussian Blue finally ran out so I replaced it with a Daniel Smith one – a very good replacement!
The left hand colour runs are Prussian Blue + Rich Green Gold. The middle colour runs are Ultramarine Turquoise +Rich Green Gold. And the right hand colour runs are Ultramarine Turquoise + Quinacridone Gold – you can see the granulating effect of the Ultramarine Turquoise more clearly here….
More colour runs….
Above left we have Buff Titanium + Ultramarine Turquoise and on the right we have Naples Yellow + Ultramarine Turquoise. The Ultramarine Turquoise is a gorgeous colour – I love it and will feature in many future paintings…
Colour play like this is so much fun and is a good way for me to learn how colours mix and react with each other.
But most of all…. I love colour and seeing beautiful coloured watercolour paints mingle on lovely 100% cotton watercolour paper excites me and makes me want to paint….
This is week 5 of a collage project I’m doing with my sister Carolyn, we’re following the prompts in The Collage Workbook by Randel Plowman. This week’s prompt is colour plunge – create a collage using only different shades of one (or almost one) colour. I did three collages in total…
The first collage is made up from vintage pale blue papers and some fabric from an erosion bundle….
This collage is again blue but totally different blues – rich dark Prussian blue tones to this one. The fabrics in this came from my erosion bundles….
The last collage is made using vintage pale green papers, with tiny hints of turquoise here and there. I used some erosion bundle papers in this one. There’s a tiny piece of scrim on the left and some vintage cellotape on the right to add extra vintage touches.
All three collages measure 8″ x 8″. They all turned out completely different to how I originally intended them to be but I like them. Next week’s prompt is image pairings – I need to think about this one….
Some loose, wet in wet watercolour fun. This flower started out as an exercise from Jean Haines’ Atmospoheric Watercolours book but as I started painting it kind of took on a life of it’s own. I just went with it and it now bears no resemblance to anything in the book at all! But I like it….
Paper used was Fabriano Artistico (100% cotton) 140lb NOT. Colours used were Winsor Violet (PV23) and Indigo – a beautiful colour combination. It measures approx. 7″ x 7.5″
This is another exercise from Jean Haines’ Atmospheric Watercolours book. This exercise is all about learning to control watercolour – getting it to move in the directions you wish it to…..
I started with a blank piece of paper and imagine a white circle in the middle. I next painted two lines around the edge of this imaginary circle, roughly top and bottom with gaps….
I then bleed the colour away from the circle with a wet brush. I dropped in more pigment and then bleed the colour away again in the direction you wish it to go. The colour only goes in the direction you invite it to with the brush and water….
The colour will not enter the white circle unless you “invite” it to with your brush and water….
Above you can see that the edges of the circle are blurred because I invited the pigment into the circle with a wet brush.
This was a very simple exercise but I found it very useful. Again, this was not about producing a “masterpiece” or finished piece of work, but simply to learn how we can control watercolour using brushstrokes, placement of water and pigment….
I like my circles and I used Khadi paper for these exercises. From the top, the colours I used were Yellow Ochre, Phthalo Turquoise, Phthalo Blue, Indigo and Prussian Blue.
I started off with Windsor Blue (red shade) and Indian Yellow. Then I added some Buff Titanium, Prussian Blue and Indigo into the mix. Puddles of colour layered together and left to dry. Drying took well over 12 hours. You don’t know what your going to end up with till the paint has completely dried. I love the colour mixes and textures – especially the top two ones in the right hand column! These were purely experimental. I actually used a thick smooth surfaced cartridge paper for these but I will try doing more of these colour mixing samples using hot pressed watercolour paper. A fun watercolour experiment which turned out really well. Please click on the image to view it larger or view it in my Art Gallery….
Just as a side note, I will not be doing any more Surface Treatment Workshop due to current family responsibilities. I’ve really enjoyed this project, learnt a lot from it and experimented with lots of different art mediums which I would not otherwise have done. It forced me out of my comfort zone! But it is a time consuming project and I don’t have the available time at the moment to commit to it. However, I’m still hoping to start an exciting new project in January with Carolyn, all being well. More info about that later in the year….