Tag Archives: turquoise

Surface Treatment Workshop – Week 9

Welcome to week 9 of the Surface Treatment Workshop. This week my sister Carolyn and I are experimenting with Fiber Paste. We used Golden Fiber Paste – I couldn’t find any alternatives that claimed to have the same properties. I read through the prompts in the book decided I was going to begin with printing on fiber paste.

I used a cheap sheet of A5 copy paper and skimmed a very thin layer of fiber paste over it with a wet palette knife. I let it dry for a couple of hours and prepared 2 photos in Photoshop ready to print onto the fiber paste. Now, my printer has been a bit temperamental of late so I wasn’t too sure how it was going to react to having Fiber Paste put through it – I was fully prepared for a paper jam, print errors and that nasty little flashing red light on the front of the printer. But to my surprise fiber paste went through the printer fairly easily…

Week 9 - Fiber Paste - Mussels - NB
Mussels Print on Fiber Paste

Fiber paste has the feel and texture of hand made paper when it’s dry – it’s lovely! The prints printed out slightly softer and lighter in colour than they would had they been printed on photo paper. If you click the images to view them larger you can see the texture of the fiber paste through the prints.

Week 9 - Fiber Paste - Barnacles - NB
Barnacles Print on Fiber Paste

The fiber paste ended up making the cheap copy paper very strong and flexible once the paste had dried. It is a lovely surface to paint on, draw on or stitch into. I LOVE fiber paste and I’m very pleased with how my fiber paste prints turned out! This is how they appear in my STW Sketchbook:

Week 9 - Fiber Paste - Sketchbook 1 - NB
Fiber Paste Prints in Sketchbook

 Next I simply painted a watercolour wash over some fiber paste:

Week 9 - Fiber Paste - Watercolour 1 - NB

The watercolour paint has highlighted the texture of the fiber paste quite well but here’s a macro view for more detail:

Week 9 - Fiber Paste - Watercolour Macro - NB

You can really see the texture of the fiber paste in this image! Next I did another watercolour wash over fiber paste but this time I overlaid it with some pearl mica once the watercolour had dried:

Week 9 - Fiber Paste - Watercolour 2 - NB

And I also did a macro view too so you can really see the texture of the fiber paste in detail:

Week 9 - Fiber Paste - Watercolour Macro 2 - NB

In conclusion the end result of this weeks Surface Treatment Workshop is that I LOVE Golden Fiber Paste! I especially like printing on fiber paste. Once you’ve printed on fiber paste you can easily incorporate the fiber paste print into mixed media art, paint on it, draw on it, stitch into it – anything really!  I will be doing more fiber paste prints…

Carolyn should be posting all her workshop samples this week so please do pop over and have a look! Next weeks workshop is focusing on drawing grounds, so I need to get my drawing head on….

Macro Magic

When I photographed my samples for this weeks Surface Treatment Workshop I also did a few macro shots too which I decided to share…

Indigo & Turquoise Bokeh - NB

the peppercorns and sand…

Indigo Bokeh - NB

Sea Shell Bokeh 1 - NB

the crushed seashells and vegetable netting…

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I love macro photography ! All of these were taken with a Canon 60 mm macro lens at f/2.8 to achieve the maximum creative blur and bokeh…

Surface Treatment Workshop – Week 7 & 10

This week for the Surface Treatment Workshop we are combining week 7 with week 10 as they both focus on gels and speciality gels respectively, variations of the same thing.

Last week I gathered some textured things for making my own speciality gels with. I gathered some black peppercorns and some sharp sand from my garage . This is what I did with them:

Week 7 & 10 - A Distant Shore - NB
A Distant Shore

In the sample above I used the black peppercorns in the top half, the “sea” part of the image and the sharp sand in the “sand” part of the image. I just laid a thickish layer of matt gel onto my surface and tipped the peppercorns and sand onto the gel. Then I just tipped off any excess. I let the gel dry and then coated the top of the textures surface with more matt gel. When the gel had dried I painted the suface – the sea is painted with indigo and touches of turquoise and the sand is painted with yellow ochre. The sand and peppercorns created some lovely surface texture and the matt gel over the top of them made the surface easy to paint.

