Watercolour

Ocean

Regular visitors to my blog will know how much I love the ocean and all things seaside related. I can’t be near the ocean right now but I can paint it. So this was yesterday’s “masterpiece”…

Ocean Wave - NB
Ocean

A huge curling ocean wave… ! Large sweeping strokes of bold colour very quickly covered the paper. I painted this on Arches NOT paper, 140 lb.  Daniel Smith watercolors were used, namely Phthalo Blue GS, Prussian Blue, Green Gold and Cobalt Blue. A little bit of sea spray was added at the end courtesy of a little Titanium White Winsor & Newton designer gouache. I used Rosemary & Co kolinsky sable brushes. It measures 29 cm x 19 cm.

Please click on the image to view it larger, the smaller one here doesn’t really do it justice. Also I did struggle a bit to capture the colours accurately in the photograph. The reality is much better than the photo.

This was so much fun to paint.  I love having more time to paint right now; I’m not bored being stuck at home and I don’t miss work one little bit… ! Bye for now…

Evelyn

#rosemaryandcoareopen

Watercolour

Landscapes…

I’ve recently been working a series of small watercolour landscapes, inspired by places I’ve visited over the past year…

Lochbroom, Ullapool - NB
Lochbroom, Ullapool

My first is a view of Lochbroom, Ullapool in the Scottish Highlands. It was a very damp and misty drive to Ullapool last September but once we arrived the mist started to lift, some blue sky appeared and distant mountains emerged. I used my very own FLINT GREY for the mountains and sky in this painting.

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Rosemarkie Beach, Looking North

Above is a view of Rosemarkie Beach, looking towards the north. Rosemarkie is a tiny little village on the Black Isle in the Highlands. Rosemarkie Beach is  what I call an “everything beach”  – it has lovely sand, pebbles & shingle, rocky outcrops, rock pools and lots of interesting things get washed up on the shore…

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Wells-Next-The-Sea – Abstract

Here I’ve done an abstract seascape inspired by my trip to Wells-Next-The-Sea last spring. The landscape here is striped with layers of sand, grasses and sea which disappear and reappear as the tide goes in and out. Boats sit high and dry on the sand as the tide goes out. The colours I’ve used here are Prussian Blue, Monte Amiata Natural Sienna and a little Cascade Green – all by Daniel Smith. The white boats were done with a little white gouache.

Next are two more abstract landscapes:

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Sea Storm

First is an abstract watercolour inspired by the turbulent, powerful ocean. The colours I used here were Mayan Blue Genuine and Cascade Green by Daniel Smith. They’re colours that work together beautifully – I will be using this colour combination again…

And finally…

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Earth Storm

A stormy abstract landscape created using Daniel Smith’s Indigo, Transparent Red Oxide and Quinacridone Burnt Orange. Beautiful colours that complement each other perfectly and lovely added granulation from the Transparent Red Oxide.

All these landscapes measure 16 cm x 12.5 cm. They were painted on Winsor & Newton Professional Watercolour Paper, 140 lb, NOT, which is 100% cotton. This is very lovely paper to paint on and I would definitely buy more.  Brushes used were by Rosemary & Co and Silver Black Velvet. Daniel Smith watercolours were used for all the paintings.

All of these watercolours I will post on Instagram – @evelynflintwatercolours – over the next couple of days, please drop in and say hello. That’s all for now and thank you for visiting.

Watercolour

Rosehips

Rosehips - NB
Rosehips

A little splash of colour from my bleak winter garden –  some rosehips, painted in watercolour of course. I used Daniel Smith watercolours, Saunders Waterford high white watercolour paper (100% cotton, 200 lb, NOT) and it measures 19 cm x 29 cm.

I haven’t blogged much lately but things are happening in my watercolour world and I will post more in the new year.

Here’s another fun watercolour I did a couple of weeks ago:

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Beach Time

Looking forward to some beach time next year! My watercolour measures 15 cm x 19cm and was painted on Saunders Waterford high white paper – 100% cotton, 200 lb NOT. Daniel Smith and Winsor & Newton watercolours were used. It was fun and puts a smile on my face when I look at it. More watercolour updates in the new year…

Watercolour

Pebbles, Patterns & Positivity

I have three very different watercolour offerings to show you today. The first is a watercolour sketch painted on my recent holiday to the Scottish Highlands…

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Grey Pebbles – a watercolour sketch

Our holiday home in Scotland was right on the seafront in a very quiet little village in the Highlands. I enjoyed walking along the beach early each morning. It was so quiet and peaceful, very relaxing and soothing to the soul. On these walks I enjoyed picking up sea shells (see previous post), pebbles and other items of interest.  Above is a watercolour sketch of some grey pebbles I found on the beach. All the pebbles were grey but all different shades of grey. I tried to capture all the differing shades of grey by mixing all my own grey’s in the palette first and testing them out on a piece of scrap paper before painting. Each of the pebbles were different shapes and had very different patterns and markings, which I also tried to capture in my watercolour sketch. They were very enjoyable to paint.

