Watercolour

Seascape Practice

This weekend I started some watercolour seascape practice…

Beach 1 - NB

This was just a fairly quick sketch. The wave was created from a deliberate watermark. Once dry I added a little detail and definition. The colours I used were Prussian Blue, Cobalt Turquoise Light and Raw Sienna, by Winsor & Newton. And I also used some Buff Titanium by Daniel Smith. All the white areas in the painting are white paper.

Ocean 2 - NB

In the above painting I have used masking fluid to reserve the white of the wave and sea spray – no gouache or other white medium has been used. I have to say that I’m not mad keen on masking fluid… BUT I’m even less keen about using white gouache (and other white mediums) to add whites to a watercolour. The whitest white in a watercolour painting will always be the white of the paper. The white paper in a watercolour reflects light beautifully. White gouache is less efficient at reflecting the light and will never appear a white as the original white paper; plus overusing white gouache (or similar) can make a painting look dull.

I have decided that in my watercolour work I would rather reserve the white paper for my whites as much as possible and only use Winsor & Newton’s professional Titanium White watercolour paint (not gouache) for whites when absolutely necessary. As well as masking fluid there are other ways to reserve the white paper which I will explore in another post.

Beach 2 - NB

Above is a simple sea shore. Again the white areas are white paper reserved by masking fluid. I have to say that my masking fluid application skills need to improve somewhat…! I’ll work on it. The colours used in this painting were Paynes Grey, Prussian Blue, Ultramarine Blue GS, Raw Umber and Raw Sienna, all by Winsor & Newton. I also used Buff Titanium and Goethite by Daniel Smith.

So to conclude, whilst I’m not mad keen about masking fluid, I can see that there are occasions when it’s advantageous or necessary to use it. I really enjoyed painting these seascapes. I have a longing to be by the sea…

Follow me on Instagram @evelynflintwatercolours

Watercolour

Ocean

Regular visitors to my blog will know how much I love the ocean and all things seaside related. I can’t be near the ocean right now but I can paint it. So this was yesterday’s “masterpiece”…

Ocean Wave - NB
Ocean

A huge curling ocean wave… ! Large sweeping strokes of bold colour very quickly covered the paper. I painted this on Arches NOT paper, 140 lb.  Daniel Smith watercolors were used, namely Phthalo Blue GS, Prussian Blue, Green Gold and Cobalt Blue. A little bit of sea spray was added at the end courtesy of a little Titanium White Winsor & Newton designer gouache. I used Rosemary & Co kolinsky sable brushes. It measures 29 cm x 19 cm.

Please click on the image to view it larger, the smaller one here doesn’t really do it justice. Also I did struggle a bit to capture the colours accurately in the photograph. The reality is much better than the photo.

This was so much fun to paint.  I love having more time to paint right now; I’m not bored being stuck at home and I don’t miss work one little bit… ! Bye for now…

Evelyn

#rosemaryandcoareopen

Watercolour

Ocean Inspiration

A little more seascape practice was on the agenda for me…

The Power Of Thge Ocean - NB
The Power Of The Ocean

I’ve been trying out yet more different techniques for painting the ocean. I’m slowly but surely grasping how important it is to reserve the white paper where necessary. Yes I can add highlights with white gouache but the original white of the paper is much better. The majority of the white in this seascape is the white of the paper. I have also used a spray bottle to add water in specific areas to help create the waves and sea spray. I’m happy with some areas of this seascape and not so happy with others. But I guess that’s all part of the learning process, as long as I understand why I don’t like certain areas and have an idea of what I would do different next time…

Ocean Inspiration Mosaic - NB
Ocean Inspiration

Above is the remnants of a seascape that went wrong! So I decided to cut it up into abstract squares and glued them to a piece of cartridge paper. Carefully arranged, these abstract squares look lovely together and I find them inspirational. Straight away I noticed how lovely the colours are that I used – Daniel Smith’s Ultramarine Turquoise, Prussian Blue and touches of Indigo. So as a complete seascape this didn’t make the grade but as small abstract pieces of inspirational art they work really well!

Watercolour

An Atlantic View

An Atlantic View - NB
An Atlantic View

A watercolour seascape sketch ~ large waves rolling in on to the sea shore on Cornwall’s Atlantic coastline…

In this seascape I was practicing painting waves assisted by carefully created back-runs. It was partially successful – I need to practice it more. The tricky bit is to make sure I reserve white enough paper for the waves first and then create the back-runs by adding the just right amount of clean water with a clean brush in just the right places at the right time and tilt the paper if necessary to ensure the water runs in the right direction.

The sky was painted using Ultramarine Blue and Raw Sienna. The grey was created by mixing the two colours in the palette first. The ocean was painted mostly with Prussian Blue along with Manganese Blue Hue, Cobalt Teal Blue and Cascade Green. The little bit of sand at the bottom was painted with Buff Titanium. The horizon is a little wonky but then it is only a practice sketch so I’m not going to worry about that…

My seascape measures 19 cm x 29 cm and was painted on Arches 140 lb cold pressed paper (100% cotton). This was some very enjoyable watercolour practice…

Watercolour

Making Waves…

Making Waves - NB

This started out as a colour exercise from a Jean Haines book but it didn’t turn out right. So I just tossed it to one side and started something else. A while later I went back to it and decided maybe I could do something with it…

So I carefully lifted out an area of colour. I added clean water with a clean brush to the area and carefully dabbed of the paint off with a screwed up clean paper towel. No scrubbing! I did this about three times till most of the colour had gone. Then I used my new “white” area to turn a failed exercise into a seascape sketch. I like my crashing wave. When I look at this I can imagine myself stood on the beach, with the wind and sea spray blowing in my face, listening to the sound of the crashing waves…