Watercolour

Winter Fun

This is my very first attempt at painting a winter landscape. I kept the composition very simple; it was based loosely upon the fields near my home and a photo I took some years ago…

Winter Fun

It was painted on Arches Aquarelle Rough paper, 140 lb. I used a fairly simple palette of watercolours: Flint Grey (my own grey mix), DS Verditer Blue, DS Sepia, DS Burnt Sienna, W & N Permanent Rose, W & N Indigo and W & N Prussian Blue. The photo doesn’t really do the painting justice.  Also this was my first attempt at putting a person into a painting. More landscapes and seascapes are on my watercolour “to do” list for 2021 and painting more people….

Next, also on my 2021 watercolour “to do” list, more roses:

I’ve used a little creative license with the colours for these roses; each one is a different shade of blue – from left to right, Verditer Blue, Prussian Blue and Manganese Blue Hue all by Daniel Smith. I’ve deliberately kept the colours of the roses simple, monochromatic, and just tried to paint petal shapes; I’m slowly improving. I’m going to be on a bit of a watercolour mission with roses in 2021.

I’m looking forward to new watercolour adventures in 2021…

Watercolour

Seed Heads, Seagull & Mushrooms!

Lets start today’s post with the seed heads. Poppy seed heads to be exact. Just simple watercolour sketches but much fun to do:

Poppy Seed Heads

An assortment of colours were used for these poppy seed heads. The Winsor & Newton colours used were: Olive Green, Raw Umber, Raw Sienna and a touch of Winsor Violet. The Daniel Smith colours used were: Cascade Green, Raw Sienna, Ultramarine Blue, Raw Sienna Light, Monte Amiata Natural Sienna and Goethite…

Poppy Seed Heads

Next on my watercolour “to do” list was a seagull. I did just a simple watercolour sketch to get the basic shape, features and colours:

Seagull

I started painting my seagull with the beak, using Hansa Yellow Medium & Quinacridone Gold by Daniel Smith. I had already chosen my colours after testing some on a piece of scrap paper. Next I painted the eye and then the negative outline of the bird. No preliminary pencil sketch was used. For the soft shading on the seagull’s head and body I used my own grey mix – FLINT GREY – and for the wing and tail end I used Lunar Black by Daniel Smith. I used Prussian Blue and a little Flint Grey for the negative outline of the seagull. This was very easy to do and I will move onto more involved seagull compositions.

Mushrooms

These are large breakfast mushrooms, bought from a local supermarket mainly for the purpose of painting. But of course they will be consumed; no food is ever wasted in the creation of a watercolour! I used just three colours for this watercolour sketch: Verditer Blue, Raw Sienna and Sepia, all by Daniel Smith. I started with diluted washes of Verditer Blue; when dry I overlaid them with dilute washes of Raw Sienna. This process produced the soft mushroom grey colours. For the gills inside the mushroom I used Sepia. For the surface the mushrooms are sitting on I used Verditer Blue mixed with a little Sepia. This was a good practice exercise for me.

Finally these are some of the most recent additions to my watercolour palette:

Lovely New Colours

I love all these colours. Verditer Blue is stunning; it’s a cooler blue than Ultramarine Blue and Cobalt Blue but not as cool as Cerulean Blue. Raw Sienna by Daniel Smith is different to what I would call a traditional raw sienna; but it’s wonderful for mixing with other colours or, indeed, just on it’s own. There’s nothing better to add new life to your watercolour painting than having new colours to play with…

Watercolour

Abstraction

I recently attended a two part webinar hosted by Liz Hough from the St. Ives School of Painting. It was really interesting and inspiring to watch Liz explain and demonstrate a series of processes that can help inspire us to create abstract art. We were set homework and here’s my homework from the first webinar:

Abstract seascape study in watercolour
Abstract seascape study in watercolour

To create these abstract seascapes studies I chose to use watercolour paints. I painted several sheets of watercolour paper using a limited palette – I used Paynes Blue Gray, Monte Amiata Natural Sienna and Prussian Blue by Daniel Smith. The idea is that creating studies like these can help us to create more serious pieces of abstract art work. I like how these turned out. They inspire me. I will be exploring abstract art further. I also still have to do homework for the second webinar, so I will cover that in another post.

Also on the subject of abstraction, I created a collection of small abstract seascapes in indigo and arranged them in a mosaic form:

Abstract Indogo Seascapes

One of the squares in the above mosaic inspired me to paint this seascape:

Sailing Stormy Seas

I painted this stormy wild seascape in watercolour on Arches Rough watercolour paper, 140 lb. The colours I used were Winsor & Newton’s Indigo, Cascade Green and Manganese Blue Hue by Daniel Smith. Did you guess the square in the mosaic that inspired this? It’s not hard, it was the second line down and the second in from the left!