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Dark Patterns

Above are patterns made by dropping dark watercolour shades into circles of water on watercolour paper. This was an exercise from Jean Haines’ latest book Paint Yourself Positive. I’m not going to explain the purpose of this exercise (you’ll have to buy the book to find out that… !) but it was a very simple and fun exercise to do. The colours I chose to use were Lunar Black, Paynes Blue Gray and Sepia – all by Daniel Smith. I love how the Lunar Black granulates – it’s a very useful shade of black to have in your palette. I love these darker colours but I also love brighter ones too…

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Squashed – a watercolour sketch

Above is a watercolour painting of three bright, colourful squashes and was inspired by the veggie section in Jean Haines’ Paint Yourself Positive book (link above). I bought these squashes from my local supermarket (Morrison’s to be exact) – they are such wonderful colours and shapes. They were just begging to be painted! But I do have to add that no food was wasted in the creation of this watercolour – these squashes are absolutely delicious roasted… !

Three very different watercolour offerings here today but all beautiful in their own way and much fun to paint.

Watercolour

Sea Shell Watercolours

Over the past week I’ve been gathering a modest collection of sea shells from the beach in the Scottish Highlands of the UK. Yesterday I made time to sit down and paint a selection of them…

Sea Shell Watercolour Sketches

I painted my sea shell selection on a sheet of Bokingford paper, by St Cuthberts Mill. The paper measured 14″ x 10″, 140 lb NOT. Great paper for water colour practice. Here’s a better view of the watercolour painting setup I use whilst travelling…

My travelling watercolour setup…

You can see above I had my sea shells laid out in front of me on a sheet of paper. I have two custom built paint boxes I use – one Daniel Smith (on the left) and one Windsor & Newton (on the right). Both are perfect for travelling and fit neatly in my art bag. In the bottom right corner you can just see my brush case -I just bring the essentials. On the table you can also see that I have kitchen roll to hand and a plastic container for water.

Watercolours are so easy to travel with. I really had fun painting these. Maybe some plein air sketching on the beach might be in order next…

Watercolour

A Beach Adventure

A Beach Adventure - NB
A Beach Adventure

This watercolour painting evokes many happy childhood memories of holidays at the seaside with my brother and sister.  We were very fortunate children really, as many of my friends at school never had any holidays at the sea at all and we went every year at least two or three times.

We loved building sandcastles, paddling in the sea, finding shells and searching rock pools for fish and crabs. It clearly left a lasting impression on me as I still love being by the sea today.

My watercolour above measres 19 cm x 29 cm and was painted on Fabriano Artistico extra white rough paper, 100% cotton & 140 lb. I used a limited palette, just five colours – Cobalt Blue, Winsor Blue Red Shade, Quinacridone Coral, Raw Umber and Buff Titanium. The photograph doesn’t really do the painting justice, the reality is much better. It is worth clicking on the image to view it larger.

I enjoyed painting this and as always it has been a learning curve. If I painted this scene again there are things I would do differently.  But I like this watercolour – it puts a smile on my face…

Watercolour

Daffodils

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Bunch of Daffodils

Painting daffodils was on the agenda this morning, making the most of them while they’re still blooming…

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Single Daffodil Study

I practiced painting this single daffodil first before painting the bunch above…

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Daffodil Colours

My daffodil colours are Winsor Lemon, Indian Yellow and Permanent Sap Green, all by Winsor & Newton. Paper used is Arches rough 140lb. It wasn’t till I started painting daffodils that I noticed what a lovely sweet smell they have and I enjoyed painting them…

Watercolour

Tulips

 

Tulips - NBTulip Test Colours - NB

 

Above are two tulips, painted loosely in watercolour, inspired by Jean Haines Atmospheric Flowers in Watercolour book. Paper used was Fabriano Artistico Extra White Rough paper, 100% cotton & 140 lb.  No preliminary pencil sketch was made on the watercolour paper.

On the left is a scrap of watercolour paper I used to test out some colours on before painting my tulips.  The yellow is Winsor Lemon – a good choice for the slightly delicate yellow of my tulips. The greens are Green Gold (DS),  Olive Green (W & N), Prussian Green (DS) and Prussian Green mixed with Green Gold. The grey shades at the bottom were mixed from Indigo and Buff Titanium.

This was my first ever attempt at painting tulips. Painting the glass jar the tulips are in was tricky – I need to work on that…

I enjoyed painting these tulips – they’re bright and cheerful and much fun to paint…

 

Watercolour

The Blue Ballet Shoes

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The Blue Ballet Shoes ~ watercolour sketch

The Blue Ballet Shoes – a watercolour sketch. This is the same basic composition as my previous ballet shoe sketch but this one is a looser version, done without any pencil sketch. I did the “drawing” with my paint brush! I deliberately chose soft colours – almost ethereal colours.

