Art · Erosion Bundles

Spring Erosion Bundle 2017 – Fabrics

Here are the fabric results from my spring erosion bundle. I posted the paper results about 2 weeks ago – you can see them HERE. I’m quite pleased with how the fabrics turned out….

EB Fabric 9 - NB

A piece of lacy fabric has been given a vintage make over in my erosion bundle with the aid of some rusty items and pale blue paint…

EB Fabric 9 - close up - NB

Here’s a slightly closer view of the rusty section, looking beautifully vintage….

EB Fabric 8 - NB

Above is part of an armchair arm cover. I has some lovely rust stains on it, plus paint and paper for added texture. Here’s a closer view…

EB Fabric 8 - close up - NB

You can see the paint and paper stuck to the fabric – they are completely fused together…

EB Fabric 10 - NB

Above we have some more very vintage looking lace pieces, stained by rust and teabags….

EB Fabric 1 - NB

Paint and tea stained cotton….

EB Fabric 2 - NB

Gentle rust and dark blue paint stains on some silk…

EB Fabric 3 - NB

More lovely rust stains from some washers and other items…..

Next we have a series of bleach washed denim. I soaked the denim in bleach, rinsed and dried it prior to putting it into my erosion bundle

EB Fabric 7 - NB

EB Fabric 6 - reverse - NB

EB Fabric 6 - NB

EB Fabric 5 - reverse - NB

EB Fabric 4 - NB

My fabrics will be carefully stored till I am ready to use them in  my art work. In the meantime I’m deciding what to put into my summer erosion bundle. I’m going for a different colour scheme and using other things I’ve never tried before. I’m hoping to get it into the garden before the end of the month….

Art · Erosion Bundles

Spring Erosion Bundle 2017 – Papers

Way back in early March I put an erosion bundle into the garden. What is an erosion bundle? Very simply, it’s a pile of papers and fabrics assembled in layers with lots if interesting things in between the layers that will leave marks or stains. You can use natural or man made things to create the stains or marks – the key is to experiment! The bundle is then tied with string and placed outside and left at the mercy of the elements till it’s suitably decayed, about 2 -3 months, but times can vary considerably.

So without any more waffle, here’s my results:

EB Paper 1 - NBEB Paper 2 - NBEB Paper 3 - NB

I worked on a blue and rust theme with this bundle. Sometimes the papers break up when trying to separate them but I keep all the fragments – everything will get used…

EB Paper 5 - NB

EB Paper 4 - NB

Above we have several layers of paper, paint, fabric and foil all completely fused together – there’s no way of separating them! But we have some lovely colours and textures…

EB Paper 6 - NBEB Paper 7 - NBEB Paper 11 - NB

I like putting paper doilies in my bundles but they are very delicate and rarely stay in one piece. On the one above you can see marks left from rusty washers…

EB Paper 8 - NB

Above we have several layers of paper, fabric and paint fused together by the elements. I think there’s a teabag in the layers somewhere – I can feel it but there’s no way of getting it out, it will have to stay there! Notice the lovely pastel colours and gentle rust and tea stains….

EB Paper 9 - NBEB Paper 10 - NB

In the piece above there are rusty washers stuck to the paper – I can’t get them off! The background paper was a piece of “test paper” I used for testing colours on before they go on my art work…

EB Paper 12 - NB

Beautiful shades of blue and hints of rust…

EB Paper 13 - NB

EB Paper 14 - NB

A question I’m frequently asked about my erosion bundles is “what are you going to do with these papers and fabrics?”. The answer: they will get used in mixed media art work and collage. But more specifically, my sister Carolyn and I are going to begin a new art project early next year and my erosion bundle papers and fabrics are going to be enormously useful for that. I will give more information about this new project later in the year – it’s exciting… !

I hope you enjoyed looking at my distressed papers. There will be a second post about my spring erosion bundle which will focus on the fabrics that came out of my spring erosion bundle – they are just lovely and inspiring….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 14

Welcome to this weeks Surface Treatment Workshop. This week Carolyn and I are experimenting with skins. What are skins? Very simply, skins are created by putting a layer of acrylic medium on to a hard surface (eg. a plastic chopping board, plate etc.), letting it dry and then carefully peeling it off. For this to work the acrylic medium must be one that becomes rubbery and flexible when dry. I used Gloss Gel, Fiber Paste, acrylic paint and masking fluid.

Here are my samples:

Week 14 - Skins - 1 - NB

For the above sample I used Gloss Gel and simply embedded some small pieces of my own art work into it. I left all my skins for about 48 hours to make sure they were properly dry and set. I then glued them to a surface of vintage papers and collage…

Week 14 - Skins - 2 - NB

For this sample I used some watercolour masking fluid as it dries to a rubbery consistency. And notice the lovely yellowy brown colour of it – it adds an extra vintage touch…

Week 14 - Skins - 3 - NB

This skin was made from Golden Fiber Paste. I mixed some Prussian Blue acrylic paint into it before leaving it to dry. Fiber Paste is very flexible when dry and is therefore good for making skins. After glueing it to a collaged background I stuck two small pieces of my own art on top of it.