If you’re interested in my watercolour work please consider following me on instagram – @evelynflintwatercolours – as I post there a bit more frequently than here on my blog. But of course I will always post more information about my work here on my blog.

I’m concluding my post with a great quote from Oscar Wilde:

“Art only begins where imitation ends”

Hazel Soan quoted this at the end of an interview she recently gave. It got me thinking, and I hope it will get you thinking too…

Watercolour

Ocean

Regular visitors to my blog will know how much I love the ocean and all things seaside related. I can’t be near the ocean right now but I can paint it. So this was yesterday’s “masterpiece”…

Ocean Wave - NB
Ocean

A huge curling ocean wave… ! Large sweeping strokes of bold colour very quickly covered the paper. I painted this on Arches NOT paper, 140 lb.  Daniel Smith watercolors were used, namely Phthalo Blue GS, Prussian Blue, Green Gold and Cobalt Blue. A little bit of sea spray was added at the end courtesy of a little Titanium White Winsor & Newton designer gouache. I used Rosemary & Co kolinsky sable brushes. It measures 29 cm x 19 cm.

Please click on the image to view it larger, the smaller one here doesn’t really do it justice. Also I did struggle a bit to capture the colours accurately in the photograph. The reality is much better than the photo.

This was so much fun to paint.  I love having more time to paint right now; I’m not bored being stuck at home and I don’t miss work one little bit… ! Bye for now…

Evelyn

#rosemaryandcoareopen

Watercolour

Landscapes…

I’ve recently been working a series of small watercolour landscapes, inspired by places I’ve visited over the past year…

Lochbroom, Ullapool - NB
Lochbroom, Ullapool

My first is a view of Lochbroom, Ullapool in the Scottish Highlands. It was a very damp and misty drive to Ullapool last September but once we arrived the mist started to lift, some blue sky appeared and distant mountains emerged. I used my very own FLINT GREY for the mountains and sky in this painting.

Rosemarkie Beach - Looking North - NB
Rosemarkie Beach, Looking North

Above is a view of Rosemarkie Beach, looking towards the north. Rosemarkie is a tiny little village on the Black Isle in the Highlands. Rosemarkie Beach is  what I call an “everything beach”  – it has lovely sand, pebbles & shingle, rocky outcrops, rock pools and lots of interesting things get washed up on the shore…

Wells-Next-The-Sea - Abstract - NB
Wells-Next-The-Sea – Abstract

Here I’ve done an abstract seascape inspired by my trip to Wells-Next-The-Sea last spring. The landscape here is striped with layers of sand, grasses and sea which disappear and reappear as the tide goes in and out. Boats sit high and dry on the sand as the tide goes out. The colours I’ve used here are Prussian Blue, Monte Amiata Natural Sienna and a little Cascade Green – all by Daniel Smith. The white boats were done with a little white gouache.

Next are two more abstract landscapes:

Sea Storm - Abstract - NB
Sea Storm

First is an abstract watercolour inspired by the turbulent, powerful ocean. The colours I used here were Mayan Blue Genuine and Cascade Green by Daniel Smith. They’re colours that work together beautifully – I will be using this colour combination again…

And finally…

Earth Storm - Abstract - NB
Earth Storm

A stormy abstract landscape created using Daniel Smith’s Indigo, Transparent Red Oxide and Quinacridone Burnt Orange. Beautiful colours that complement each other perfectly and lovely added granulation from the Transparent Red Oxide.

All these landscapes measure 16 cm x 12.5 cm. They were painted on Winsor & Newton Professional Watercolour Paper, 140 lb, NOT, which is 100% cotton. This is very lovely paper to paint on and I would definitely buy more.  Brushes used were by Rosemary & Co and Silver Black Velvet. Daniel Smith watercolours were used for all the paintings.

All of these watercolours I will post on Instagram – @evelynflintwatercolours – over the next couple of days, please drop in and say hello. That’s all for now and thank you for visiting.

Watercolour

Rosehips

Rosehips - NB
Rosehips

A little splash of colour from my bleak winter garden –  some rosehips, painted in watercolour of course. I used Daniel Smith watercolours, Saunders Waterford high white watercolour paper (100% cotton, 200 lb, NOT) and it measures 19 cm x 29 cm.

I haven’t blogged much lately but things are happening in my watercolour world and I will post more in the new year.

