Watercolour

Watercolour Rose Macro

Watercolour Macro Rose - NB
Watercolour Rose Macro

A rose macro painted loosely in watercolour. It was painted on Arches paper. The colours I chose to use were Naples Yellow, Quinacridone Rose and Rhodonite Genuine ~ all by Daniel Smith. This painting is my interpretation of one of my own photos shown below…

Macro Rose

Painting an exact copy of the photo is not what I wanted to do – Hazel Soan’s words ring in my ears “you are using the subject matter to create a watercolour, not using watercolour to recreate the subject”. Just capturing the essence of what’s in the photo or my own interpretation is enough. At the end of the day, for me it’s all about getting lots of practice at painting with watercolours and this was very good practice for me…

#WorldWatercolorMonth

Watercolour

New Colours & Rosebud Sketch

Introducing new colours in my watercolour collection:

New DS Colours 1 - nb

On the left of the chart the colours, from the top, are: Cadmium Yellow Medium, Rhodonite Genuine, Cobalt Violet Deep and Viridian. All from Daniel Smith.

I already have a Winsor & Newton Cadmium Yellow, so why do I need a Daniel Smith one too? I’ll tell you: it’s because the properties of the different brands are different; Daniel Smith Cadmium Yellow Medium is semi-transparent, whereas the Winsor & Newton Cadmium Yellow is opaque.  The DS semi-transparent Cadmium Yellow is going to allow more light to reflect off the surface of the paper resulting in a more luminous painting, whereas the W & N opaque will block more light resulting in a more solid colour. My personal preference is the DS semi-transparent Cadmium Yellow as I’m always irresistibly drawn to the light. But the bottom line I guess is that I need to know the properties of all of my watercolour paints ie. whether they are transparent, semi-transparent, semi-opaque or opaque, and understand how that is going to affect my painting. It may be on occasion that an opaque watercolour paint might be a more suitable option, depending on what I’m painting…

Anyway back to my new colours ~ I love the Rhodonite Genuine, it’s a gorgeous colour! It ranges from a rich dark pink to the most delicate palest of pinks and it also mixes on paper with the DS Cadmium Yellow beautifully to create a wonderful vibrant sunset orange…

The Cobalt Violet Deep and the Viridian have a beautiful granulation. The paler colour mixes on the right of my chart are as follows (from the top):  Viridian, Cobalt Violet Deep + lots of water; Viridian, Cadmium Yellow Medium + lots of water; Rhodonite Genuine, Viridian + lots of water; Rhodonite Genuine, Viridian, Cadmium Yellow + lots of water.  So whilst all my new colours are quite rich strong colours, they will make the most beautiful delicate pale washes with the addition of lots of water…

Pink Rose Bud - NB
Rosebud In A Vase

A small watercolour sketch of a little pink rose bud in a vase ~ just simple watercolour pactice. The pink for the rose bud is Daniel Smith Rhodonite Genuine…

Why not go and have some fun with some new colours… ?

#WorldWatercolorMonth

Watercolour

Rambling Rose II

Rambling Rose 2 - NB
Rambling Rose II ~ WIP

This is the second painting in my rambling rose series (the first was in my previous post). I may work on this painting some more, so I guess it’s a “work in progress” but at the moment I’m enjoying it as it is…

I used the same colours as the first one – Permanent Rose and Naples Yellow. This painting measures approx. 8″ x 6.5″ and was painted on Khadi paper. And this one too looks better when viewed from  a distance – you get the “rose effect” better. It was painted loose, wet in wet and I’ve just let the watercolour paint do what it naturally likes to do – working with it, not against it…

In the summer of 2016 I planted a lovely pale pink climbing rose in my garden. This spring it has doubled in size and, although it is only early may, it has buds forming on it already! This summer I want to paint these gorgeous roses from my garden. So I’m going to take lots of photos of them and also I will cut some and bring them indoors to paint. On a nice summers day I may even do some plein air rose painting in the garden…

BACK TO BASICS

I also spent some time recently getting back to watercolour basics – basic colour mixing and practicing brush control…

