Watercolour

Seascape Practice

This weekend I started some watercolour seascape practice…

Beach 1 - NB

This was just a fairly quick sketch. The wave was created from a deliberate watermark. Once dry I added a little detail and definition. The colours I used were Prussian Blue, Cobalt Turquoise Light and Raw Sienna, by Winsor & Newton. And I also used some Buff Titanium by Daniel Smith. All the white areas in the painting are white paper.

Ocean 2 - NB

In the above painting I have used masking fluid to reserve the white of the wave and sea spray – no gouache or other white medium has been used. I have to say that I’m not mad keen on masking fluid… BUT I’m even less keen about using white gouache (and other white mediums) to add whites to a watercolour. The whitest white in a watercolour painting will always be the white of the paper. The white paper in a watercolour reflects light beautifully. White gouache is less efficient at reflecting the light and will never appear a white as the original white paper; plus overusing white gouache (or similar) can make a painting look dull.

I have decided that in my watercolour work I would rather reserve the white paper for my whites as much as possible and only use Winsor & Newton’s professional Titanium White watercolour paint (not gouache) for whites when absolutely necessary. As well as masking fluid there are other ways to reserve the white paper which I will explore in another post.

Beach 2 - NB

Above is a simple sea shore. Again the white areas are white paper reserved by masking fluid. I have to say that my masking fluid application skills need to improve somewhat…! I’ll work on it. The colours used in this painting were Paynes Grey, Prussian Blue, Ultramarine Blue GS, Raw Umber and Raw Sienna, all by Winsor & Newton. I also used Buff Titanium and Goethite by Daniel Smith.

So to conclude, whilst I’m not mad keen about masking fluid, I can see that there are occasions when it’s advantageous or necessary to use it. I really enjoyed painting these seascapes. I have a longing to be by the sea…

Follow me on Instagram @evelynflintwatercolours

Watercolour

Landscape & Seascape Mosaic

Landscape & Seascape Mosaic - NB
Landscape & Seascape Mosaic

Since my last post life here in England has changed beyond recognition.  We are halfway through our second week of a three week lockdown due to the Coronavirus pandemic. We are allowed out only to buy food, medicine and ONE form of exercise per day! Town centres and roads, once very busy, are now deserted. I’m one of those who have no work to go to at the moment because of the Coronavirus. And actually, I LOVE not having to go to work… !

But although the situation we all find ourselves in is very serious, there are positive things to embrace at the moment. Right now I have all the time in the world to paint with my watercolours… ! A situation I’m not used to at all but I’m going to make the most of it…

Above was a watercolour experiment that didn’t go as well as I’d hoped. So I cut it up into small squares and made a watercolour mosaic of it. Each little square is a lovely, unique abstract landscape or seascape. They all consist of only two colours – Prussian Blue and Monte Amiata Natural Sienna both by Daniel Smith. If you click the image to view it larger you may also notice a little gold shimmer on some of the squares courtesy of a little gold mica powder. My mosaic measures 10 cm x 13.5 cm.

Each little square is beautiful and inspiring. I’m inspired to explore abstract landscapes and seascapes more over the coming weeks. I hope every one stays safe and I will share more watercolour experiments soon…

Evelyn

 

Watercolour

Landscapes…

I’ve recently been working a series of small watercolour landscapes, inspired by places I’ve visited over the past year…

Lochbroom, Ullapool - NB
Lochbroom, Ullapool

My first is a view of Lochbroom, Ullapool in the Scottish Highlands. It was a very damp and misty drive to Ullapool last September but once we arrived the mist started to lift, some blue sky appeared and distant mountains emerged. I used my very own FLINT GREY for the mountains and sky in this painting.

Rosemarkie Beach - Looking North - NB
Rosemarkie Beach, Looking North

Above is a view of Rosemarkie Beach, looking towards the north. Rosemarkie is a tiny little village on the Black Isle in the Highlands. Rosemarkie Beach is  what I call an “everything beach”  – it has lovely sand, pebbles & shingle, rocky outcrops, rock pools and lots of interesting things get washed up on the shore…

Wells-Next-The-Sea - Abstract - NB
Wells-Next-The-Sea – Abstract

Here I’ve done an abstract seascape inspired by my trip to Wells-Next-The-Sea last spring. The landscape here is striped with layers of sand, grasses and sea which disappear and reappear as the tide goes in and out. Boats sit high and dry on the sand as the tide goes out. The colours I’ve used here are Prussian Blue, Monte Amiata Natural Sienna and a little Cascade Green – all by Daniel Smith. The white boats were done with a little white gouache.

Next are two more abstract landscapes:

Sea Storm - Abstract - NB
Sea Storm

First is an abstract watercolour inspired by the turbulent, powerful ocean. The colours I used here were Mayan Blue Genuine and Cascade Green by Daniel Smith. They’re colours that work together beautifully – I will be using this colour combination again…

And finally…

Earth Storm - Abstract - NB
Earth Storm

A stormy abstract landscape created using Daniel Smith’s Indigo, Transparent Red Oxide and Quinacridone Burnt Orange. Beautiful colours that complement each other perfectly and lovely added granulation from the Transparent Red Oxide.

All these landscapes measure 16 cm x 12.5 cm. They were painted on Winsor & Newton Professional Watercolour Paper, 140 lb, NOT, which is 100% cotton. This is very lovely paper to paint on and I would definitely buy more.  Brushes used were by Rosemary & Co and Silver Black Velvet. Daniel Smith watercolours were used for all the paintings.

All of these watercolours I will post on Instagram – @evelynflintwatercolours – over the next couple of days, please drop in and say hello. That’s all for now and thank you for visiting.

Watercolour

Minimal Seascapes

A few simple minimal seascapes…..

Cornish Seascape Abstract 1 - NB

Swift abstract splashes of watercolour….

Cornish Seascape 2 - NB

Minimal, no fuss, no detail….

Cornish Seascape Abstract 3 - NB

Simple swipes of complementary colours across the paper in Windsor Blue Red Shade, Indigo and Buff Titanium….

Cornish Seascape - Mousehole Harbour 4 - NBAbove is a minimal abstract watercolour of Mousehole harbour (Cornwall, UK)….

And below is a soft grey sky, misty blue ocean and a sandy shore….

Cornish Seascape Abstract 8 - NB

I love the soft translucent washes of colour….

These simple minimal seascapes were a mixture of wet in wet and dry brush technique. I used Arches cold pressed paper, 140 lb.

There’s something wonderfully therapeutic about brushing beautiful watercolours over lovely watercolour paper, with no agenda or pressure to create a “masterpiece”…. it gives me a wonderful sense of peace and calm….

You can click on the images to view them larger or view them in my Art Gallery