Next a completely experimental piece! I had this idea in my head, I had no idea how it would turn out – it was either going to be very good or very bad. How did it turn out? Judge for yourself:

Week 7 & 10 - Turbulent Seas - NB
Turbulent Seas

For this sample I used a polythene label off a 4 pint plastic milk bottle. I stuck it to my surface with matt gel in a scrunched kind of way. I let the gel dry a bit first and then I blasted it with a heat gun till the plastic label crinkled and melted. I let it cool down then I coated the top with more matt gel. When that had dried I coated it with 2 coats of white acrylic paint to blot out the remaining writing and colour from the label. The texture created from the melted plastic is awesome. I used loose washes of watercolour paint in shades of Intense Blue and Emerald, when they mixed they created a lovely shade of turquoise. I finished this sample with a coat of gloss gel, which then served to fix the watercolour in place.

Week 7 & 10 - Ocean Wave - NB
Ocean Wave

Something else I gathered last week to use in these samples was some crushed seashells. Again I stuck them to my painted surface with matt gel. To be honest, they looked so lovely I didn’t have the heart to paint over them – I just couldn’t bring myself to do it! So all I did to them was coat them with gloss gel mixed with a little pearl mica (a shade called Diamond Dust) to give a little extra sparkle. You can see it catching the light in the images above and below…

Week 7 & 10 - Seascape - NB
Seascape

In the above sample you will also notice I also used some netting from a bag of veges! I stuck it down with matt gel. The photos above of the crushed seashell samples don’t really do them justice. The reality of them is so much better…

Week 7 & 10 - Pebbles - NB
Pebbles

For the above sample I used some black and some white organza, stuck it down with matt gel and melted it with a heat gun – it crinkled up lovely. I then covered it with more matt gel. When dry I finished with a coat of gloss gel mixed with pearl mica for the colour.

Click on any of the images to view them larger…

I really like using gels, they are so useful for so many things – too many to explore in this post. Gels will have a permanent home in my little work room. Next week the Surface Treatment Workshop focuses on Fiber Paste – it’s going to be interesting… !

Colour Inspiration

Turquoise Boat - NB

These are the colours that are inspiring me today ~ turquoise, aqua, and cyan ~ colours on a sea worn boat in the harbour….

Indigo,Turquoise & Rust - NB

Above we have some bleached dark indigo denim (dark indigo denim doesn’t bleach white, it goes a dark cream colour that you see above) along with some cotton dyed with cerulean blue acrylic paint and some rusty stuff.

They’re colours that complement each other so well. Underneath the image I used Photoshop to “paint” colour samples with colours extracted from the image. In real painting terms the colours I see in the image are Indigo, Cerulean Blue, Buff Titanium and Burnt Sienna ~ a beautiful inspiring combination….

I may have a play with these colours later this evening….

Seaside Scenes

Dreamy Harbour View - NB

Seaside scenes ~ things you see at the seaside ~ the harbour, fishing boats, a pier, the lighthouse….

Sea

beautiful clear turquoise waters to dip your toes in….

Seaside Textures 3

lots of lovely colours and textures on the boats in the harbour ~ they all inspire creative thoughts…

Seaside Textures

Seaside Textures 2

beautiful shades of blue and rusty browns…

Boat Pile - NB

Harbour SurfaceTexture - RN

I always find lots of creative inspiration at the sea ~ there’s always a never ending supply of lovely textures and colours that blend and complement each other so beautifully…

… the sound of the waves crashing on the shore, the salty sea air, seaweed scents are all so relaxing and peaceful ~ they help creative thoughts come flooding forth…

Surface Treatment Workshop – Week 5

Well week 5 of the Surface Treatment Workshop has finally arrived! The focus for this week is crackle paste. I used Golden Crackle Paste and I have to say it is brilliant stuff! Using crackle paste is time consuming but worth the effort and a little patience!

Week 5 - Crackle Paste - Blues & Browns - NB

I did decide to go for some blues and brown colours – couldn’t resist! The above sample is on cardboard and will go in my sketchbook. Next are some closer views of the above sample:

Week 5 - Blues & Browns - detail 1 - NB

Week 5 - Blues & Browns - detail 2 - NB

Week 5 - Blues & Browns - detail 3 - NB

The crackle paste has a lovely texture to it as well as the cracking ability. I also opted for some blue and turquoise colours…

Week 5 - Crackle Paste - Blue & Turquoise - NB

… with a touch of ochre – I do love these colours. Next are some close up views:

Week 5 - Crackle Paste - Blue & Turquoise - detail 1 - NB

Week 5 - Crackle Paste - Blue & Turquoise - detail 2 - NB

Not only does it take time for the crackle paste to work, I also found it takes more time than I realized to paint the crackle paste too! You have to build up the colour in layers, lots of diluted washes of colour, letting each layer dry before adding another…

Week 5 - Crackle Paste - Crazy Paving - NBThe above sample I decided to call “Crazy Paving”. It is also on cardboard and will go in my dedicated Surface Treatment Workshop sketchbook.  Next some close up views:

Week 5 - Crackle Paste - Crazy Paving - detail 1 - NB

Week 5 - Crackle Paste - Crazy Paving - detail 2 - NB

Out of all the crackle paste samples I started with three are complete which I have posted here. Two are in progress but I haven’t decided what to do next with them so I’ll leave those for a while. And one other is not painted at all yet – I will finish it and add it to my sketchbook!

