Watercolour

Ocean Inspiration

A little more seascape practice was on the agenda for me…

The Power Of Thge Ocean - NB
The Power Of The Ocean

I’ve been trying out yet more different techniques for painting the ocean. I’m slowly but surely grasping how important it is to reserve the white paper where necessary. Yes I can add highlights with white gouache but the original white of the paper is much better. The majority of the white in this seascape is the white of the paper. I have also used a spray bottle to add water in specific areas to help create the waves and sea spray. I’m happy with some areas of this seascape and not so happy with others. But I guess that’s all part of the learning process, as long as I understand why I don’t like certain areas and have an idea of what I would do different next time…

Ocean Inspiration Mosaic - NB
Ocean Inspiration

Above is the remnants of a seascape that went wrong! So I decided to cut it up into abstract squares and glued them to a piece of cartridge paper. Carefully arranged, these abstract squares look lovely together and I find them inspirational. Straight away I noticed how lovely the colours are that I used – Daniel Smith’s Ultramarine Turquoise, Prussian Blue and touches of Indigo. So as a complete seascape this didn’t make the grade but as small abstract pieces of inspirational art they work really well!

Watercolour

An Atlantic View

An Atlantic View - NB
An Atlantic View

A watercolour seascape sketch ~ large waves rolling in on to the sea shore on Cornwall’s Atlantic coastline…

In this seascape I was practicing painting waves assisted by carefully created back-runs. It was partially successful – I need to practice it more. The tricky bit is to make sure I reserve white enough paper for the waves first and then create the back-runs by adding the just right amount of clean water with a clean brush in just the right places at the right time and tilt the paper if necessary to ensure the water runs in the right direction.

The sky was painted using Ultramarine Blue and Raw Sienna. The grey was created by mixing the two colours in the palette first. The ocean was painted mostly with Prussian Blue along with Manganese Blue Hue, Cobalt Teal Blue and Cascade Green. The little bit of sand at the bottom was painted with Buff Titanium. The horizon is a little wonky but then it is only a practice sketch so I’m not going to worry about that…

My seascape measures 19 cm x 29 cm and was painted on Arches 140 lb cold pressed paper (100% cotton). This was some very enjoyable watercolour practice…

Watercolour

Beached

Beached - NB
Beached

A watercolour seascape sketch ~ an old weather beaten, sea worn boat beached on the shore…

Beached Colours - NB
“Beached” seascape colours

 

 

Left are the colours I used. Prussian Blue, Cobalt Teal Blue, Yellow Ochre, Quinacridone Gold and Quinacridone Burnt Scarlet are by Daniel Smith; Ultramarine Blue, Van Dyck Brown and Lamp Black are by Winsor & Newton.

I did start this with a very simple pencil sketch, just very basic outlines and no detail.

I wanted my watercolour sketch to have a degree of looseness to it.

I love the colours I chose for my boat ~ all very lovely “seaside” colours…

It was painted on 140 lb cold pressed watercolour paper and measures 15 cm x 20 cm.

I’ve learnt lessons and grown from painting my boat. I’m slowly but surely improving and developing my watercolur skills. More simple watercolour sketches will follow…

Most of all I had FUN painting this ~ painting with watercolours is beautiful and exciting as well as relaxing and therapeutic all at the same time…

 

Watercolour

The Beginnings Of A Seascape

Beginnings Of A Seascape - NB
Beginnings Of A Seascape

This is the beginnings of a seascape created using cling film (plastic wrap) inspired by Jean Haines’ World Of Watercolour book. The cling film creates lovely textures and patterns in wet pigment. In theory this is a fairly simple technique to use, so why have I struggled to get good results with it ?? However, I have persevered with it and above is probably my most successful attempt so far. The colours, textures and patterns in my seascape wash are beautiful. The cling film has helped to create a wild turbulent ocean. Please click the image to view it larger…

The colours I used were Winsor & Newton’s Winsor Blue Green Shade, Winsor Green Blue Shade and a tiny touch of Indian Yellow. All three are very strong pigments but they have worked together beautifully in my initial textured wash. I need to build on my initial seascape wash but I’m not going to rush it. I need to think carefully how I’m going to proceed with this painting and have some decisions to make before doing anything to it. So for now I’m just going to enjoy it as it is till I’ve decided…

Watercolour

Experimental Seascape

Experimental Seascape - NB

An experimental seascape in my Khadi paper sketchbook. The sky is indigo and the sea is a mixture of different blues plus Daniel Smith Rich Green Gold. It looks more effective when viewed from a distance and the real thing looks better than the photograph! I’ve been trying to build up a few light layers of colour without overdoing it. I was tempted to work on this a bit more but I think I’ll leave it as it is…

