Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 22

Welcome to week 22 of the Surface Treatment Workshop. This week in  the workshop we were using pours. Pours are created by mixing acrylic paint with different mediums to create a pouring mixture which you then pour onto your art and let it run. Here’s my sample:

Week 22 - Pours - NB

To create pours you can mix the paint with an assortment of different acrylic mediums. I used just a little gloss gel and water with my acrylic paint. The colours I used were: Paynes Grey, Burnt Sienna, Yellow Ochre, Cerulean Blue and White. I started with a collage base and then let my diluted paint run over it. I like how the colours have run and mingled together. I particularly like how they’ve run over the textured paper in the top left corner. Here’s a closer view:

Week 22 - Pours - Macro 1 - NB

I enjoyed using pours this week and this is something I will do again in the future. Next week in the workshop we’re using shaving foam – it’s going to get messy! But I’m still looking forward to it….

Art · Watercolour

Sail Away….

Sail Away - NB

A quick and simple wet in wet watercolour seascape sketch. It took me about 10 minutes. It measures just 5″ x 3.5″. I used just blue paints, apart from a tiny touch of white guache for the sails of the boat…

Colours used: Prussian Blue, Indigo,  Phthalo Blue, Cobalt Teal Blue

Paper: Fabriano Artistco Watercolour Paper, 100% cotton, 140 lb Cold Pressed

You don’t always have to labour for days and hours over a detailed masterpiece, sometimes something quick and simple is enough….

Art · Watercolour

Quick Watercolour Seascapes

Today I managed to find an hour to do a couple of quick watercolour seascape sketches….

St. Clements Isle Watercolour - NB

Above is a watercolour sketch of St. Clements Isle, just off the coast of Mousehole, Cornwall, UK. This is one of those paintings that is best viewed from a slight distance. This watercolour is loosely based on the photo below:

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This is the other watercolour sketch I did this afternoon:

Turquoise Seascape - NB

This watercolour is of nowhere in particular and just came straight out of my imagination. I started this by wanting to just use up the left over paint in my palette and it kind of turned into a seascape…

I enjoyed doing these quick seascapes this afternoon. Both measure approximately 6″ x 4″ – just the right size to go into my watercolour sketchbook. Both were done on 140 lb watercolour paper.

Acrylic Paintings · Art

Ocean Wave

Ocean Wave - NB
OCEAN WAVE ~ mini acrylic on canvas

I have just finished my samples for the Surface Treatment Workshop for this week (which I’m hoping to post tomorrow) and had some acrylic paint left in my palette. So, not wanting to waste the paint, I decided to do a quick mini acrylic seascape on canvas. It’s veering slightly towards the abstract side….

My painting measures 7 cm x 7 cm. So the photo is actually quite a bit bigger than the original painting but that does mean that you can see the detail, especially if you click on the image twice. Acrylic colours used were: Prussian Blue, Indigo, Pale Power Blue, Turquoise, Cerulean Blue, Pale Olive and White. So for a small painting that is actually quite a lot of colours but I do like to do lots of layers of colour with acrylic paints….

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 7 & 10

This week for the Surface Treatment Workshop we are combining week 7 with week 10 as they both focus on gels and speciality gels respectively, variations of the same thing.

Last week I gathered some textured things for making my own speciality gels with. I gathered some black peppercorns and some sharp sand from my garage . This is what I did with them:

Week 7 & 10 - A Distant Shore - NB
A Distant Shore

In the sample above I used the black peppercorns in the top half, the “sea” part of the image and the sharp sand in the “sand” part of the image. I just laid a thickish layer of matt gel onto my surface and tipped the peppercorns and sand onto the gel. Then I just tipped off any excess. I let the gel dry and then coated the top of the textures surface with more matt gel. When the gel had dried I painted the suface – the sea is painted with indigo and touches of turquoise and the sand is painted with yellow ochre. The sand and peppercorns created some lovely surface texture and the matt gel over the top of them made the surface easy to paint.

Next a completely experimental piece! I had this idea in my head, I had no idea how it would turn out – it was either going to be very good or very bad. How did it turn out? Judge for yourself:

Week 7 & 10 - Turbulent Seas - NB
Turbulent Seas

For this sample I used a polythene label off a 4 pint plastic milk bottle. I stuck it to my surface with matt gel in a scrunched kind of way. I let the gel dry a bit first and then I blasted it with a heat gun till the plastic label crinkled and melted. I let it cool down then I coated the top with more matt gel. When that had dried I coated it with 2 coats of white acrylic paint to blot out the remaining writing and colour from the label. The texture created from the melted plastic is awesome. I used loose washes of watercolour paint in shades of Intense Blue and Emerald, when they mixed they created a lovely shade of turquoise. I finished this sample with a coat of gloss gel, which then served to fix the watercolour in place.

