We all know that we’re supposed to try and eat at least five portions of fruit and veg a day but how about painting them instead… ?
This was a really fun way of getting “one of your 5 a day”. This watercolour is only small – 14cm x 17cm. It was painted on Arches Aquarelle NOT paper, 140lb. Paints used were Aussie Red Gold, Perylene Red, Green Gold and Undersea Green – all by Daniel Smith. I used two sable brushes by Rosemary & Co for the tomatoes and a Silver Black Velvet Script Liner for the green stuff.
The colour of the tomatoes was built up gradually in about 3 layers, letting each layer of colour dry before applying the next. Letting areas of a painting dry before continuing is a lesson that’s taken time for me to learn. Watercolour painting requires patience and I have to work at it continually!
Also, red is a colour I don’t often use in my watercolour painting so it made a nice change to paint these vibrant red cherry tomatoes. Why not see what veggies you’ve got and have a go at painting them – just for fun… !
My earliest childhood memories of playing with colours was with Carolyn sitting at our kitchen table, probably around 1970 give or take a bit (I’m showing my age!!). We would have our paints and colouring books out and we were very happy. Our paintboxes were very basic – we had a red, a blue, a yellow and a green! And when our paintboxes got a bit posher we also had a white and a black!! So if we wanted an orange, a purple or a brown we had to mix it! We didn’t worry about getting it wrong or making a mess – it was fun, we loved it. Little did we know that such innocent childhood fun would set us up for artistic adventures later in life…
Why am I mentioning this? Well, in this post I’m, in effect, going back to my childhood days and I’m starting off with just the basics – a red, a yellow and a blue. And with just those colours to hand I’m going start exploring… and I’m not going to worry about getting it wrong or making a mess… and it’s going to be fun…
These are my starting colours – the Daniel Smith Primary Colour Set. One red, one yellow and one blue. No more. The primary colours. So with paints, palette, paper, water and brush in front of me I’m ready to have some fun mixing colour…
This is the result of a fun evening playing with Daniel Smith primary colours. At the very top of the chart you will see the primary colours on their own ~ all individually gorgeous colours in their own right. At the bottom of the chart you will notice a black colour – this was created by mixing small amounts of each undiluted colour together in my palette. Not all combinations of red, yellow and blue will reach black. But these did, although it did take me 3 attempts to get the ratio of pigments right! Now all the squares in between – 48 of them in total – are all the different colours I created by just mixing together different amounts of the three primary colours. Please view the chart larger by clicking on it as you will get a more detailed view of the lovely colours. So in total on this sheet of paper (19.5 cm x 28 cm) there are 52 colours! I could have created more but I ran out of space…
Now, why don’t I try some different reds, yellows and blues?
In my triangular colour wheel above I’ve used Cadmium Red, Cadmium Yellow and Prussian Blue. Notice that the Cadmium Red when mixed with a little Prussian Blue makes a rich brown colour and adding more Prussian Blue to the mix makes black – no purple… !
In this triangular colour wheel I’ve used Permanent Rose, Naples Yellow and Cerulean Blue. Notice how adding just a little Permanent Rose to the Cerulean Blue makes a gorgeous dark lavender blue. And Cerulean Blue mixed with a little Naples Yellow makes a lovely pale turquoise and adding more Naples Yellow makes a lovely soft sage green.
These are just two examples but the different combinations of red, yellow and blue you could mix are almost endless. I will continue my colour exploration in another post. There’s a huge exciting world of colour out there to explore and this is only the beginning… !
I’ve called this “A Winter Rose” – it’s mixed media on paper, 10 cm x 7.5 cm. I actually used real rose petals in this that I had dried quite a long time ago and saved. I stuck them on with acrylic gel and when dry I went over them with and acrylic glaze tinted with garnet coloured pearl mica. They are now perfectly preserved on my art work!
How my winter rose looks in my collaged sketchbook:
The following two pieces of art I have collectively called “Harbour Lights” as the sequins remind me of the lights round Mousehole harbour (Cornwall, UK):
The red and gold work well together on the vintage collage paper background. Both are mixed media on paper and they measure 10 cm x 15 cm and 11 cm x 15 cm respectively. They have both been stuck in my collaged sketchbook.