My sister Carolyn will be posting her samples for the Surface Treatment Workshop in a few days, please do pop over and have look! Next week the the Surface Treatment Workshop is focusing on a Faux Encaustic technique – this could be very interesting…

Surface Treatment Workshop – Week 4

Welcome to week 4 of the Surface Treatment Workshop. The focus this week is on using masking tape in mixed media art.

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Amaze

For the above sample I put masking tape over a collage base and then painted over it. When almost dry I carefully pulled the masking tape off exposing collage patterns underneath the paint…

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Squares

This sample was a print left from week 1 that I wasn’t totally happy with so I decided it would be great to use with some masking tape instead! I put squares of masking tape over the painted base and then painted the squares white. When dry I glued small squares of my own art work over the white squares. I finished with a layer of clear acrylic glaze to ensure the squares of masking tape don’t peel off. The gum on the masking tape will degrade over time, so if you intend to leave making tape on some art work then it needs to be properly fixed down with some gel or glaze medium.

week-4-ocean-mist-nb
Ocean Mist

For this print I started with a stenciled background and then put masking tape over the top. I then sponged  paint over the tape and then carefully peeled the tape off. I let the paint dry and then repeated this process with different colours.

I’m quite pleased with how this weeks samples turned out. Masking tape is a useful item to keep stashed away with your art supplies, just in case… ! Next week the focus is on using crackle paste. I’m really, really looking forward to this one – as a girl in love with texture this is right up my street!

Winter Erosion Bundle – Part 3

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Welcome to part 3 of my Winter Erosion Bundle – the final part! Part 3 is very different to Part 1 and Part 2 – is has no rust and no blueberries! I used just dots of watercolour paint and sprinkles of pearl mica.

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These papers were on the very outside of the erosion bundle. The watercolour paint gave the papers beautiful soft pastel tones…

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The pearl mica gave a lovely sheen to the papers that catches the light…

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Above is a close up view of the previous image.

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I used tissue paper, deli paper and notebook paper, all of which absorbed colour very readily…

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The lovely pastel tones blend and compliment each other beautifully…

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Shimmering gold pearl mica with touches of vintage pink…

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Blues, greens and turquoise – lagoon colours…

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All the colours of the rainbow…

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These papers have been carefully stored. I will use them in mixed media art as and when the right project comes along. These erosion bundles take time to produce, so it’s a good idea to build up a good supply of eroded, corroded, vintage papers well in advance!

Click on any of the images to view them larger…

A spring erosion bundle is in the planning stage…

Surface Treatment Workshop – Week 1

week-1-stamping-circles-nb

This is week 1 of the Surface Treatment Workshop! Week 1 starts off very basically with stamping. For the sample above I covered a 6″ x 6″ piece of paper with collage and then simply stamped circles over the top in different sizes and colours. I rummaged round the house and found lots of things I could use for stamping circles – above I used a cardboard tube, a jam jar, a little bit of bubble wrap and… the best bit… an empty Belgian Bun packet! The larger dark blue circles were from the bottom of a plastic Belgian Bun packet – this has just got to be the best excuse ever for buying Belgian Buns!

week-1-stamping-blue-fish-nb

For the above sample I started with a 6″ x 6″ piece of paper and covered it with white gesso. Then I stamped a gold and turquoise pattern on the base of the sample using acrylic paints. To create the square pattern I used some of that rubbery stuff you put under mats and rugs to stop them slipping… ! For the small dark circles I used bubble wrap and then simply stamped the fish on. Very simple!

week-1-sketchbook-nb

Both samples have been stuck into a dedicated 8″ x 8″ sketchbook set aside especially for the project. I’m trying not to be overly fussy or fiddly with the samples for this project, after all, it is meant to be an experimental learning curve. I think I’m reasonably happy with how week 1 has turned out – now looking forward to week 2… !