MIXING RICH GREEN GOLD

I’ve also had a little play with Daniel Smith’s Rich Green Gold (not to be confused with Daniel Smith’s Green Gold, a different colour)…

Mixing Rich Green Gold - NB

First I mixed Rich Green Gold with some popular blues. You can see from the chart above I made some lovely green shades. Then I mixed the Rich Green Gold with some reds and made some lovely browns and burnt orange colours. The photograph doesn’t really do them justice. What I’ve learnt from this is that if I want to create some lovely vibrant earth colours then Daniel Smith’s Rich Green Gold is a good colour to create them with…

Watercolour

Seascape Studies

Some loose watercolour seascape studies…

Through The Mist - NB
Ocean Waves Through The mist

Waves emerging through a distant misty seascape…

A Little Light Swell - NB
A Little Light Swell

This seascape reminded me of a family boat trip we had years ago – we took the boat from Penzance to the Scilly Isles. The day we went was the day after a huge storm. We had brilliant sunshine, blue sky and fluffy white clouds but the sea was very choppy with some huge waves. The captain called it “a little light swell”, hence the title of my seascape above…

Both Studies above were painted loosely, wet in wet mostly. Both measure 19 cm x 14 cm and were painted on Fabriano Artistico 100% cotton cold pressed paper. The colours used were Prussian Blue and Viridian.

Ocean Wave Mosaic - NB
Ocean Wave Mosaic

Above is a mosaic created from seascape attempts I didn’t like. I cut small abstract squares out and glued them onto a piece of white paper.

I love the ocean and it will inspire many more seascape studies and paintings in the future…

Watercolour

A Stormy Sky

A stormy sky over a turquoise sea…

Stormy Sky Over A Turquoise Sea - NB
A Stormy Sky Over A Turquoise Sea

Sometimes the light is so beautiful at the Cornish coast ~ on one side of the sky you can have briliant sunshine and on the other you can have dark stormy clouds, all at the same time! The sunlight makes the sea a beautiful light turquoise colour and the storm clouds cast dark shadows over the the distant coastline…

This is a watercolour on Fabriano Artistico 100% cotton paper. The colours used were: Paynes Grey, Ivory Black, Ultramarine Blue, Cobalt Teal Blue and Viridian. My seascape measures approx. 7.5″ x 5″.

Watercolour

Ocean

Ocean - NB
Ocean

The beauty and power of the ocean captured in watercolour….

Loose, abstract swooshes of blue and green paint across the paper….

Prussian Blue, Phthalo Blue, Sap Green, White Gouache & touches of Cobalt Teal Blue on  Fabriano Artistico paper (100% cotton)….

I love the sea and painting it with beautiful watercolours on lovely paper makes me happy….

Collage

Squaring Up

Welcome to weeks 8 and 9 of the collage project I’m doing with Carolyn, following the prompts in The Collage Workbook by Randel Plowman. The prompt for week 8 was reassemble – cut an image into approximately equal squares and rearrange them to create a new image. Here’s what I did:

Books Reassembled - NB
Books Reassembled

This is a print of one of my own photos cut up into squares and reassembled. This is the original image:

A Little Light Reading - NB
A Little Light Reading

This was quick and easy and fun to do. Next is week 9 and the prompt was squares and rectangles. We had to choose 2 or more images and cut them into squares and rectangles and  then create a collage using the pieces. Here’s what I did:

A Winter Seascape - NB
A Winter Seascape

This collage measures 8″ x 8″ and is created entirely from my own art work and photography except for one small square which happens to be a piece of scrapbook paper. Each square of this collage is a work of art in it’s own right! Please click on the image to view it larger to see more of the details. At the bottom section of the collage you have the yellow ochre sand with rocks, seaweed and rock pools. In the middle section you have the sea ~ a mixture of turquoise, greens, rich inky indigo and prussian blue tones. Towards the top of the collage I see a distant shoreline topped with moody grey and blue sky.

There will be more collage fun next week – thank you for visiting!

 

Watercolour

Stormy Seas

Stormy Seas - NB

A watercolour seascape I created using techniques I’ve learnt from Jean Haines’ Atmospheric Watercolours book. In a few short weeks this book has completely transformed the way I think about and paint with watercolours. And I can’t see myself EVER going back to a more traditional way of watercolour painting….

Please click on the image to view it larger – you’ll be able to see the colours and lovely textures better. For the base of this painting I used clingfilm to create texture in the very first wash. I’ve struggled a bit with the clingfilm thing but with a bit of perseverance I’ve improved.

It took me a couple of days to do this – with large amounts of time just leaving areas to dry before carrying on.  But I’m quite pleased with the end result. Off now to learn more from Jean Haines…. !