Art · Surface Treatment Workshop · Watercolour

Surface Treatment Workshop – Week 25

Welcome to week 25 of the Surface Treatment Workshop. This week we are using a bleach pen to create interesting patterns and textures in art. Here’s what I ended up with….

Week 25 - Bleach Pen 3 - NB

This is a Fiber Paste surface covered with watercolour paint, then bleach dropped onto the top with the bleach pen. Colours used were Indigo and Phthalo Blue. The colours and textures are wonderful….

Next something a little different (at least different for me!)….

Week 25 - Bleach Pen 1 - NB

A while ago my sister Carolyn sent me a bundle of art stuff in the post. In the parcel she included a pile of the strips used in salons to remove wax, with a note offering me a challenge to use them in some art. Challenge accepted!

Here they are used above as part of this weeks workshop. I covered them with a wash of watercolour paint and then dropped the bleach onto the wet paint in small drops. These strips are somewhere between a paper and a fabric and they are very porous, so you need something underneath to absorb any paint that goes straight through. Some interesting textures have been created. On the left, the colours used were Burnt Sienna and Phthalo Blue and on the right I used Prussian Blue. For the samples on the right I have shown both sides, as they are both different but interesting. Here’s a closer view of the left sample:

Week 25 - Bleach Pen 2 - NB

These salon wax strips, once painted and dried, would be good to use for collage work – they would add some extra interest and colour….

This weeks workshop was fun and very quick and easy to do. The next STW is about using petroleum jelly – I think it might just get a little bit messy – but we’re going to have some fun with it anyway…. !

Large images of my art can be viewed in my Art Gallery

Art · Watercolour

Tree Studies

A few simple tree studies in watercolour:

Tree Study 2 - NB

Lemon Yellow was painted straight onto the paper and the Prussian Blue was overlaid, wet in wet, allowing the colours to mix into an assortment of different greens…

Tree Study 1 - NB

When I painted the above tree I was really only doodling with my left over watercolour paint in my palette. But I quite liked it, so I cut it out and stuck it into my watercolour workbook.

The foliage colours were dabbed onto the paper with a sheet of screwed up kitchen roll, I used Cerulean Blue and Sepia. The trunk was painted afterwards with Lamp Black. While the black paint was still wet I dropped a tiny dot of water onto the top of each branch so they would blend into the foliage….

Tree Reflections - NB

My tree reflections above were created using an interesting technique. Before adding the paint I first went over my paper with gum arabic, just in the area I wanted my tree reflections. Then dropped my paint into the wet gum arabic. The gum arabic slows down the spread of the paint creating the interesting feathery patterns above. You can click on the image to view it larger and see the feathery patterns more clearly. The tree line above the reflections was painted after the reflections. Colour used was Prussian Blue.

This is a really interesting technique – please do give it a go if you’ve never tried it before. You can use it for all sorts of things, not just tree reflections….

So here I have done three different was of painting trees. I will explore many more ways of creating trees as I continue on my watercolour journey….

Art · Watercolour

Ocean Colours

I’m going to begin this post with a little confession…… around 12 years ago I bought myself a pack of 12 Windsor & Newton professional watercolours and it’s only in the last 6 months that I have actually started making proper use of them… ! I’m also pretty sure that I’m not the only person who’s done that… !!

Out of that set of 12 colours there are 2 greens: Hookers Green and Sap Green. These are both colours that I have virtually never used. Like many artists, if I need green I prefer to mix my own from blues and yellows. Last week I decided to have a little play with those greens….

Ocean Colours 1 - NB

I started by mixing Hookers Green with Prussian Blue and some lovely ocean colours began to emerge. I continued by mixing the Hookers Green with Phthalo Blue…. more lovely ocean colours….

I went on to do exactly the same with the Sap Green….

Ocean Colours 2 - NB

 

…. even more lovely, lovely ocean colours emerged! I love these colours ~ they inspire me. I may not use those greens for foliage but they are certainly going to start featuring in some seascapes in the future.