Here’s another fun watercolour I did a couple of weeks ago:

Beach Time - NB
Beach Time

Looking forward to some beach time next year! My watercolour measures 15 cm x 19cm and was painted on Saunders Waterford high white paper – 100% cotton, 200 lb NOT. Daniel Smith and Winsor & Newton watercolours were used. It was fun and puts a smile on my face when I look at it. More watercolour updates in the new year…

Watercolour

Pebbles, Patterns & Positivity

I have three very different watercolour offerings to show you today. The first is a watercolour sketch painted on my recent holiday to the Scottish Highlands…

Grey Pebbles - NB
Grey Pebbles – a watercolour sketch

Our holiday home in Scotland was right on the seafront in a very quiet little village in the Highlands. I enjoyed walking along the beach early each morning. It was so quiet and peaceful, very relaxing and soothing to the soul. On these walks I enjoyed picking up sea shells (see previous post), pebbles and other items of interest.  Above is a watercolour sketch of some grey pebbles I found on the beach. All the pebbles were grey but all different shades of grey. I tried to capture all the differing shades of grey by mixing all my own grey’s in the palette first and testing them out on a piece of scrap paper before painting. Each of the pebbles were different shapes and had very different patterns and markings, which I also tried to capture in my watercolour sketch. They were very enjoyable to paint.

Dark Patterns - NB
Dark Patterns

Above are patterns made by dropping dark watercolour shades into circles of water on watercolour paper. This was an exercise from Jean Haines’ latest book Paint Yourself Positive. I’m not going to explain the purpose of this exercise (you’ll have to buy the book to find out that… !) but it was a very simple and fun exercise to do. The colours I chose to use were Lunar Black, Paynes Blue Gray and Sepia – all by Daniel Smith. I love how the Lunar Black granulates – it’s a very useful shade of black to have in your palette. I love these darker colours but I also love brighter ones too…

Squashed - NB
Squashed – a watercolour sketch

Above is a watercolour painting of three bright, colourful squashes and was inspired by the veggie section in Jean Haines’ Paint Yourself Positive book (link above). I bought these squashes from my local supermarket (Morrison’s to be exact) – they are such wonderful colours and shapes. They were just begging to be painted! But I do have to add that no food was wasted in the creation of this watercolour – these squashes are absolutely delicious roasted… !

Three very different watercolour offerings here today but all beautiful in their own way and much fun to paint.

Watercolour

Sea Shell Watercolours

Over the past week I’ve been gathering a modest collection of sea shells from the beach in the Scottish Highlands of the UK. Yesterday I made time to sit down and paint a selection of them…

Sea Shell Watercolour Sketches

I painted my sea shell selection on a sheet of Bokingford paper, by St Cuthberts Mill. The paper measured 14″ x 10″, 140 lb NOT. Great paper for water colour practice. Here’s a better view of the watercolour painting setup I use whilst travelling…

My travelling watercolour setup…

You can see above I had my sea shells laid out in front of me on a sheet of paper. I have two custom built paint boxes I use – one Daniel Smith (on the left) and one Windsor & Newton (on the right). Both are perfect for travelling and fit neatly in my art bag. In the bottom right corner you can just see my brush case -I just bring the essentials. On the table you can also see that I have kitchen roll to hand and a plastic container for water.

Watercolours are so easy to travel with. I really had fun painting these. Maybe some plein air sketching on the beach might be in order next…

Watercolour

A Beach Adventure

A Beach Adventure - NB
A Beach Adventure

This watercolour painting evokes many happy childhood memories of holidays at the seaside with my brother and sister.  We were very fortunate children really, as many of my friends at school never had any holidays at the sea at all and we went every year at least two or three times.

We loved building sandcastles, paddling in the sea, finding shells and searching rock pools for fish and crabs. It clearly left a lasting impression on me as I still love being by the sea today.

My watercolour above measres 19 cm x 29 cm and was painted on Fabriano Artistico extra white rough paper, 100% cotton & 140 lb. I used a limited palette, just five colours – Cobalt Blue, Winsor Blue Red Shade, Quinacridone Coral, Raw Umber and Buff Titanium. The photograph doesn’t really do the painting justice, the reality is much better. It is worth clicking on the image to view it larger.

I enjoyed painting this and as always it has been a learning curve. If I painted this scene again there are things I would do differently.  But I like this watercolour – it puts a smile on my face…

Watercolour

Daffodils

Daffodils - NB
Bunch of Daffodils

Painting daffodils was on the agenda this morning, making the most of them while they’re still blooming…

Daffodil Study - NB
Single Daffodil Study

I practiced painting this single daffodil first before painting the bunch above…

Daffodil Colours - NB
Daffodil Colours

My daffodil colours are Winsor Lemon, Indian Yellow and Permanent Sap Green, all by Winsor & Newton. Paper used is Arches rough 140lb. It wasn’t till I started painting daffodils that I noticed what a lovely sweet smell they have and I enjoyed painting them…