Week 7 & 10 - Ocean Wave - NB
Ocean Wave

Something else I gathered last week to use in these samples was some crushed seashells. Again I stuck them to my painted surface with matt gel. To be honest, they looked so lovely I didn’t have the heart to paint over them – I just couldn’t bring myself to do it! So all I did to them was coat them with gloss gel mixed with a little pearl mica (a shade called Diamond Dust) to give a little extra sparkle. You can see it catching the light in the images above and below…

Week 7 & 10 - Seascape - NB
Seascape

In the above sample you will also notice I also used some netting from a bag of veges! I stuck it down with matt gel. The photos above of the crushed seashell samples don’t really do them justice. The reality of them is so much better…

Week 7 & 10 - Pebbles - NB
Pebbles

For the above sample I used some black and some white organza, stuck it down with matt gel and melted it with a heat gun – it crinkled up lovely. I then covered it with more matt gel. When dry I finished with a coat of gloss gel mixed with pearl mica for the colour.

Click on any of the images to view them larger…

I really like using gels, they are so useful for so many things – too many to explore in this post. Gels will have a permanent home in my little work room. Next week the Surface Treatment Workshop focuses on Fiber Paste – it’s going to be interesting… !

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 8

Welcome to week 8 of the Surface Treatment Workshop. This week’s focus is on using gesso. Mostly gesso is just used to prime a surface before adding paint or other media but I decided to make more of a feature of it with my samples for this week…B & W Gesso - NB

In the above collage I painted four squares of gesso onto the paper – clockwise: dark grey, black, light grey and white. Then I simply added strips of vintage paper over the joins. I finished by putting four small squares of my own art work in each box. Very simple to do and a very simple design. I really like the neutral colours.

Neutral Striped Gesso - NB

Next I decided to have a play with some tinted gesso. Using one of my larger paint mixing trays I set about mixing white gesso with acrylic paint. I found you only needed very tiny amounts of paint to turn the white gesso into some lovely  pastel colours. In the sample above I used gesso tinted with sepia, indigo and just plain white gesso. Down the left side is a strip of fabric roses which I painted with indigo gesso.

Gesso Sketchbook 1 - NB

How both samples look in my sketchbook.

One of the prompts in the book was to stick objects items onto the surface and gesso over them. I decided to stick some vintage lace to my acrylic paper and gesso over them:

Vintage Lace & Gesso - NB

On the left side the lace is painted with Sepia gesso and the for the blue side I used Prussian Blue gesso overlaid with some white gesso to tone down the blue a little. For the next samples I decided to add some more colours to my paint tray – to the Sepia, Indigo and Prussian Blue I added Paynes Grey, Yellow Ochre and Turquoise….

Tinted Gesso Mosaic - NB

I used a large brush and a palette knife for the above samples. All the colours work really well together and the palette knife helped to create some lovely textures. This is how these samples look in my sketchbook:

Gesso Sketchbook 2 - NB

More tinted gesso samples:

Tinted Gesso 1 - NBTinted Gesso 2 - NB

The samples with stripes on I used some corrugated cardboard to stamp gesso onto my paper – stamping with gesso was one of the prompts in the book we’re working from. I also stuck some of the corrugated card I used into my sketchbook. This is how both these pages look in my sketchbook:

Gesso Sketchbook 3 - NB

I really enjoyed playing with gesso this week. I found my imagination ran overtime – I have so many other ideas for using gesso than what you see here but I just didn’t have time to explore them all this week. So I will have another play with gesso another time.

Just click on any of the images to view them larger…

Next week we are going to do Week 7 (which we missed out) and Week 10 together as they both focus on using acrylic gels – it’s going to be fun !

Art · Surface Treatment Workshop

Surface Treatment Workshop – Week 4

Welcome to week 4 of the Surface Treatment Workshop. The focus this week is on using masking tape in mixed media art.

week-4-masking-tape-amaze-nb
Amaze

For the above sample I put masking tape over a collage base and then painted over it. When almost dry I carefully pulled the masking tape off exposing collage patterns underneath the paint…

week-4-squares-nb
Squares

This sample was a print left from week 1 that I wasn’t totally happy with so I decided it would be great to use with some masking tape instead! I put squares of masking tape over the painted base and then painted the squares white. When dry I glued small squares of my own art work over the white squares. I finished with a layer of clear acrylic glaze to ensure the squares of masking tape don’t peel off. The gum on the masking tape will degrade over time, so if you intend to leave making tape on some art work then it needs to be properly fixed down with some gel or glaze medium.

week-4-ocean-mist-nb
Ocean Mist

For this print I started with a stenciled background and then put masking tape over the top. I then sponged  paint over the tape and then carefully peeled the tape off. I let the paint dry and then repeated this process with different colours.

I’m quite pleased with how this weeks samples turned out. Masking tape is a useful item to keep stashed away with your art supplies, just in case… ! Next week the focus is on using crackle paste. I’m really, really looking forward to this one – as a girl in love with texture this is right up my street!

Art · Macro Magic · Photography · Still Life

Creative Flurries…

Fabrics and papers - RN

In My Paint Palette - RN

Prussian Blue - RN

After a few months break to deal with a health issue, I’m having little flurries of creative ideas  again! I have resumed some art work and picked up my camera again…

Above is some of my favourite colours ~ Prussian Blue, Cerulean Blue, Turquoise, with a little white thrown into the mix! The first image is a little pile of papers and fabrics on my desk patiently waiting for some creative input…