So…. are you one of those people (like me!) who’ve had a set of paints in a drawer or cupboard for over 10 years and never used them? Why not get them out and have a play with them? Go on, you know you want to…. !! You don’t have to create a masterpiece ~ just play with them ~ mix some colours ~ let them run together, mingle ~ have some FUN with them….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 23

This week’s workshop is all about using shaving foam in mixed media art. This is something I would have never considered using in art before reading the Surface Treatment Workshop book. The basic technique is to apply shaving foam to the back of a disposable plate (or other flat surface), then drop paint into it, swirl it round a bit and then transfer it you your art surface. Here’s my first sample….

Week 23 - Shaving Foam 1 - NB

I applied my shaving foam really thickly to the back of a disposable plate I added yellow ochre, turquoise, indigo and gold acrylic paint, mixed it in the foam a bit and transferred it to my paper. I swirled the foam round the paper with the plate and then lifted it off. At this stage I had a choice – I could either scrape the foam off straight away or leave in on to disintegrate. I decided to leave it on to disintegrate by itself. I left it for 24 hours and returned to find the foam had disappeared leaving some amazing painted textures on my paper.

Now shaving foam is obviously not archival, so to preserve my lovely textured surface I carefully applied a layer of acrylic glazing medium. When dry I applied a second coat of glazing medium mixed with some pearl mica in complementary colours.

While the above shaving foam sample was disintegrating I started some more samples….

Week 23 - Shaving Foam 2 - NB

For the above samples I followed exactly the same process but using slightly different colours – Indigo, Prussian blue, Yellow Ochre and Gold. I left the foam on to disintegrate.

Week 23 - Shaving Foam 3 - NB

For the above I used Indigo, Prussian Blue, Pale Power Blue and Silver. When the foam had disintegrated to virtually nothing I was left with lovely lace kind of pattern. All my samples were finished with acrylic glazing medium to preserve the textures and patterns.

Shaving foam is interesting stuff to use in art but it is MESSY !! If you don’t make a mess applying it, you will make a mess scraping off any unwanted residue! It’s sticky and gets everywhere. I highly recommend giving yourself plenty of space for this technique and move/cover anything you don’t want to get shaving foam on! All that said, I’m quite pleased with how my samples turned out and it was fun to do….

Next week’s workshop is about using Rubbing Alcohol. It’s going to be interesting…

Art · Watercolour

Sail Away….

Sail Away - NB

A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…

Colours used: Prussian Blue, Indigo,  Phthalo Blue, Cobalt Teal Blue

Paper: Fabriano Artistco Watercolour Paper, 100% cotton, 140 lb Cold Pressed

You don’t always have to labour for days and hours over a detailed masterpiece, sometimes something quick and simple is enough….

Art · Watercolour

Quick Watercolour Seascapes

Today I managed to find an hour to do a couple of quick watercolour seascape sketches….

St. Clements Isle Watercolour - NB

Above is a watercolour sketch of St. Clements Isle, just off the coast of Mousehole, Cornwall, UK. This is one of those paintings that is best viewed from a slight distance. This watercolour is loosely based on the photo below:

a-black-diamond-edit-nb

This is the other watercolour sketch I did this afternoon:

Turquoise Seascape - NB

This watercolour is of nowhere in particular and just came straight out of my imagination. I started this by wanting to just use up the left over paint in my palette and it kind of turned into a seascape…

I enjoyed doing these quick seascapes this afternoon. Both measure approximately 6″ x 4″ – just the right size to go into my watercolour sketchbook. Both were done on 140 lb watercolour paper.

Acrylic Paintings · Art

Ocean Wave

Ocean Wave - NB
OCEAN WAVE ~ mini acrylic on canvas

I have just finished my samples for the Surface Treatment Workshop for this week (which I’m hoping to post tomorrow) and had some acrylic paint left in my palette. So, not wanting to waste the paint, I decided to do a quick mini acrylic seascape on canvas. It’s veering slightly towards the abstract side….

My painting measures 7 cm x 7 cm. So the photo is actually quite a bit bigger than the original painting but that does mean that you can see the detail, especially if you click on the image twice. Acrylic colours used were: Prussian Blue, Indigo, Pale Power Blue, Turquoise, Cerulean Blue, Pale Olive and White. So for a small painting that is actually quite a lot of colours but I do like to do lots of layers of colour with acrylic paints….