Mixing Primary Colours - NB
Mixing Primary Colours

This is a very basic colour mixing exercise. I  picked one of each of the primary colours ~ I chose to use Cadmium Red, Quinacridone Gold and Indanthrene Blue (in the top line of the chart from the left). All of them are quite strong primary colours. I then randomly mixed them together using varying quantities of pigment and water. These are just a sampling of the colours I could produce. This chart measures 5.5″ x 7.5″, but if I’d used a much larger piece of paper I could have easily quadrupled the number of different colours created. This is a fun way of learning about colour – how they mix, what different colous and shades you can produce. And it illustrates that you don’t need to buy lots of different colours, when you are just starting out with watercolour – just a few will do…

Next a fun brush control exercise:

Leaves - Brush Control - NB
Leaves in Earth Colours

I used a whole range of different earth colours for the exercise above. But it’s not about the colours, it’s about brush control. I used just one brush – a Jacksons Icon Quill size3/0. It’s a lovely brush, it holds lots of water and pigment and has a superb point.  The purpose of the exercise above was to practice working from the tip of the brush to the body and then back again to the tip again. I enjoyed painting my leaves. More brush control exercises will be on the agenda in the future…

Drawing & Sketching · Watercolour

The Blue Rose

The Blue Rose - NB
watercolour on 140lb 100% cotton Saunders Waterford watercolour paper

This is my very first attempt at painting a rose. And you will notice that I have used a large dollop of artistic license with the colour. It measures 7″ x 10″, which also makes it the largest watercolour painting I’ve done to date – I’m getting adventurous…. haha!

I’ve wanted to paint some roses for a while now but haven’t felt confident enough to do it. But last week a friend bought me a bunch of roses, and it seemed like the perfect opportunity to have a go. I started off by doing a pencil sketch first. I’ve tried drawing roses before and made a complete pigs ear of it but this time I actually made quite a good job of of the drawing. I guess practice pays off….

Rose - NB

I told myself “if I can draw it, I can paint it… “. I didn’t paint my drawing, I’ve left it in my sketchbook. I got my watercolour paper out and based on my sketch, I drew faint pencil outlines of the rose on my watercolour paper to use as a guide. Then it was just a case of letting the painting begin….

I know in reality blue roses don’t exist but I think it’s high time someone produced a hybrid…. ! The colours for my rose were Cerulean Blue, Phthalo Blue and Chinese White and the stem and leaves were Prussian Blue, Raw Sienna and a touch of Sap Green.

My rose watercolour isn’t perfect by any means but I’m quite pleased with how it turned out. I’m going to paint more roses but probably in slightly more traditional colours….

Photography

Vintage Blue & Rust

vintage-blue-rust-nb

A collection of vintage blue and rusty coloured treasures from around my work room. Vintage dyed fabrics, a piece of dyed string, a vintage blue pressed hydrangea flower, a rusty coloured dried pressed rose, a rusty ring pull from a can – all on a vintage blue textured background. I painted the background paper with acrylic paints.

All these lovely things I collect inspire me and I will eventually use them in art work when the right project comes along. And I will then replace them with other lovely things… !

Collage · Sketchbooks

Warming Up Winter With Red & Gold

winter-rose-rn

I’ve called this “A Winter Rose” – it’s mixed media on paper, 10 cm x 7.5 cm. I actually used real rose petals in this that I had dried quite a long time ago and saved. I stuck them on with acrylic gel and when dry I went over them with and acrylic glaze tinted with garnet coloured pearl mica. They are now perfectly preserved on my art work!

How my winter rose looks in my collaged sketchbook:

winter-rose-in-sketchbook-rn

The following two pieces of art I have collectively called “Harbour Lights” as the sequins remind me of the lights round Mousehole harbour (Cornwall, UK):

harbour-lights-1-rn

harbour-lights-2-rn

The red and gold work well together on the vintage collage paper background. Both are mixed media on paper and they measure 10 cm x 15 cm and 11 cm x 15 cm respectively. They have both been stuck in my collaged sketchbook.