We all know that we’re supposed to try and eat at least portions of fruit and veg a day but how about painting them instead… ?
This was a really fun way of getting “one of your 5 a day”. This watercolour is only small – 14cm x 17cm. It was painted on Arches Aquarelle NOT paper, 140lb. Paints used were Aussie Red Gold, Perylene Red, Green Gold and Undersea Green – all by Daniel Smith. I used two sable brushes by Rosemary & Co for the tomatoes and a Silver Black Velvet Script Liner for the green stuff.
The colour of the tomatoes was built up gradually in about 3 layers, letting each layer of colour dry before applying the next. Letting areas of a painting dry before continuing is a lesson that’s taken time for me to learn. Watercolour painting requires patience and I have to work at it continually!
Also, red is a colour I don’t often use in my watercolour painting so it made a nice change to paint these vibrant red cherry tomatoes. Why not see what veggies you’ve got and have a go at painting them – just for fun… !
Following on from yesterdays post, this is another violet study. This time I used slightly different colours and varied the composition a little. The colours used this time were Winsor Violet, Winsor Blue Red Shade, Sap Green and Cadmium Yellow. It measures 19 cm x 28 cm and was painted on Arches paper.
It was a simple study to do but lots of fun and all part part of the learning process…
This seascape reminded me of a family boat trip we had years ago – we took the boat from Penzance to the Scilly Isles. The day we went was the day after a huge storm. We had brilliant sunshine, blue sky and fluffy white clouds but the sea was very choppy with some huge waves. The captain called it “a little light swell”, hence the title of my seascape above…
Both Studies above were painted loosely, wet in wet mostly. Both measure 19 cm x 14 cm and were painted on Fabriano Artistico 100% cotton cold pressed paper. The colours used were Prussian Blue and Viridian.
Above is a mosaic created from seascape attempts I didn’t like. I cut small abstract squares out and glued them onto a piece of white paper.
I love the ocean and it will inspire many more seascape studies and paintings in the future…
This is the second painting in my rambling rose series (the first was in my previous post). I may work on this painting some more, so I guess it’s a “work in progress” but at the moment I’m enjoying it as it is…
I used the same colours as the first one – Permanent Rose and Naples Yellow. This painting measures approx. 8″ x 6.5″ and was painted on Khadi paper. And this one too looks better when viewed from a distance – you get the “rose effect” better. It was painted loose, wet in wet and I’ve just let the watercolour paint do what it naturally likes to do – working with it, not against it…
In the summer of 2016 I planted a lovely pale pink climbing rose in my garden. This spring it has doubled in size and, although it is only early may, it has buds forming on it already! This summer I want to paint these gorgeous roses from my garden. So I’m going to take lots of photos of them and also I will cut some and bring them indoors to paint. On a nice summers day I may even do some plein air rose painting in the garden…
BACK TO BASICS
I also spent some time recently getting back to watercolour basics – basic colour mixing and practicing brush control…
This is a very basic colour mixing exercise. I picked one of each of the primary colours ~ I chose to use Cadmium Red, Quinacridone Gold and Indanthrene Blue (in the top line of the chart from the left). All of them are quite strong primary colours. I then randomly mixed them together using varying quantities of pigment and water. These are just a sampling of the colours I could produce. This chart measures 5.5″ x 7.5″, but if I’d used a much larger piece of paper I could have easily quadrupled the number of different colours created. This is a fun way of learning about colour – how they mix, what different colous and shades you can produce. And it illustrates that you don’t need to buy lots of different colours, when you are just starting out with watercolour – just a few will do…
Next a fun brush control exercise:
I used a whole range of different earth colours for the exercise above. But it’s not about the colours, it’s about brush control. I used just one brush – a Jacksons Icon Quill size3/0. It’s a lovely brush, it holds lots of water and pigment and has a superb point. The purpose of the exercise above was to practice working from the tip of the brush to the body and then back again to the tip again. I enjoyed painting my leaves. More brush control exercises will be on the agenda in the future…
My mission when I got up this morning was to paint roses… after doing a few household chores first of course! I started by following a YouTube video (I wont say which one) but after three failed attempts it clearly wasn’t working for me. So I stopped for a tea break and regrouped. I decided to go back to what I know works really well – Jean Haines tutorials… ! I found the rose tutorial in Jean Haines Colour & Light in Watercolour New Edition book and got started. I didn’t follow the tutorial to the letter but Jean’s instructions got me back on the right track.
So my Rambling Rose above is completely my own creation but created after following Jeans sound advice. It measures approx. 5″ x 5.5″ and was painted on Fabriano Artistico 100% cotton cold pressed paper. The colours I chose to use were Permanent Rose (W & N) and Naples Yellow (DS). The green for the stem and leaves was some left over mixed green left in my palette. The brush I used was a Silver Black Velvet size 10 Round – this is one of my most favourite brushes.
My Rambling Rose was painted loose, wet in wet, with just a few details and definition added after the first wash had dried. This is one of those paintings that looks better if you stand back a a few feet. I’m much happier with this attempt and am now inspired to try some more loose roses…
All the colours are Daniel Smith watercolours and from the top the colours are:
Quinacridone Gold – a beautiful rich orange colour
Ultramarine Turquoise ~ a beautiful granulating colour which creates lovely texture with flecks of blue in it….
A mix of Quinacridone Gold & Ultramarine Turquoise
Rich Green Gold ~ I love this colour! It mixes with blues to create lovely ocean greens and on it’s own I would describe it as a seaweed colour (being a person who loves the ocean and everything associated with it). I used this colour in my Stormy Seas painting – all the green shades you can see in this painting were created by the Rich Green Gold mixing with the blues
Prussian Blue ~ my old Winsor & Newton Prussian Blue finally ran out so I replaced it with a Daniel Smith one – a very good replacement!
The left hand colour runs are Prussian Blue + Rich Green Gold. The middle colour runs are Ultramarine Turquoise +Rich Green Gold. And the right hand colour runs are Ultramarine Turquoise + Quinacridone Gold – you can see the granulating effect of the Ultramarine Turquoise more clearly here….
More colour runs….
Above left we have Buff Titanium + Ultramarine Turquoise and on the right we have Naples Yellow + Ultramarine Turquoise. The Ultramarine Turquoise is a gorgeous colour – I love it and will feature in many future paintings…
Colour play like this is so much fun and is a good way for me to learn how colours mix and react with each other.
But most of all…. I love colour and seeing beautiful coloured watercolour paints mingle on lovely 100% cotton watercolour paper excites me and makes me want to paint….
Some loose, wet in wet watercolour fun. This flower started out as an exercise from Jean Haines’ Atmospoheric Watercolours book but as I started painting it kind of took on a life of it’s own. I just went with it and it now bears no resemblance to anything in the book at all! But I like it….
Paper used was Fabriano Artistico (100% cotton) 140lb NOT. Colours used were Winsor Violet (PV23) and Indigo – a beautiful colour combination. It measures approx. 7″ x 7.5″
A watercolour seascape I created using techniques I’ve learnt from Jean Haines’ Atmospheric Watercolours book. In a few short weeks this book has completely transformed the way I think about and paint with watercolours. And I can’t see myself EVER going back to a more traditional way of watercolour painting….
Please click on the image to view it larger – you’ll be able to see the colours and lovely textures better. For the base of this painting I used clingfilm to create texture in the very first wash. I’ve struggled a bit with the clingfilm thing but with a bit of perseverance I’ve improved.
It took me a couple of days to do this – with large amounts of time just leaving areas to dry before carrying on. But I’m quite pleased with the end result. Off now to learn more from Jean Haines…. !