Tag Archives: Watercolour

A Rainy Day In Scotland

Rainy Day In Scotland - NB
A RAINY DAY IN SCOTLAND

A wet in wet watercolour sketch on 140 lb hot pressed watercolour paper. The majority of this sketch is done with Paynes Grey, with just very tiny hints of Sepia and Prussian Blue. This took me about 15 minutes.

When it rains in Scotland the mountains very quickly blur into the clouds and mist and they still look beautiful. This sketch, my abstract rendition of rain on the mountains, will be stuck into my watercolour sketchbook…

Scottish Views

Ben Lomond - NB
Loch Lomond and Ben Lomond

Above is the very lovely Loch Lomond, Scotland, with the Ben Lomond mountain in the distance

Vintage Loch Lomond 1 - NB

Vintage post cards of Loch Lomond I found in a nice little shop…

Vintage Loch Lomond 2 - NB

A simple mountain watercolour sketch…

Mountain View - NB

I used just 2 colours for my sketch, Paynes Grey and Sepia, and used 140 lb hot pressed watercolour paper. This will go into one of my watercolour sketchbooks…

The Scottish mountain ranges and lochs are stunningly beautiful – I will post more pictures soon…

Cloud & Sky Studies – Part 1

A little watercolour practice in painting skies and clouds:

Sky Studies 1 - Rain Clouds - NB
RAIN CLOUDS

“Rain Clouds” above was painted with Paynes Gray

Sky Studies 1 - Storm Clouds - NB
STORM CLOUDS

“Storm Clouds” was painted with Indigo for a slightly more moody looking sky

Sky Studies 1 - Bright & Breezy - NB
BRIGHT & BREEZY

“Bright & Breezy” was painted with Cerulean Blue and tiny touches of Phthalo Blue

Sky Studies 1 - Sundown - NB
SUNDOWN

“Sundown” was painted with some soft sunset shades, namely: Sepia, Cadmium Red Pale Hue and Lemon Yellow. These colours were inspired by an image in my photo archives.

I enjoyed doing these very much and I plan to do more using different colours and trying different cloud patterns. Being a seasoned photographer I have a whole heap of “sky” photos in my archives to refer to for a little help and inspiration.

I remember years ago my brother saying to me ” What ARE you photographing??” as I had my camera pointed at the sky. I happily replied ” Clouds…”, his reply was “You’re weird.. !! ” shaking his head, with that cheeky grin on his face… ! LOL !!

I’ve learnt over the years to be completely indifferent to the strange looks I get when I photograph unusual things, at strange angles. If I like the colours, textures, shapes etc. I photograph it – I’ve learnt to trust my artistic judgement and not be self conscious about what other people think…

I hope you all have a great weekend!

Misty Blue Mountains

Misty Blue Mountains - NB
Misty Blue Mountains

Monochrome landscapes in indigo watercolour. Mountains interest me at the moment. Maybe it’s because I’m off to Scotland in a few weeks and we’re going to be surrounded by lovely hills, mountains and lochs…

You can click on the images to view them larger

Peaks - NB
Indigo Blue Peaks
Hills & Valleys - NB
Hills & Valleys

I decided to keep my mountain watercolour landscapes very simple – simple shapes, shadows and colour. My blue mountains have been glued into my watercolour sketchbook. The smaller landscapes above are a mixture of Prussian Blue and Intense Blue (Phthalo Blue).

I first started to experiment with mixed media art in the spring of 2014. I bought a few books and started to try out some of the techniques. It was during this process that I very quickly discovered I love watercolour paint. However, I carried on with my mixed media experiments and it’s only now (3 years later) that I’ve made a conscious decision to develop my love of watercolour paint.

As far as art goes, watercolour painting is my first love. Whether I ever become any good at it is another matter entirely… but perhaps that’s not really what’s important. What’s important is that painting with watercolours is something I love doing and find enormously relaxing and therapeutic…

Surface Treatment Workshop – Week 11

This weeks Surface Treatment Workshop is about using drawing grounds – ie. clear gesso, absorbent ground or pastel ground. Out of these three I only had clear gesso so that’s what I used. Drawing grounds are used to add tooth to an uneven surface like a collage that’s made up from glossy items and matte items, it kind of “evens” out the surface.