Week 14 - Skins - 4 - NB

The skin above is made of acrylic paint. I used a vintage pale blue (my own mix), Buff Titanium and white. I did reasonably thick swirls of the different colours and left them to dry. Acrylic paint has a lovely rubbery texture to it when dry…

Week 14 - Skins - 5 - NB

For this skin sample above I used Gloss Gel. I tinted it with some turquoise pearl mica and embedded a dried blue hydrangea flower into the gel….

Week 14 - Skins - 6 - NB

The above skin samples were done by putting a layer of Gloss Gel over a rusty piece of metal. The gel was slightly tricky to peel off – I had to very carefully loosen all the edges with my fingernails and pull it very slowly. I also added a touch of turquoise pearl mica to the gel for a little contrasting colour…

Week 14 - Skins - 7 - NB

Two more rusty skins…

Week 14 - Skins - 8 - NB

For my next skins I used more Fiber Paste:

Week 14 - Skins - 9 - NB

I smoothed a layer of Fiber Paste onto a plastic chopping board, which had a very fine texture to it, and left it to dry. When dry I cut two heart shapes out of the Fiber paste and painted them. When the paint had dried I glued them to vintage papers…

Week 14 - Skins - 10 - NB

So that is all my skin samples for this weeks Surface Treatment Workshop!

In conclusion I have to say that I quite like creating and using skins. They are a good way of adding a little bit of extra interest to a piece of mixed media art. You can create skins in advance and store them ready for future use. It’s also fun to experiment with embedding different things and tinting with with different mediums.

Next weeks Surface Treatment Workshop is about Pulled Papers. It’s a great technique and I’m looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 13

Today sees a return to the Surface Treatment Workshop after a few weeks break for my holiday and time for me to recover from a rather unpleasant injury. Week 13 is about using pastes. I used Galeria Modelling Paste.  Here’s what I did with it…

Week 13 - Pastes - Collage 1 - NB

Pastes are very good for embedding objects into your art work. Above, after applying my paste (not too thinly) I pressed some papers, cardboard and some rusty washers into the paste. The washers were quite chunky and heavy but the paste did a great job of sticking them down. I then simply applied a thin wash of pale blue acrylic paint over the paste.

Week 13 - Pastes - Collage 2 - NB

In the above sample, after applying the paste I embedded some papers and then I used a number of different things to make marks in the paste around the paper. I used a round cardboard tube and some bubble wrap. When the paste was dry I painted over the paste with pale blue and turquoise paint and highlighted some of the marks in the paste with gel pens.

Week 13 - Pastes - Emboss 1 - NB

Pastes are very good for embossing patterns into. Above I applied my paste to some thick paper and then pressed some swirly shapes into the paste. When it had dried I painted the shapes with blue, gold and turquoise acrylic paint.

Below is another similar sample:

Week 13 - Pastes - Emboss 2 - NB

I simply applied a pale turquoise acrylic paint to this one. These shapes turned out quite well.

So then to sum up my findings for this weeks workshop I would say pastes are a very useful commodity to have among my art supplies. I don’t think I will be using huge amounts of it but it will come in handy on occasions and it is very easy to use – does what it says on the tin… ! As always, these samples will be stuck into my dedicated STW sketchbook!

Next weeks Surface Treatment Workshop is about skins – this could turn out quite interesting. Looking forward to it…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 9

Welcome to week 9 of the Surface Treatment Workshop. This week my sister Carolyn and I are experimenting with Fiber Paste. We used Golden Fiber Paste – I couldn’t find any alternatives that claimed to have the same properties. I read through the prompts in the book decided I was going to begin with printing on fiber paste.

I used a cheap sheet of A5 copy paper and skimmed a very thin layer of fiber paste over it with a wet palette knife. I let it dry for a couple of hours and prepared 2 photos in Photoshop ready to print onto the fiber paste. Now, my printer has been a bit temperamental of late so I wasn’t too sure how it was going to react to having Fiber Paste put through it – I was fully prepared for a paper jam, print errors and that nasty little flashing red light on the front of the printer. But to my surprise fiber paste went through the printer fairly easily…

Week 9 - Fiber Paste - Mussels - NB
Mussels Print on Fiber Paste

Fiber paste has the feel and texture of hand made paper when it’s dry – it’s lovely! The prints printed out slightly softer and lighter in colour than they would had they been printed on photo paper. If you click the images to view them larger you can see the texture of the fiber paste through the prints.

