Art · Watercolour

Stormy Seas

Stormy Seas - NB

A watercolour seascape I created using techniques I’ve learnt from Jean Haines’ Atmospheric Watercolours book. In a few short weeks this book has completely transformed the way I think about and paint with watercolours. And I can’t see myself EVER going back to a more traditional way of watercolour painting….

Please click on the image to view it larger – you’ll be able to see the colours and lovely textures better. For the base of this painting I used clingfilm to create texture in the very first wash. I’ve struggled a bit with the clingfilm thing but with a bit of perseverance I’ve improved.

It took me a couple of days to do this – with large amounts of time just leaving areas to dry before carrying on.  But I’m quite pleased with the end result. Off now to learn more from Jean Haines…. !

Art · Watercolour

Opening Doors

This is another exercise from the book Atmospheric Watercolours by Jean Haines….

The Venetian Door - NB

This is The Venetian Door. There is every colour in the rainbow in this! Normally I wouldn’t use so may colours but just for the exercise in the book I have stuck to similar, not identical, colours to what Jean used. I’ve certainly put my own stamp on this – mine looks quite a bit different to the version in the book….

The purpose of this exercise is to simply practice a variety of techniques Jean teaches in her book. I enjoyed painting this. It’s good practice at painting loosely. This watercolour measures 8″ x 11″ and was painted on 140 lb Fabriano Artistico watercolour paper.

Slowly but surely I think my watercolour skills are improving….

Art · Watercolour

Paintbox

I got up quite early this morning and did some sketching….

Paintbox - NB

This is my much used and loved paintbox. When I’m at home in my workroom I like to paint with tube watercolour paints but when I’m on the move or away from home I use my paint box above. The paints originally in this box were cheap and nasty, so I binned them and replaced them with Winsor & Newton pans instead. I hand picked all the colours myself and the colours are:

Top row from the left: Lemon Yellow, Yellow Ochre, Rose Madder, Dioxazine Violet, Prussian Blue, Indigo

Bottom row from the left: Cerulean Blue, Phthalo Turquoise, Cobalt Turquoise, Sap Green, Burnt Umber, Lamp Black

I’ve deliberately let the colours of the pans run, to give a slightly messy look to them because that’s how a paintbox should be – messy, used and looking like someones had some fun with it. I’ve certainly had a lot of fun with mine…. !

Art · Watercolour

Building Bridges

Building Bridges - NB

My lovely brother-in-law Colin treated me to a lovely Jean Haines watercolour book: Jean Haines’ Atmospheric Watercolours. This is my version of the first exercise in the book. The purpose of the exercise was to practice holding the paint brush correctly (not to create a finished piece of work). I found this exercise very useful and now realize that I’ve been holding my brush all wrong!

This was my second attempt at this exercise – the first was a complete dogs dinner! I also used slightly different colours to the ones mentioned in the book. The paper I used was A5 Khadi paper.

This is a very beautiful book and once I open it I find I can’t put it down…. ! I love Jean Haines’ loose way of painting with watercolours. I will share more of my interpretations of the exercises in this book over the coming weeks as I progress through the book.

Art · Watercolour

Minimal Seascapes

A few simple minimal seascapes…..

Cornish Seascape Abstract 1 - NB

Swift abstract splashes of watercolour….

Cornish Seascape 2 - NB

Minimal, no fuss, no detail….

Cornish Seascape Abstract 3 - NB

Simple swipes of complementary colours across the paper in Windsor Blue Red Shade, Indigo and Buff Titanium….

Cornish Seascape - Mousehole Harbour 4 - NBAbove is a minimal abstract watercolour of Mousehole harbour (Cornwall, UK)….

And below is a soft grey sky, misty blue ocean and a sandy shore….

Cornish Seascape Abstract 8 - NB

I love the soft translucent washes of colour….

These simple minimal seascapes were a mixture of wet in wet and dry brush technique. I used Arches cold pressed paper, 140 lb.

There’s something wonderfully therapeutic about brushing beautiful watercolours over lovely watercolour paper, with no agenda or pressure to create a “masterpiece”…. it gives me a wonderful sense of peace and calm….

You can click on the images to view them larger or view them in my Art Gallery

Art · Watercolour

Sail Away….

Sail Away - NB

A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…

Colours used: Prussian Blue, Indigo,  Phthalo Blue, Cobalt Teal Blue

Paper: Fabriano Artistco Watercolour Paper, 100% cotton, 140 lb Cold Pressed

You don’t always have to labour for days and hours over a detailed masterpiece, sometimes something quick and simple is enough….

Art · Watercolour

Flower Fun

I had a little fun painting some flowers for my watercolour sketchbook….

The Blue Flower - NB
THE BLUE FLOWER

The watercolour above is not any particular kind of flower – it just came straight out of my imagination…

I used Phthalo Blue for the majority of it and just added a few tiny dots of Permanent Rose. My mum fell in love with my bright blue flower so I’m going to find a nice frame for it and give it to her…

Lavender Watercolour Sketch - NB
LAVENDER WATERCOLOUR SKETCH

Fast and loose washes of colour. For the flowers I used Phthalo blue mixed with Permanent Rose for the mauve colour and I used Phthalo Blue mixed with Yellow Ochre for the stems and leaves.

After I painted this I asked my mum (who was with me at the time) if she could tell what they are… straight away she replied “lavender!”, so I’m taking that as a positive… !

I had great fun doing these and I am definitely going to do some more… !

Art · Watercolour

A Rainy Day In Scotland

Rainy Day In Scotland - NB
A RAINY DAY IN SCOTLAND

A wet in wet watercolour sketch on 140 lb hot pressed watercolour paper. The majority of this sketch is done with Paynes Grey, with just very tiny hints of Sepia and Prussian Blue. This took me about 15 minutes.

When it rains in Scotland the mountains very quickly blur into the clouds and mist and they still look beautiful. This sketch, my abstract rendition of rain on the mountains, will be stuck into my watercolour sketchbook…