So I started this weeks workshop by collaging two thick pieces of paper. I then covered them with my drawing ground  – the clear gesso. I did actually mix my clear gesso with just a tiny bit of white gesso, just to very slightly tone down my collage a bit. I left it to dry. Then comes the interesting bit – what to put on top. The book gave only three prompts for this – add thin washes of colour, drawing on the surface or a combination of both. I did a combination of both…

Week 11 - Drawing Grounds - Fish - NB
Fish drawn & painted over clear gesso

On my first collage I decided I wanted to draw a fish. I don’t know why, I just did! So I did practice a couple of times on a separate piece of paper first and then drew my very simple fish above. I painted it over with watercolour paint but it looked a bit dull – I think that has to do with the clear gesso. It needed a bit of bling… so out came the pearl mica! I overlaid the watercolour with thin washes of complementary shades of pearl mica. You can click the images to view them larger…

Week 11 - Fish Macro - NB

Above is a macro view of the fish. You can see the shimmer of the pearl mica and also the texture of the clear gesso over my collage. I photographed this image using a 60mm macro lens at f/2.8 and made sure there was backlighting to get that lovely bokeh (the sparkly out of focus bit top and bottom)!

My second collage ended up like this:

Week 11 - Drawing Grounds - Portals - NB
Portals Into Another World

I didn’t have any clear idea of what I wanted to draw on this one but I like circles, so I started by drawing some circles. Then came some lines and then I filled in with some colour, which I overlaid with some washes of pearl mica. It ended up looking a little “other worldly” so I called it Portals Into Another World…

Here’s a couple of macro views:

Week 11 - Portals Macro - NB
“Portals”, a macro view

Above you can see the shimmer of the pearl mica and texture of the clear gesso.  Below is a fun macro shot just because I love bokeh and blur…

Week 11 - Portals Macro 2 - NB
“Portals”, a macro view

Both of my samples for this week measure 13 cm x 10 cm and I have stuck them into my dedicated STW sketchbook. As is often the case, both these samples look better in reality than they do photographed! My sister Carolyn should be posting her samples from last week and this week soon,  so please do pop over and have a look… ! In next week’s workshop we are using Metal Leaf – I’ve never used this before so I’ve no idea what I’m going to do with it but I’m up for the challenge…

Seascapes & Landscapes

A collection of abstract watercolour seascapes and landscapes…

Landscape & Seascape Mosaic - nb

…. a little fun play with my watercolour paints…. playing with washes, water and colour….

The colours I used for the above were: Cerulean Blue, Raw Sienna, Burnt Sienna, Indigo, and Prussian Blue. These are going into my watercolour sketchbook to hopefully inspire future work…

Surface Treatment Workshop – Week 9

Welcome to week 9 of the Surface Treatment Workshop. This week my sister Carolyn and I are experimenting with Fiber Paste. We used Golden Fiber Paste – I couldn’t find any alternatives that claimed to have the same properties. I read through the prompts in the book decided I was going to begin with printing on fiber paste.

I used a cheap sheet of A5 copy paper and skimmed a very thin layer of fiber paste over it with a wet palette knife. I let it dry for a couple of hours and prepared 2 photos in Photoshop ready to print onto the fiber paste. Now, my printer has been a bit temperamental of late so I wasn’t too sure how it was going to react to having Fiber Paste put through it – I was fully prepared for a paper jam, print errors and that nasty little flashing red light on the front of the printer. But to my surprise fiber paste went through the printer fairly easily…

Week 9 - Fiber Paste - Mussels - NB
Mussels Print on Fiber Paste

Fiber paste has the feel and texture of hand made paper when it’s dry – it’s lovely! The prints printed out slightly softer and lighter in colour than they would had they been printed on photo paper. If you click the images to view them larger you can see the texture of the fiber paste through the prints.

Week 9 - Fiber Paste - Barnacles - NB
Barnacles Print on Fiber Paste

The fiber paste ended up making the cheap copy paper very strong and flexible once the paste had dried. It is a lovely surface to paint on, draw on or stitch into. I LOVE fiber paste and I’m very pleased with how my fiber paste prints turned out! This is how they appear in my STW Sketchbook:

Week 9 - Fiber Paste - Sketchbook 1 - NB
Fiber Paste Prints in Sketchbook

 Next I simply painted a watercolour wash over some fiber paste:

Week 9 - Fiber Paste - Watercolour 1 - NB

The watercolour paint has highlighted the texture of the fiber paste quite well but here’s a macro view for more detail:

Week 9 - Fiber Paste - Watercolour Macro - NB

You can really see the texture of the fiber paste in this image! Next I did another watercolour wash over fiber paste but this time I overlaid it with some pearl mica once the watercolour had dried:

Week 9 - Fiber Paste - Watercolour 2 - NB

And I also did a macro view too so you can really see the texture of the fiber paste in detail:

Week 9 - Fiber Paste - Watercolour Macro 2 - NB

In conclusion the end result of this weeks Surface Treatment Workshop is that I LOVE Golden Fiber Paste! I especially like printing on fiber paste. Once you’ve printed on fiber paste you can easily incorporate the fiber paste print into mixed media art, paint on it, draw on it, stitch into it – anything really!  I will be doing more fiber paste prints…

Carolyn should be posting all her workshop samples this week so please do pop over and have a look! Next weeks workshop is focusing on drawing grounds, so I need to get my drawing head on….

Woolalcombe Sands Watercolour

Woolacombe Bay Watercolour - NB

This is my very first ever watercolour seascape. It measures 15 cm x 11.5 cm and was painted on watercolour paper (140 lbs Cold Press). You can click the image to view larger. It’s a very simple seascape and loosely based on this image of Woolacombe Sands, North Devon:

Hazy Winter Beach - RN

I added a little more colour to my watercolour than what’s in the original image. I used just 3 colours – Cerulean Blue Hue, Indigo and Raw Sienna. When I took the photo the very bright hazy sunlight bleached most of the colour from the seascape.

As far as watercolour painting goes I am very much a beginner – very much to learn… ! I’ve always loved watercolour paint – I love the loose washes of colour that so readily mingle with each other, I love both the rich bold colours and the delicate pastel shades too and I love how the watercolour paint flows so effortlessly across the paper…

I have stuck my watercolour seascape into my dedicated watercolour sketchbook. And there will be more watercolour paintings in the future…

What Colours?

Subtle Red & Yellow - NB
Indian Red & Yellow Ochre

This blog post is directly related to my previous post. I need to give some thought as to what colours I’m going to paint my Crackle Paste samples with. I only get one shot at painting these samples – I don’t have time to redo them. They are getting posted this week regardless… ! So the big question is what colours? Yesterday evening, while spending time round at my mum’s, I spent an hour or so doing some watercolour samples to help me make a decision. One possibility is the sample above – some subtle reds and yellows…

Paint The Rainbow - NB

or I could paint the rainbow…

Blues and Greens - NB
Intense Blue, Sap Green & Dioxazine Violet

maybe some blues and greens with a hint of mauve

Blue & Yellow - NB
Intense Blue, Lemon Yellow & Sap Green

or just blue, green and yellow.

Blues and Brown 1 - NB
Intense Blue (Phthalo Blue) & Burnt Umber

I love the blue and brown combinations above and below… !

Blues and Brown 4 - NB
Intense Blue, Prussian Blue, Indigo & Vandyke Brown
Blues and Brown 3 - NB
Intense Blue & Vandyke Brown
Blues and Brown 5 - NB
Phthalo Turquoise & Burnt Sienna
Blues and Brown 2 - NB
Intense Blue & Burnt Sienna

The colour sample above is my favourite – a vintage pale blue on the outside gently tinted with the rusty orange Burnt Sienna and intense blue in the centre for a little extra impact.

Blues & Grey - NB
Intense Blue & Paynes Grey

The blues and greys are looking lovely too….

Indigo & Grey - NB
Indigo & Paynes Grey

Above we have Indigo on the left and Paynes Grey on the right. The difference between them is very subtle. I love Indigo….

Just Blue - NB
Intense Blue & Chinese White

Or maybe just shades of blue…

These watercolour samples have given me some great ideas to help me decide what colours to paint my Crackle Paste samples. They’ve helped me narrow down what I really love and what I’m not so keen on…

Sea Shell Sketches

seashells-1-nb

Seashell sketches ~ drawn with a HB pencil and painted with watercolours. I drew rough pencil outlines and filled in with watercolours.

These are the very first sketches I’ve done since I was in Secondary School, which was the better part of 40 years ago – I’m VERY out of practice! For my first attempts, I’m reasonably pleased with them.

My goal this year is to draw and sketch more and paint them with watercolours. At school I used to be reasonably good at drawing – but sadly the teaching and motivation I got from the art (and needlework) teacher was virtually nonexistent…!

I was inspired to do these by Anna Warren – her sketches in her blog posts Sketching in Tasmania and Freycinet – from the sketchbook are just lovely. Do have a look…

(NB – week 2 of the Surface Treatment Workshop will be next Wednesday instead of today – life got in the way…. as it does… !)