Paints used were by Daniel Smith and Winsor & Newton. Buff Titanium, Naples yellow, Quinacridone Coral, Burnt Sienna were used for the skin tones. Winsor Blue Red Shade mixed with white gouache was used for the ballet shoes. A little Yellow Ochre was mixed with the blue for the shadow. The paper used was Saunders Waterford High White, 140 lb cold pressed. I used Just two brushes – a #6 pointed round brush and a 1/2″ flat brush. My sketch measures 19 cm x 21 cm.

I much prefer working without a pencil sketch if possible but it is a challenge. And I did do a few practice sketches before this final version. Watercolour painting is a wonderful way to start the day…

Watercolour

Some Fun With Colour

I will begin this post with my custom built Winsor & Newton Professional watercolour paint box:

My W & N Paint Box - NB
My custom built Winsor & Newton professional paint box

This paint box started life as a 45 half pan set of Winsor & Newton Cotman watercolours. Over many months I have gradually replaced the Cotman pans with Winsor & Newton Professional pans of my choice. The colours in this paint box have also been carefully selected to complement the colours in my Daniel Smith custom built paint box. The two paint boxes will constitute my sketching palette when I’m travelling.

There are 32 colours in my Winsor & Newton paint box…

Colours in my W & N Paint Box - NB

Going from left to right and starting with the top row, the colours are:

Naples Yellow, Winsor Lemon, Indian Yellow, Winsor Red, Permanent Rose, Rose Madder Genuine, Ultramarine Violet, Winsor Violet, Indanthrene Blue, Ultramarine Blue (Green Shade), Winsor Blue (Green Shade), Winsor Blue (Red Shade), Cobalt Blue, Cerulean Blue, Manganese Blue Hue, Cobalt Turquoise, Cobalt Turquoise Light, Phthalo Turquoise, Winsor Green Blue Shade, olive Green, Permanent Sap Green, Green Gold, Yellow Ochre, New Gamboge, Raw Sienna, Burnt Sienna, Raw Umber, Burnt Umber, Van Dyke Brown, Paynes Grey, Lamp Black and Neutral Tint.

There are also 32 colours in my Daniel Smith paint box too. So that makes a total of 64 easily transportable colours at my disposal when I’m travelling. Happy days!

I picked 3 primary colours from my W & N paint box – Permanent Rose, Winsor Lemon and Winsor Blue (Red Shade) – and created a colour chart to see how many different colours I could create from them. I started with a sheet of A4 Khadi paper and drew with pencil as many boxes as I could fit on the page. When I finished I had 83 boxes, including 3 for my original primaries. That’s a lot of boxes – could I fill them all… ?? A tiny amount of doubt crept in…

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W & N primary colour chart : Permanent Rose, Winsor Lemon, Winsor Blue (Red Shade)

First lesson learnt is to never doubt myself – of course I can fill all those boxes! I’ve done a few of these charts now and it never ceases to amaze me how many different colours/shades you can create from just a red, a yellow and a blue (and water of course)! It’s a great way to learn about colour theory and colour mixing. I highly recommend giving it a go, it doesn’t matter what red yellow or blue you use and it’s FUN !!

My next colour experiment involved Daniel Smith’s Monte Amiata Natural Sienna (MANS). I mixed it with a variety of different blues:

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Mixing Daniel Smith Monte Amiata Natural Sienna with Blues

Firstly I love the lovely soft greys you get when you mix MANS with French Ultramarine. When mixed with other blues you get some lovely earthy greens and wonderful soft turquoise greens.

My final colour experiment for this post is about mixing greys. The ready made grey colours available to the watercolourist are quite limited so learning to mix them is pretty much essential:

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12 Shades Of Grey

Above are 12 shades of grey – 3 are ready made and 9 are mixed. Just in case you can’t read my handwriting, the grey shades are:

Top Row: Raw Sienna + Ultramarine Blue (W & N), Burnt Sienna + Ultramarine Blue (W & N), Paynes Grey (W & N), Paynes Blue Gray (DS), Neutral Tint (W & N)

Bottom Row: Permanent Alizarin Crimson + Viridian (DS), French Ultramarine + Yellow Ochre (DS), Carbazole Violet +Yellow Ochre +Viridian (DS), Raw Umber + Ultramarine Blue (W & N), Indigo + Yellow Ochre (DS), Winsor Green (BS) + Winsor Red (W & N).

Time spent playing with colour is always time well spent – there’s so much to be learnt from it. When I don’t feel like painting something “serious” or specific, some colour experiments are just the right thing and they are so much fun to do!