Art · Watercolour

Misty Blue Mountains

Misty Blue Mountains - NB
Misty Blue Mountains

Monochrome landscapes in indigo watercolour. Mountains interest me at the moment. Maybe it’s because I’m off to Scotland in a few weeks and we’re going to be surrounded by lovely hills, mountains and lochs…

You can click on the images to view them larger

Peaks - NB
Indigo Blue Peaks
Hills & Valleys - NB
Hills & Valleys

I decided to keep my mountain watercolour landscapes very simple – simple shapes, shadows and colour. My blue mountains have been glued into my watercolour sketchbook. The smaller landscapes above are a mixture of Prussian Blue and Intense Blue (Phthalo Blue).

I first started to experiment with mixed media art in the spring of 2014. I bought a few books and started to try out some of the techniques. It was during this process that I very quickly discovered I love watercolour paint. However, I carried on with my mixed media experiments and it’s only now (3 years later) that I’ve made a conscious decision to develop my love of watercolour paint.

As far as art goes, watercolour painting is my first love. Whether I ever become any good at it is another matter entirely… but perhaps that’s not really what’s important. What’s important is that painting with watercolours is something I love doing and find enormously relaxing and therapeutic…

Art · Watercolour

Seascapes & Landscapes

A collection of abstract watercolour seascapes and landscapes…

Landscape & Seascape Mosaic - nb

…. a little fun play with my watercolour paints…. playing with washes, water and colour….

The colours I used for the above were: Cerulean Blue, Raw Sienna, Burnt Sienna, Indigo, and Prussian Blue. These are going into my watercolour sketchbook to hopefully inspire future work…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 8

Welcome to week 8 of the Surface Treatment Workshop. This week’s focus is on using gesso. Mostly gesso is just used to prime a surface before adding paint or other media but I decided to make more of a feature of it with my samples for this week…B & W Gesso - NB

In the above collage I painted four squares of gesso onto the paper – clockwise: dark grey, black, light grey and white. Then I simply added strips of vintage paper over the joins. I finished by putting four small squares of my own art work in each box. Very simple to do and a very simple design. I really like the neutral colours.

Neutral Striped Gesso - NB

Next I decided to have a play with some tinted gesso. Using one of my larger paint mixing trays I set about mixing white gesso with acrylic paint. I found you only needed very tiny amounts of paint to turn the white gesso into some lovely  pastel colours. In the sample above I used gesso tinted with sepia, indigo and just plain white gesso. Down the left side is a strip of fabric roses which I painted with indigo gesso.

Gesso Sketchbook 1 - NB

How both samples look in my sketchbook.

One of the prompts in the book was to stick objects items onto the surface and gesso over them. I decided to stick some vintage lace to my acrylic paper and gesso over them:

Vintage Lace & Gesso - NB

On the left side the lace is painted with Sepia gesso and the for the blue side I used Prussian Blue gesso overlaid with some white gesso to tone down the blue a little. For the next samples I decided to add some more colours to my paint tray – to the Sepia, Indigo and Prussian Blue I added Paynes Grey, Yellow Ochre and Turquoise….

Tinted Gesso Mosaic - NB

I used a large brush and a palette knife for the above samples. All the colours work really well together and the palette knife helped to create some lovely textures. This is how these samples look in my sketchbook:

Gesso Sketchbook 2 - NB

More tinted gesso samples:

Tinted Gesso 1 - NBTinted Gesso 2 - NB

The samples with stripes on I used some corrugated cardboard to stamp gesso onto my paper – stamping with gesso was one of the prompts in the book we’re working from. I also stuck some of the corrugated card I used into my sketchbook. This is how both these pages look in my sketchbook:

Gesso Sketchbook 3 - NB

I really enjoyed playing with gesso this week. I found my imagination ran overtime – I have so many other ideas for using gesso than what you see here but I just didn’t have time to explore them all this week. So I will have another play with gesso another time.

Just click on any of the images to view them larger…

Next week we are going to do Week 7 (which we missed out) and Week 10 together as they both focus on using acrylic gels – it’s going to be fun !