Week 9 - Fiber Paste - Barnacles - NB
Barnacles Print on Fiber Paste

The fiber paste ended up making the cheap copy paper very strong and flexible once the paste had dried. It is a lovely surface to paint on, draw on or stitch into. I LOVE fiber paste and I’m very pleased with how my fiber paste prints turned out! This is how they appear in my STW Sketchbook:

Week 9 - Fiber Paste - Sketchbook 1 - NB
Fiber Paste Prints in Sketchbook

 Next I simply painted a watercolour wash over some fiber paste:

Week 9 - Fiber Paste - Watercolour 1 - NB

The watercolour paint has highlighted the texture of the fiber paste quite well but here’s a macro view for more detail:

Week 9 - Fiber Paste - Watercolour Macro - NB

You can really see the texture of the fiber paste in this image! Next I did another watercolour wash over fiber paste but this time I overlaid it with some pearl mica once the watercolour had dried:

Week 9 - Fiber Paste - Watercolour 2 - NB

And I also did a macro view too so you can really see the texture of the fiber paste in detail:

Week 9 - Fiber Paste - Watercolour Macro 2 - NB

In conclusion the end result of this weeks Surface Treatment Workshop is that I LOVE Golden Fiber Paste! I especially like printing on fiber paste. Once you’ve printed on fiber paste you can easily incorporate the fiber paste print into mixed media art, paint on it, draw on it, stitch into it – anything really!  I will be doing more fiber paste prints…

Carolyn should be posting all her workshop samples this week so please do pop over and have a look! Next weeks workshop is focusing on drawing grounds, so I need to get my drawing head on….

By The Sea · Photography · Still Life

Colour Inspiration

Turquoise Boat - NB

These are the colours that are inspiring me today ~ turquoise, aqua, and cyan ~ colours on a sea worn boat in the harbour….

Indigo,Turquoise & Rust - NB

Above we have some bleached dark indigo denim (dark indigo denim doesn’t bleach white, it goes a dark cream colour that you see above) along with some cotton dyed with cerulean blue acrylic paint and some rusty stuff.

They’re colours that complement each other so well. Underneath the image I used Photoshop to “paint” colour samples with colours extracted from the image. In real painting terms the colours I see in the image are Indigo, Cerulean Blue, Buff Titanium and Burnt Sienna ~ a beautiful inspiring combination….

I may have a play with these colours later this evening….

Art · Photography · Still Life

Indigo & Rust

Denim & Rust - NB

At the weekend I decided to have a little play with some light blue denim and some bleach. I just love the wonderful shades of indigo blue that denim comes in – they’re all very different.

Also a new crop of rusty stuff is “developing” in my garden! The piece of rust above is one of four new pieces recently rusted. I also have a lovely collection of washers and nuts happily gaining a nice thick rusty coat in my garden at the moment….

Rusting Washers - NB

They’re not properly “cooked” yet – these washers will be in my garden for at least another week yet. I’m so looking forward to putting some of these into my erosion bundles and other art work when they’re done!

By The Sea · Photography

Seaside Scenes

Dreamy Harbour View - NB

Seaside scenes ~ things you see at the seaside ~ the harbour, fishing boats, a pier, the lighthouse….

Sea

beautiful clear turquoise waters to dip your toes in….

Seaside Textures 3

lots of lovely colours and textures on the boats in the harbour ~ they all inspire creative thoughts…

Seaside Textures

Seaside Textures 2

beautiful shades of blue and rusty browns…

Boat Pile - NB

Harbour SurfaceTexture - RN

I always find lots of creative inspiration at the sea ~ there’s always a never ending supply of lovely textures and colours that blend and complement each other so beautifully…

… the sound of the waves crashing on the shore, the salty sea air, seaweed scents are all so relaxing and peaceful ~ they help creative thoughts come flooding forth…

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 3

week-3-aluminium-foil-shapes-nb

The focus on this weeks edition of the Surface Treatment Workshop is Aluminium Foil.

It sounds very simple but in practice I found aluminium foil is not very easy stuff to work with. The good points are that it’s very easy to create texture and patterns with foil but the downside is that it’s not so easy to paint over. The paint doesn’t stick to the foil very well. Using a layer of clear gesso first helped but it still takes several layers of paint to cover the foil and when it dries the paint scratches off very easily. So I’ve got misgivings about it’s archival quality.

I have only one sample for this weeks workshop – pictured above. The foil I used were the foil wrappers from some stock cubes! Four wrappers were needed. And I simply coloured in the existing shapes and patterns in the foil. I used acrylic paint, oil pastels and stuck on some small rusty bits of paper left over from an erosion bundle.

I like my sample above, I like the textures shapes and colours. I’m not quite sure this sample is completely finished yet – I may work into it some more – but I like it so far!

The conclusion of this weeks workshop is that I don’t think I will be using aluminium foil in mixed media art to any great degree but it may possibly have small uses here and there… ! Next week the focus is on Masking Tape – looking forward to this!